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		<title>SCHAU ORT</title>
		<link>http://schauort.com</link>
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		<description>SCHAU ORT. Christiane B&Atilde;&frac14;ntgen, Z&Atilde;&frac14;rich</description>
		<pubDate>Fri, 03 Feb 2012 13:32:00 +0000</pubDate>
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			<title>SHOW REAL DRAMA by Keren Cytter</title>
			<link>http://schauort.com/blog/2012/02/03/show-real-drama-by-keren-cytter</link>
			<comments>http://schauort.com/blog/2012/02/03/show-real-drama-by-keren-cytter</comments>
			<pubDate>Fri, 03 Feb 2012 13:32:00 +0000</pubDate>
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			<description><![CDATA[   Keren Cytter developed SHOW REAL DRAMA for Deutsche Bank as part of their series Globe in the Deutsche Bank Towers in March 2011.<BR/>After the its premiere in Frankfurt am Main, SHOW REAL DRAMA has been touring to Berlin (Based in Berlin) and Bergen (Kunsthall Bergen), and will tour to the following institutions and theaters in the coming [...]]]></description>
			<content:encoded><![CDATA[   Keren Cytter developed SHOW REAL DRAMA for Deutsche Bank as part of their series Globe in the Deutsche Bank Towers in March 2011.<BR/>After the its premiere in Frankfurt am Main, SHOW REAL DRAMA has been touring to Berlin (Based in Berlin) and Bergen (Kunsthall Bergen), and will tour to the following institutions and theaters in the coming months:<BR/><BR/><BR/>March 24 2012: Ke Center Theater, Shanghai<BR/><BR/>March 31 2012: Penghao Ren Theater, Beijing<BR/><BR/>April 7&amp;8 2012: Bo:m Festival, Seoul<BR/><BR/>May 5&amp;6 2012: The Kitchen, New York<BR/><BR/>June 2012: as part of Stedelijk Museum TS3 and in collaboration with If I Can't Dance, Amsterdam <BR/><BR/>September 24-30 2012: Tate Modern Oil Tanks, London<BR/><BR/>SHOW REAL DRAMA is a play written and directed by Keren Cytter based on the life of two of her actors. Their story is unfold through repetition of text and gestures that are shifting from seemingly improvised moments to choreographed movements and create fractured, yet touching storyline.<BR/><BR/><A HREF="http://www.artprojectsera.org/projects/46" TARGET="_self">more information</A> <br><br>]]></content:encoded>
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			<title>Keren Cytter participating at &quot;Found in Translation&quot;, Deutsche Guggenheim, Berlin</title>
			<link>http://schauort.com/blog/2012/01/28/keren-cytter-participating-at-found-in-translation-deutsche-guggenheim-berlin</link>
			<comments>http://schauort.com/blog/2012/01/28/keren-cytter-participating-at-found-in-translation-deutsche-guggenheim-berlin</comments>
			<pubDate>Sat, 28 Jan 2012 13:11:00 +0000</pubDate>
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			<description><![CDATA[   Found in Translation<BR/>28.01. - 09.04.2012<BR/><BR/>Found in Translation vereint aktuelle Arbeiten von neun Künstlern, die sich mit dem Thema der Übersetzung als Modell und Metapher, als kritischem Kommentar der Vergangenheit und als Ideenreservoir für die Gegenwart, beschäftigen. Die Übertragung eines Textes von einer Sprache [...]]]></description>
			<content:encoded><![CDATA[   Found in Translation<BR/>28.01. - 09.04.2012<BR/><BR/>Found in Translation vereint aktuelle Arbeiten von neun Künstlern, die sich mit dem Thema der Übersetzung als Modell und Metapher, als kritischem Kommentar der Vergangenheit und als Ideenreservoir für die Gegenwart, beschäftigen. Die Übertragung eines Textes von einer Sprache in eine andere eröffnet diesen Künstlern ein weites diskursives Feld, in dem sie Begriffe der Identität – wie Klasse, Herkunft, Religion und Sexualität – behandeln.<BR/><BR/><A HREF="http://www.deutsche-guggenheim.de/ex_foundintranslation_de_full.php" TARGET="_self">Deutsche Guggenheim</A> <BR/>Unter den Linden 13/15<BR/>10117 Berlin<br><br>]]></content:encoded>
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			<title>Eran Schaerf curating &quot;heidiohneland - unvereinbar kompatibel&quot; at Substitut, Berlin. </title>
			<link>http://schauort.com/blog/2012/01/27/eran-schaerf-curating-heidiohneland-unvereinbar-kompatibel-at-substitut-berlin</link>
			<comments>http://schauort.com/blog/2012/01/27/eran-schaerf-curating-heidiohneland-unvereinbar-kompatibel-at-substitut-berlin</comments>
			<pubDate>Fri, 27 Jan 2012 15:33:00 +0000</pubDate>
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			<description><![CDATA[   unvereinbar kompatibel –<BR/>HEIDIOHNELAND<BR/>28.1. – 25.2.2013<BR/><BR/>Eröffnung: Freitag, 27.01.2012, 19h<BR/><BR/>Eine Ausstellung der Studienvertiefung<BR/>Mediale Künste / Zürcher Hochschule der<BR/>Künste, kuratiert von Eran Schaerf, knowbotiq und Birk Weiberg.<BR/><BR/>91.192.100.163, Rafael Adame, Shima [...]]]></description>
			<content:encoded><![CDATA[   unvereinbar kompatibel –<BR/>HEIDIOHNELAND<BR/>28.1. – 25.2.2013<BR/><BR/>Eröffnung: Freitag, 27.01.2012, 19h<BR/><BR/>Eine Ausstellung der Studienvertiefung<BR/>Mediale Künste / Zürcher Hochschule der<BR/>Künste, kuratiert von Eran Schaerf, knowbotiq und Birk Weiberg.<BR/><BR/>91.192.100.163, Rafael Adame, Shima Asa,<BR/>Corina Caviezel, Patrick Kull, Andrea Palamarčuková, Lea Schaffner, Florian Wegelin, Alper Yagcioglu.<BR/><BR/><A HREF="http://www.substitut-berlin.ch/" TARGET="_self">SUBSTITUT</A> <BR/>Raum für aktuelle Kunst aus der Schweiz<BR/><BR/>Torstrasse 159<BR/>10115 Berlin<br><br>]]></content:encoded>
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			<title>Seline Baumgartner participating at &quot;Social Body&quot;  curated by Project MADONNA, Palazzo Ducale, Genova (IT) 13 — 29 January 2012</title>
			<link>http://schauort.com/blog/2012/01/14/seline-baumgartner-participating-at-social-body-curated-by-project-madonna-palazzo-ducale-genova-it-13-%e2%80%94-29-january-2012</link>
			<comments>http://schauort.com/blog/2012/01/14/seline-baumgartner-participating-at-social-body-curated-by-project-madonna-palazzo-ducale-genova-it-13-%e2%80%94-29-january-2012</comments>
			<pubDate>Sat, 14 Jan 2012 14:44:00 +0000</pubDate>
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			<description><![CDATA[  SOCIAL BODY curated by Massimiliano Madonna<BR/>Palazzo Ducale, Sala Dogana, Genova (IT)<BR/><BR/>13. — 29. Januar 2012<BR/><BR/>Mirko Aretini (1984, CH), Seline Baumgartner (1980, CH), Roberto De Luca (1962, CH/IT), Jérôme Leuba (1970, CH), Augustin Rebetez (1986, CH), Silvano Repetto (1968, CH), Niklaus Wenger (1978, CH), Zimoun [...]]]></description>
			<content:encoded><![CDATA[  SOCIAL BODY curated by Massimiliano Madonna<BR/>Palazzo Ducale, Sala Dogana, Genova (IT)<BR/><BR/>13. — 29. Januar 2012<BR/><BR/>Mirko Aretini (1984, CH), Seline Baumgartner (1980, CH), Roberto De Luca (1962, CH/IT), Jérôme Leuba (1970, CH), Augustin Rebetez (1986, CH), Silvano Repetto (1968, CH), Niklaus Wenger (1978, CH), Zimoun (1977, CH) <BR/><BR/><A HREF="http://www.madonnafust.ch/ausstellungen" TARGET="_self">more Information</A> <br><br>]]></content:encoded>
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			<title>Seline Baumgartner and Irene Weingartner participating in: Catch of the Year 2011 at Dienstgebäude Zurich, 2 Dec, 2011- 7 Jan, 2012</title>
			<link>http://schauort.com/blog/2011/12/01/seline-baumgartner-and-irene-weingartner-participating-in-catch-of-the-year-2011-at-dienstgebaude-zurich-2-dec-2011-7-jan-2012</link>
			<comments>http://schauort.com/blog/2011/12/01/seline-baumgartner-and-irene-weingartner-participating-in-catch-of-the-year-2011-at-dienstgebaude-zurich-2-dec-2011-7-jan-2012</comments>
			<pubDate>Thu, 01 Dec 2011 14:56:00 +0000</pubDate>
			<dc:creator></dc:creator>
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			<description><![CDATA[<B>Opening: 1 Dec, 2011 from 6 pm onwards with bar &amp; crepes.  </B><BR/>Zurich's project space DIENSTGEBÄUDE presents over 100 artists with over 100 artworks. We are proud to announce that Seline Baumgartner and Irene Weingartner are part of the show! <BR/><B>DIENSTGEBÄUDE</B><BR/>Töpferstrasse 26<BR/>8045 Zurich<BR/>Thur - Sat, 12 - 6 [...]]]></description>
			<content:encoded><![CDATA[<br><br><B>Opening: 1 Dec, 2011 from 6 pm onwards with bar &amp; crepes.  </B><BR/>Zurich's project space DIENSTGEBÄUDE presents over 100 artists with over 100 artworks. We are proud to announce that Seline Baumgartner and Irene Weingartner are part of the show! <BR/><B>DIENSTGEBÄUDE</B><BR/>Töpferstrasse 26<BR/>8045 Zurich<BR/>Thur - Sat, 12 - 6 pm<BR/><A HREF="http://www.dienstgebaeude.ch/index.html" TARGET="_blank">www.dienstgeaeude.ch</A>  <br><br>]]></content:encoded>
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			<title>Martinka Kremeckova participating at &quot;RAUM No. 4: Home Story&quot;, RAUM No. Bern</title>
			<link>http://schauort.com/blog/2011/11/24/martinka-kremeckova-participating-at-raum-no-4-home-story-raum-no-bern</link>
			<comments>http://schauort.com/blog/2011/11/24/martinka-kremeckova-participating-at-raum-no-4-home-story-raum-no-bern</comments>
			<pubDate>Thu, 24 Nov 2011 14:37:00 +0000</pubDate>
			<dc:creator></dc:creator>
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			<description><![CDATA[   RAUM No. 4: Home Story<BR/><BR/>Esther Ernst<BR/>Martinka Kremeckova<BR/>Marcel Meury<BR/><BR/>1. – 11.12.2011<BR/>Gärtnerwohnung<BR/>Melchenbühlweg 4<BR/>3006 Bern<BR/><BR/><BR/>Vernissage:<BR/>DO 1. Dezember 2011, 18:30 Uhr<BR/><BR/>Finissage:<BR/>SO 11. Dezember, ab 15 Uhr mit Glühwein<BR/><BR/>Öffnungszeiten:<BR/>SA: [...]]]></description>
			<content:encoded><![CDATA[   RAUM No. 4: Home Story<BR/><BR/>Esther Ernst<BR/>Martinka Kremeckova<BR/>Marcel Meury<BR/><BR/>1. – 11.12.2011<BR/>Gärtnerwohnung<BR/>Melchenbühlweg 4<BR/>3006 Bern<BR/><BR/><BR/>Vernissage:<BR/>DO 1. Dezember 2011, 18:30 Uhr<BR/><BR/>Finissage:<BR/>SO 11. Dezember, ab 15 Uhr mit Glühwein<BR/><BR/>Öffnungszeiten:<BR/>SA: 13:00–17:00 Uhr<BR/>und nach Vereinbarung<BR/><BR/><A HREF="http://www.raum-no.ch/index.php?go=raum4" TARGET="_self">Mehr Infos</A> <br><br>]]></content:encoded>
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			<title>Anita Di Bianco participating at &quot;MISS READ&quot;, KW Berlin</title>
			<link>http://schauort.com/blog/2011/11/24/anita-di-bianco-participating-at-miss-read-kw-berlin</link>
			<comments>http://schauort.com/blog/2011/11/24/anita-di-bianco-participating-at-miss-read-kw-berlin</comments>
			<pubDate>Thu, 24 Nov 2011 14:01:00 +0000</pubDate>
			<dc:creator></dc:creator>
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			<description><![CDATA[ MISS READ<BR/><BR/>25.–27. November 2011<BR/><BR/>Eröffnungsparty im Café Bravo: Freitag, 25.11.2011, 21–24 Uhr<BR/><BR/>Zum dritten Mal hat MISS READ internationale Verleger und Künstler eingeladen, ihre Künstlerbücher in den KW Institute for Contemporary Art in Berlin zu zeigen. Als eigenständige Form spiegelt das [...]]]></description>
			<content:encoded><![CDATA[ MISS READ<BR/><BR/>25.–27. November 2011<BR/><BR/>Eröffnungsparty im Café Bravo: Freitag, 25.11.2011, 21–24 Uhr<BR/><BR/>Zum dritten Mal hat MISS READ internationale Verleger und Künstler eingeladen, ihre Künstlerbücher in den KW Institute for Contemporary Art in Berlin zu zeigen. Als eigenständige Form spiegelt das Künstlerbuch in besonderem Maße zeitgenössische Praktiken des künstlerischen Arbeitens und Publizierens wider, die sich den Fragen der Präsentation und Zirkulation sowie neuen Strategien der Distribution widmen. Mit der Präsentation einer Auswahl von über 80 der in diesem Bereich aktivsten und spannendsten Positionen bietet MISS READ Gelegenheit, die zeitgenössische Künstlerbuchszene zu entdecken und direkt mit den Künstlern, Verlegern und weiteren Akteuren in Kontakt zu treten.<BR/><BR/><A HREF="http://www.kw-berlin.de/index.php?option=com_content&amp;view=article&amp;id=537%3Amiss-read&amp;catid=40%3Aaktuelleveranstaltungen&amp;Itemid=213&amp;lang=de" TARGET="_self">KW Institute for Contemporary Art</A> <BR/>Auguststraße 69<BR/>D-10117 Berlin<br><br>]]></content:encoded>
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			<title>Anselm Stalder participating at &quot;6 Künstler aus Basel x2&quot;, Kunsthalle Basel</title>
			<link>http://schauort.com/blog/2011/11/24/anselm-stalder-participating-at-6-kunstler-aus-basel-x2-kunsthalle-basel</link>
			<comments>http://schauort.com/blog/2011/11/24/anselm-stalder-participating-at-6-kunstler-aus-basel-x2-kunsthalle-basel</comments>
			<pubDate>Thu, 24 Nov 2011 13:52:00 +0000</pubDate>
			<dc:creator></dc:creator>
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			<description><![CDATA[  6 Künstler aus Basel x2<BR/><BR/>27. November 2011–01. Januar 2012<BR/>Vernissage: 26. November 2011, 19 Uhr<BR/><BR/><BR/>Im Jahr 1981 fand in der Kunsthalle Basel, kuratiert von Jean-Christophe Ammann, die Ausstellung 6 Künstler aus Basel statt, an welche wir dieses Jahr anknüpfen möchten. Die Ausstellung war damals umstritten [...]]]></description>
			<content:encoded><![CDATA[  6 Künstler aus Basel x2<BR/><BR/>27. November 2011–01. Januar 2012<BR/>Vernissage: 26. November 2011, 19 Uhr<BR/><BR/><BR/>Im Jahr 1981 fand in der Kunsthalle Basel, kuratiert von Jean-Christophe Ammann, die Ausstellung 6 Künstler aus Basel statt, an welche wir dieses Jahr anknüpfen möchten. Die Ausstellung war damals umstritten und bedeutend zugleich, da sie sechs jungen Künstlerinnen und Künstler aus dem Raum Basel erstmals die Möglichkeit bot, ihr Werk als individuelle Position in einem institutionellen Rahmen auszustellen. Unter dem Titel 6 Künstler aus Basel x2 wurden für eine Präsentation im Untergeschoss die Ausstellungsteilnehmer von 1981 eingeladen; Im Obergeschoss sollen sechs aus den eingereichten Dossiers ausgewählte Positionen gezeigt werden. Obwohl unter dem gleichen Titel, sind die beiden Schauen als voneinander unabhängige Ausstellungen zu verstehen.<BR/><BR/>Die Ausstellung 6 Künstler aus Basel x2 wird kuratiert von Sandra Bradvic, Roos Gortzak und Adam Szymczyk.<BR/><BR/><A HREF="http://www.kunsthallebasel.ch/ausstellungen/vorschau/110" TARGET="_self">KUNSTHALLE BASEL</A> <BR/>Steinberg 7<BR/>CH-4051 Basel<BR/><BR/><br><br>]]></content:encoded>
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			<title>Keren Cytter in group show at Galeria Filomena Soares, Lisbon. Opening: 26 Nov, 10 pm</title>
			<link>http://schauort.com/blog/2011/11/04/keren-cytter-in-group-show-at-galeria-filomena-soares-lisbon-opening-26-nov-10-pm</link>
			<comments>http://schauort.com/blog/2011/11/04/keren-cytter-in-group-show-at-galeria-filomena-soares-lisbon-opening-26-nov-10-pm</comments>
			<pubDate>Fri, 04 Nov 2011 16:14:00 +0000</pubDate>
			<dc:creator></dc:creator>
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			<description><![CDATA[Group exhibition from 26 Nov, 2011 - 14. Jan, 2012 with: <BR/>Clemens Krauss | Julia Schmidt | Kateřina Šedá | Katinka Bock | Keren Cytter | Mariechen Danz | Mark Titchner | Martin Jacobson | Michael Johansson | Philipp Goldbach | Tim Lee | Tonico Lemos Auad. <BR/><BR/>Galeria Filomena Soares<BR/>Rua da Manutenção nº 80 [...]]]></description>
			<content:encoded><![CDATA[Group exhibition from 26 Nov, 2011 - 14. Jan, 2012 with: <BR/>Clemens Krauss | Julia Schmidt | Kateřina Šedá | Katinka Bock | Keren Cytter | Mariechen Danz | Mark Titchner | Martin Jacobson | Michael Johansson | Philipp Goldbach | Tim Lee | Tonico Lemos Auad. <BR/><BR/>Galeria Filomena Soares<BR/>Rua da Manutenção nº 80 (Xabregas)<BR/>1900-321 Lisboa | Portugal <BR/><A HREF="http://www.gfilomenasoares.com//en" TARGET="_blank"><I>website</I></A><br><br>]]></content:encoded>
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			<title>Curated by Claudia Wieser: FIELD OF QUESTIONS. At Galerie Eva Winkeler Cologne, Opening: 27 Oct 2011</title>
			<link>http://schauort.com/blog/2011/10/26/curated-by-claudia-wieser-field-of-questions-at-galerie-eva-winkeler-cologne-opening-27-oct-2011</link>
			<comments>http://schauort.com/blog/2011/10/26/curated-by-claudia-wieser-field-of-questions-at-galerie-eva-winkeler-cologne-opening-27-oct-2011</comments>
			<pubDate>Wed, 26 Oct 2011 16:20:00 +0000</pubDate>
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			<description><![CDATA[ <B>Groupshow curated by Claudia Wieser:</B><BR/>Carina Brandes, Raphael Danke,<BR/>Nina Hoffmann, Nadira Husain,<BR/>Doris Lasch / Ursula Ponn, Kim Nekarda,<BR/>Anne Rößner, Agnieszka Szostek<BR/><BR/>More information here: <A HREF="http://www.evawinkeler.com/" TARGET="_blank"><B>Galerie Eva Winkeler</B></A>r  [...]]]></description>
			<content:encoded><![CDATA[ <B>Groupshow curated by Claudia Wieser:</B><BR/>Carina Brandes, Raphael Danke,<BR/>Nina Hoffmann, Nadira Husain,<BR/>Doris Lasch / Ursula Ponn, Kim Nekarda,<BR/>Anne Rößner, Agnieszka Szostek<BR/><BR/>More information here: <A HREF="http://www.evawinkeler.com/" TARGET="_blank"><B>Galerie Eva Winkeler</B></A>r <br><br>]]></content:encoded>
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			<title>Eva Meyer / Eran Schaerf: Automontage, Les Complices, Zurich. 26 Oct - 19 Nov, 2011</title>
			<link>http://schauort.com/blog/2011/10/26/eva-meyer-eran-schaerf-automontage-les-complices-zurich-26-oct-19-nov-2011</link>
			<comments>http://schauort.com/blog/2011/10/26/eva-meyer-eran-schaerf-automontage-les-complices-zurich-26-oct-19-nov-2011</comments>
			<pubDate>Wed, 26 Oct 2011 16:07:00 +0000</pubDate>
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			<description><![CDATA[   «Wenn Du das liest, bin ich schon in einem anderen Film.» Damit ist sowohl der Schnitt zwischen zwei Filmen wie auch zwischen zwei Zeiten, Geschichten, Medien gemeint. Um diesen Schnitt geht es bei „Automontage&#8220;: Wenn die Kamera einem Träger übergeben wird und das Bild nicht durch den Blick im Sucher bestimmt wird; wenn [...]]]></description>
			<content:encoded><![CDATA[   «Wenn Du das liest, bin ich schon in einem anderen Film.» Damit ist sowohl der Schnitt zwischen zwei Filmen wie auch zwischen zwei Zeiten, Geschichten, Medien gemeint. Um diesen Schnitt geht es bei „Automontage&#8220;: Wenn die Kamera einem Träger übergeben wird und das Bild nicht durch den Blick im Sucher bestimmt wird; wenn das Material, das dabei entsteht, einem fremd wird – das Bild beschreibt sich selbst und bildet nicht nur ab, sondern öffnet sich auf unvorhersehbare Geschichten. .... <A HREF="http://www.lescomplices.ch/" TARGET="_blank"><B><I>read on...</I></B></A> <BR/><BR/>Les Complices*<BR/>Anwandstrasse 9<BR/>CH-8004 Zürich<BR/><A HREF="http://www.lescomplices.ch/" TARGET="_blank">www.lescomplices.ch</A> <BR/><A HREF="mailto:info@lescomplices.ch?subject=" TARGET="">info(at)lescomplices.ch</A><BR/>+41 (0)43 243 88 77<br><br>]]></content:encoded>
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			<title>Bettina Carl participating at &quot;Mit Seife und Gabeln | Eine Ausstellung zum Glück II&quot;, Substitut, Berlin, 29.10. – 10.12.2011 </title>
			<link>http://schauort.com/blog/2011/10/21/bettina-carl-participating-at-mit-seife-und-gabeln-eine-ausstellung-zum-glu%cc%88ck-ii-substitut-berlin-29-10-%e2%80%93-10-12-2011</link>
			<comments>http://schauort.com/blog/2011/10/21/bettina-carl-participating-at-mit-seife-und-gabeln-eine-ausstellung-zum-glu%cc%88ck-ii-substitut-berlin-29-10-%e2%80%93-10-12-2011</comments>
			<pubDate>Fri, 21 Oct 2011 15:50:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/10/21/bettina-carl-participating-at-mit-seife-und-gabeln-eine-ausstellung-zum-glu%cc%88ck-ii-substitut-berlin-29-10-%e2%80%93-10-12-2011</guid>
			<description><![CDATA[   Mit Seife und Gabeln – Eine Ausstellung zum GlÜck II<BR/>29.10. – 10.12.2011<BR/><BR/>Eröffnung: Freitag, 28. Oktober 2011, 19 Uhr<BR/><BR/>Hat jemand eine Ahnung? Wo sind die Werkzeuge, welche Rolle spielt der Zufall, ist Angst ein Antrieb, braucht es die Störung, was gilt es zu verteidigen? Ist das Glück eine launische [...]]]></description>
			<content:encoded><![CDATA[   Mit Seife und Gabeln – Eine Ausstellung zum GlÜck II<BR/>29.10. – 10.12.2011<BR/><BR/>Eröffnung: Freitag, 28. Oktober 2011, 19 Uhr<BR/><BR/>Hat jemand eine Ahnung? Wo sind die Werkzeuge, welche Rolle spielt der Zufall, ist Angst ein Antrieb, braucht es die Störung, was gilt es zu verteidigen? Ist das Glück eine launische Hure? Es ist ein Boojum, nicht wahr?<BR/><BR/>»Mit Seife und Gabeln« ermittelt aus gegenwärtiger Perspektive soziale, politische und kulturelle Bedingungen für Glück.<BR/><BR/><BR/>Mit Seife und Gabeln | Ermittlungen zum Glück II<BR/>Öffentliche Tagung<BR/><BR/>Sonntag, 30. Oktober 2011, 11–18 Uhr<BR/><BR/>Gäste der Tagung:<BR/>Bettina Carl, Künstlerin, Zürich/Berlin<BR/>Gesellschaft des Glücks der Verfehlung: Jso Maeder, Künstler, Zürich; Volker Demuth, Schriftsteller,<BR/>Berlin; Wolfgang Hagen, Medienwissenschaftler, Berlin<BR/>Mikrokosmos: Sarah Bosetti, Daniel Hoth, Berlin;<BR/>Radostina Patulova, Philosophin, Wien<BR/>rebell.tv, Stefan Seydel, Tina Piazzi, Sozialarbeiter/Medientheoretiker, Disentis/Berlin<BR/><BR/><A HREF="http://www.substitut-berlin.ch/next.html" TARGET="_self">SUBSTITUT</A> – Raum für aktuelle Kunst aus der Schweiz<BR/>Torstrasse 159, 10115 Berlin <br><br>]]></content:encoded>
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			<title>Michiel Ceulers participating at &quot;Accidental Thoughts and Metaphors&quot;, Ana Cristea Gallery, New York, October 20 – November 16, 2011.</title>
			<link>http://schauort.com/blog/2011/10/19/michiel-ceulers-participating-at-accidental-thoughts-and-metaphors-ana-cristea-gallery-new-york-october-20-%e2%80%93-november-16-2011</link>
			<comments>http://schauort.com/blog/2011/10/19/michiel-ceulers-participating-at-accidental-thoughts-and-metaphors-ana-cristea-gallery-new-york-october-20-%e2%80%93-november-16-2011</comments>
			<pubDate>Wed, 19 Oct 2011 16:04:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/10/19/michiel-ceulers-participating-at-accidental-thoughts-and-metaphors-ana-cristea-gallery-new-york-october-20-%e2%80%93-november-16-2011</guid>
			<description><![CDATA[   <B>Accidental Thoughts and Metaphors</B><BR/><BR/>Michiel Ceulers, Ellen de Meutter, Peter Rogiers, Ante Timmermans<BR/><BR/>October 20 - November 16, 2011<BR/>Reception opening <BR/>Thursday, October 20th, 6 - 8 pm<BR/><BR/>Ana Cristea Gallery is pleased to present Accidental Thoughts and Metaphors, a group show bringing together the artistic [...]]]></description>
			<content:encoded><![CDATA[   <B>Accidental Thoughts and Metaphors</B><BR/><BR/>Michiel Ceulers, Ellen de Meutter, Peter Rogiers, Ante Timmermans<BR/><BR/>October 20 - November 16, 2011<BR/>Reception opening <BR/>Thursday, October 20th, 6 - 8 pm<BR/><BR/>Ana Cristea Gallery is pleased to present Accidental Thoughts and Metaphors, a group show bringing together the artistic practices of four Belgian artists: Michiel Ceulers, Ellen de Meutter, Peter Rogiers and Ante Timmermans. The works in the exhibition begin from traditional approaches to specific mediums. Starting from a stretched canvas, a mound of clay, or a piece of paper, the artists slice, paste and sculpt these materials into works that are both images and objects, surfaces and interiors, visual and physical provocations. At the bridge between abstract and figuration, each artist presents a distinct and singular approach and outcome, often through the combination of what seem to be opposing forces.<BR/><BR/><A HREF="http://www.anacristeagallery.com/" TARGET="_self">Ana Cristea Gallery</A> <BR/>521 West 26th Street<BR/>New York, NY, 10001<br><br>]]></content:encoded>
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			<title>Seline Baumgartner participating at &quot;Werkschau 2011&quot;, F+F Schule für Kunst und Mediendesign, Zürich. Opening: October 12, 18:00 pm. Exhibition October 13 - 19.</title>
			<link>http://schauort.com/blog/2011/10/08/seline-baumgartner-participating-at-werkschau-2011-ff-schule-fur-kunst-und-mediendesign-zurich-opening-october-12-1800-pm-exhibition-october-13-19</link>
			<comments>http://schauort.com/blog/2011/10/08/seline-baumgartner-participating-at-werkschau-2011-ff-schule-fur-kunst-und-mediendesign-zurich-opening-october-12-1800-pm-exhibition-october-13-19</comments>
			<pubDate>Sat, 08 Oct 2011 13:38:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/10/08/seline-baumgartner-participating-at-werkschau-2011-ff-schule-fur-kunst-und-mediendesign-zurich-opening-october-12-1800-pm-exhibition-october-13-19</guid>
			<description><![CDATA[  Die Fachstelle Kultur präsentiert vom 13. bis zum 19. Oktober 2011in der F+F Schule für Kunst und Mediendesign in Zürich Werke von 27 Künstlerinnen und Künstlern, die sich dieses Jahr um einen Werkbeitrag bewerben.<BR/><BR/>Am Mittwoch 12. Oktober 2011, 18 Uhr, wird die Werkschau eröffnet. An dieser Eröffnung werden die [...]]]></description>
			<content:encoded><![CDATA[  Die Fachstelle Kultur präsentiert vom 13. bis zum 19. Oktober 2011in der F+F Schule für Kunst und Mediendesign in Zürich Werke von 27 Künstlerinnen und Künstlern, die sich dieses Jahr um einen Werkbeitrag bewerben.<BR/><BR/>Am Mittwoch 12. Oktober 2011, 18 Uhr, wird die Werkschau eröffnet. An dieser Eröffnung werden die Namen der mit einem Werkbeitrag geförderten Künstlerinnen und Künstler bekannt gegeben.<BR/><BR/><BR/><BR/>Öffnungszeiten der öffentlichen Werkschau:<BR/>13. bis 19. Oktober 2011, täglich 10 bis 18 Uhr,<BR/>F+F Schule für Kunst und Mediendesign, Flurstrasse 89, 8048 Zürich.<BR/><BR/><A HREF="http://www.fachstellekultur.zh.ch/internet/justiz_inneres/kultur/de/aktuell/AllgemeineMitteilungen/2011/Werkschau_2011.html" TARGET="_self">mehr Infos</A> <br><br>]]></content:encoded>
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			<title>KEREN CYTTER, &quot;Avalanche&quot;, at Galleria Raffaella Cortese, Milano, October 6 - December 3, 2011</title>
			<link>http://schauort.com/blog/2011/10/06/keren-cytter-avalanche-at-galleria-raffaella-cortese-milano-october-6-december-3-2011</link>
			<comments>http://schauort.com/blog/2011/10/06/keren-cytter-avalanche-at-galleria-raffaella-cortese-milano-october-6-december-3-2011</comments>
			<pubDate>Thu, 06 Oct 2011 13:22:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/10/06/keren-cytter-avalanche-at-galleria-raffaella-cortese-milano-october-6-december-3-2011</guid>
			<description><![CDATA[ Galleria Raffaella Cortese is delighted to present the first solo show by Keren Cytter in Italy.<BR/><BR/><A HREF="http://www.galleriaraffaellacortese.com/" TARGET="_self">Galleria Raffaella Cortese</A> <BR/>Via A. Stradella 7<BR/>20129 Milano Italia [...]]]></description>
			<content:encoded><![CDATA[ Galleria Raffaella Cortese is delighted to present the first solo show by Keren Cytter in Italy.<BR/><BR/><A HREF="http://www.galleriaraffaellacortese.com/" TARGET="_self">Galleria Raffaella Cortese</A> <BR/>Via A. Stradella 7<BR/>20129 Milano Italia<br><br>]]></content:encoded>
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			<title>Michiel Ceulers, &quot;MCHL CLRS DRNK TRBL&quot;, at Rod Barton Gallery London, September 29 -  October 29, 2011.</title>
			<link>http://schauort.com/blog/2011/09/29/michiel-ceulers-mchl-clrs-drnk-trbl-at-rod-barton-gallery-london-september-29-october-29-2011</link>
			<comments>http://schauort.com/blog/2011/09/29/michiel-ceulers-mchl-clrs-drnk-trbl-at-rod-barton-gallery-london-september-29-october-29-2011</comments>
			<pubDate>Thu, 29 Sep 2011 05:55:02 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/29/michiel-ceulers-mchl-clrs-drnk-trbl-at-rod-barton-gallery-london-september-29-october-29-2011</guid>
			<description><![CDATA[ For his second solo show with Rod Barton, MCHL CLRS DRNK TRBL, Michiel Ceulers presents a series of new works that he refers to as 'Spirit Paintings'. These white monochromatic paintings – marked by the application and subsequent scraping off of paint– are excised of all content except for a QR code embedded within the picture plane. [...]]]></description>
			<content:encoded><![CDATA[ For his second solo show with Rod Barton, MCHL CLRS DRNK TRBL, Michiel Ceulers presents a series of new works that he refers to as 'Spirit Paintings'. These white monochromatic paintings – marked by the application and subsequent scraping off of paint– are excised of all content except for a QR code embedded within the picture plane. Each QR code links to an instructional video hosted on YouTube of how to mix a specific alcoholic cocktail. As a result interaction is deflected to a virtual plane whilst the impenetrable white surface reflects the gaze back onto the viewer. The spirit of the title can also be seen in metaphysical terms with regard to the incorporeal. Here gestural marks are merely traces of transmission from actual to virtual realms. Thus in the traditional sense these paintings have no body: they are machines for generating, rather than representing form.<BR/><BR/><BR/><A HREF="http://www.rodbarton.com/index.php" TARGET="_self">Rod Barton Gallery</A> <BR/><BR/>One Paget Street,<BR/>London EC1V 7PA<br><br>]]></content:encoded>
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			<title>Anita Di Bianco participating at &quot;Seeing is believing&quot;, KW Institute for Contemporary Art, Berlin. September 11 - November 13.</title>
			<link>http://schauort.com/blog/2011/09/12/anita-di-bianco-participating-at-seeing-is-believing-kw-institute-for-contemporary-art-berlin-september-11-november-13</link>
			<comments>http://schauort.com/blog/2011/09/12/anita-di-bianco-participating-at-seeing-is-believing-kw-institute-for-contemporary-art-berlin-september-11-november-13</comments>
			<pubDate>Mon, 12 Sep 2011 15:21:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/12/anita-di-bianco-participating-at-seeing-is-believing-kw-institute-for-contemporary-art-berlin-september-11-november-13</guid>
			<description><![CDATA[ Die Bilder eines Terroranschlages können live verfolgt werden und gehen innerhalb von Sekunden um die Welt. Im UN-Sicherheitsrat wird ein Wandteppich mit Guernica-Motiv verhüllt, um bald darauf ein Satellitenfoto als zentrales Argument in der Legitimierung eines Krieges zu präsentieren. Bilder einer Exekution werden live ins Weiße [...]]]></description>
			<content:encoded><![CDATA[ Die Bilder eines Terroranschlages können live verfolgt werden und gehen innerhalb von Sekunden um die Welt. Im UN-Sicherheitsrat wird ein Wandteppich mit Guernica-Motiv verhüllt, um bald darauf ein Satellitenfoto als zentrales Argument in der Legitimierung eines Krieges zu präsentieren. Bilder einer Exekution werden live ins Weiße Haus übertragen, doch kein Foto gelangt an die Öffentlichkeit.<BR/>Rasant und unmittelbar verbreiten sich Bilder; sie erscheinen als einzige Zeugnisse, die uns ein Ereignis glaubhaft und erfahrbar machen können. Seeing is believing – und dennoch übersteigen Bilder unsere Vorstellungskraft sowie unseren Glauben an die Wirklichkeit. Die Erkenntnis, dass Bilder nicht einfach Repräsentanten außermedialer Wirklichkeit sind, sondern eigene Realitäten erschaffen, ist mittlerweile integraler Bestandteil zeitgenössischer Bildkompetenz. Die visuelle Gegenwärtigkeit politischer Ereignisse, die Politisierung von Bildern sowie die unkontrollierbare Geschwindigkeit ihrer Verbreitung haben in der gegenwärtigen Kunst zu einem konzentrierten Nachdenken über das Bild geführt.<BR/><BR/><A HREF="http://www.kw-berlin.de/" TARGET="_self">KW Institute for Contemporary Art</A> <BR/>Auguststraße 69<BR/>D-10117 Berlin<br><br>]]></content:encoded>
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			<title>Seline Baumgartner participating at &quot;Immersive Surfaces” New York. September 23rd-25th, 2011</title>
			<link>http://schauort.com/blog/2011/09/08/seline-baumgartner-participating-at-immersive-surfaces%e2%80%9d-new-york-september-23rd-25th-2011</link>
			<comments>http://schauort.com/blog/2011/09/08/seline-baumgartner-participating-at-immersive-surfaces%e2%80%9d-new-york-september-23rd-25th-2011</comments>
			<pubDate>Thu, 08 Sep 2011 15:10:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/08/seline-baumgartner-participating-at-immersive-surfaces%e2%80%9d-new-york-september-23rd-25th-2011</guid>
			<description><![CDATA[   Immersive Surfaces<BR/>As part of &#8220;The Dumbo Arts Festival” September 23rd-25th, 2011<BR/><BR/>Immersive Surfaces explores ideas of &#8220;crowd art,” and the meaning of surface as a media platform in a specific cityscape. Presented in three phases, Immersive Surfaces presents 18 works in a more traditional video art format, on [...]]]></description>
			<content:encoded><![CDATA[   Immersive Surfaces<BR/>As part of &#8220;The Dumbo Arts Festival” September 23rd-25th, 2011<BR/><BR/>Immersive Surfaces explores ideas of &#8220;crowd art,” and the meaning of surface as a media platform in a specific cityscape. Presented in three phases, Immersive Surfaces presents 18 works in a more traditional video art format, on a projected, Op-Art background, which animates itself in the second part of the program before leading into the climactic third section of the show. &#8220;As Above, So Below,” is a new art/media collaboration covering 25,000+ continuous sq. ft. of the Manhattan Bridge Anchorage and Archway. One of the largest single projections ever presented.<BR/><BR/><A HREF="http://immersivesurfaces.com/the-exhibition/" TARGET="_self">More Informations</A> <br><br>]]></content:encoded>
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			<title>Keren Cytter at &quot;JUNGE KUNST&quot; Kunsthaus Zürich. September 16  – November 27, 2011</title>
			<link>http://schauort.com/blog/2011/09/08/keren-cytter-at-junge-kunst-kunsthaus-zurich-september-16-%e2%80%93-november-27-2011</link>
			<comments>http://schauort.com/blog/2011/09/08/keren-cytter-at-junge-kunst-kunsthaus-zurich-september-16-%e2%80%93-november-27-2011</comments>
			<pubDate>Thu, 08 Sep 2011 05:39:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/08/keren-cytter-at-junge-kunst-kunsthaus-zurich-september-16-%e2%80%93-november-27-2011</guid>
			<description><![CDATA[   Die Ausstellung präsentiert eine Auswahl der Erwerbungen der Gruppe Junge Kunst. Die Gruppe Junge Kunst gehört zur Vereinigung Zürcher Kunstfreunde (VZK), dem Gönnerverein des Kunsthauses, und kauft seit 1970 zeitgenössische Kunst an. Die Ausstellung reicht von den Anfängen bis in die Gegenwart und ist als Geschichte in [...]]]></description>
			<content:encoded><![CDATA[   Die Ausstellung präsentiert eine Auswahl der Erwerbungen der Gruppe Junge Kunst. Die Gruppe Junge Kunst gehört zur Vereinigung Zürcher Kunstfreunde (VZK), dem Gönnerverein des Kunsthauses, und kauft seit 1970 zeitgenössische Kunst an. Die Ausstellung reicht von den Anfängen bis in die Gegenwart und ist als Geschichte in mehreren Kapiteln konzipiert.<BR/><BR/><BR/>Im Kabinett werden in drei wechselnden Präsentationen aktuelle Ankäufe gezeigt:<BR/>16.9.–9.10.11: Latifa Echakhch, Haris Epaminonda, Keren Cytter<BR/>11.10.–30.10.11: Pauline Boudry/Renate Lorenz<BR/>1.11.–27.11.11: Mark Manders, Lucy Skaer<BR/><BR/><A HREF="http://www.kunsthaus.ch/de/ausstellungen/vorschau/junge-kunst/?redirect_url=title%3DNouvelles" TARGET="_self">Kunsthaus Zürich</A> <BR/>Heimplatz 1<BR/>CH–8001 Zürich<br><br>]]></content:encoded>
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			<title>Claudia Wieser participating at &quot;EYES WIDE SHUT. Contemporary Drawings from Germany&quot;  Vogt Gallery, New York. September 15 - October 22, 2011</title>
			<link>http://schauort.com/blog/2011/09/08/claudia-wieser-participating-at-eyes-wide-shut-contemporary-drawings-from-germany-vogt-gallery-new-york-september-15-october-22-2011</link>
			<comments>http://schauort.com/blog/2011/09/08/claudia-wieser-participating-at-eyes-wide-shut-contemporary-drawings-from-germany-vogt-gallery-new-york-september-15-october-22-2011</comments>
			<pubDate>Thu, 08 Sep 2011 05:27:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/08/claudia-wieser-participating-at-eyes-wide-shut-contemporary-drawings-from-germany-vogt-gallery-new-york-september-15-october-22-2011</guid>
			<description><![CDATA[   "EYES WIDE SHUT. Contemporary Drawings from Germany", Curated by Birgit Sonna<BR/><BR/>Vogt Gallery is pleased to present an exhibition of contemporary German drawing, &#8220;Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo [...]]]></description>
			<content:encoded><![CDATA[   "EYES WIDE SHUT. Contemporary Drawings from Germany", Curated by Birgit Sonna<BR/><BR/>Vogt Gallery is pleased to present an exhibition of contemporary German drawing, &#8220;Eyes Wide Shut,” featuring work by Jonathan Meese, Andy Hope 1930, Ralf Ziervogel, Hansjoerg Dobliar, Marc Brandenburg, Ulla von Brandenburg, Claudia Wieser, Bo Christian Larsson, and Florian Meisenberg. The exhibition brings together some of the most well-known German artists working in drawing today and is guest curated by Birgit Sonna, a Berlin-based writer and curator.<BR/><BR/><BR/><A HREF="http://www.vogtgallery.com/index.php?/hidden/eyes-wide-shut/" TARGET="_self">VOGT GALLERY</A> <BR/>508 - 526 WEST 26TH ST<BR/>#911<BR/>NEW YORK, NY 10001<br><br>]]></content:encoded>
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			<title>ANKE IS GONE. I EAT PICKLES AT YOUR FUNERAL, a new Play by Keren Cytter. September 15 &amp;amp; 16, Berlin</title>
			<link>http://schauort.com/blog/2011/09/08/anke-is-gone-i-eat-pickles-at-your-funeral-a-new-play-by-keren-cytter-september-15-16-berlin</link>
			<comments>http://schauort.com/blog/2011/09/08/anke-is-gone-i-eat-pickles-at-your-funeral-a-new-play-by-keren-cytter-september-15-16-berlin</comments>
			<pubDate>Thu, 08 Sep 2011 05:15:45 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/08/anke-is-gone-i-eat-pickles-at-your-funeral-a-new-play-by-keren-cytter-september-15-16-berlin</guid>
			<description><![CDATA[ Susie is taking the night train to visit Anke - her long time friend from high school. The roads of the two friends departed long time ago when Susie was accepted to The Lee Strasberg Theatre and Film Institute and Tina was suffering from clinical depression.<BR/><BR/>This story is acted in the back stage of the theater while the audience is [...]]]></description>
			<content:encoded><![CDATA[ Susie is taking the night train to visit Anke - her long time friend from high school. The roads of the two friends departed long time ago when Susie was accepted to The Lee Strasberg Theatre and Film Institute and Tina was suffering from clinical depression.<BR/><BR/>This story is acted in the back stage of the theater while the audience is exposed only to the actors in their empty moments and in the brakes between the scenes. The theater play and the relationships between the actors are slowly unfolding behind the scenes and in front of the audience. The actors talk continuously and move back and forward from the stage to the backstage while their words and actions are overlapping one another. <BR/><BR/>Director: Keren Cytter<BR/>Text: Keren Cytter<BR/>Actors: Lisa Marie Becker, Andrew Kerton, Susie Meyer, Fabian Stumm <BR/>Stage Design: Keren Cytter<BR/>Light Design: Sebastian Zamponi<BR/>Production: Maaike Gouwenberg (A.P.E)<BR/><BR/>ANKE IS GONE. I EAT PICKLES AT YOUR FUNERAL<BR/>15 &amp; 16 September 2011, 20.00 hrsHAU 2, Hallesches Ufer 32, Berlin<BR/><BR/>More information about  <A HREF="http://www.artprojectsera.org/" TARGET="_self">A.P.E (art projects era)</A> <br><br>]]></content:encoded>
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			<title>Hadassah Emmerich participating at &quot;The Collectors Show part of VANUIT HIER - OUT OF HERE, Van Abbemuseum, September 3 2011 - January 8 2012</title>
			<link>http://schauort.com/blog/2011/09/04/hadassah-emmerich-participating-at-the-collectors-show-part-of-vanuit-hier-out-of-here-van-abbemuseum-september-3-2011-january-8-2012</link>
			<comments>http://schauort.com/blog/2011/09/04/hadassah-emmerich-participating-at-the-collectors-show-part-of-vanuit-hier-out-of-here-van-abbemuseum-september-3-2011-january-8-2012</comments>
			<pubDate>Sun, 04 Sep 2011 14:49:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/04/hadassah-emmerich-participating-at-the-collectors-show-part-of-vanuit-hier-out-of-here-van-abbemuseum-september-3-2011-january-8-2012</guid>
			<description><![CDATA[  In the context of its anniversary the museum has invited ten collectors who are closely involved with the Van Abbemuseum to share their personal passion for the arts with the public. The collectors, who are all members of the Van Abbemuseum Promoters Foundation, selected one important work from their collection and explained their choice in a [...]]]></description>
			<content:encoded><![CDATA[  In the context of its anniversary the museum has invited ten collectors who are closely involved with the Van Abbemuseum to share their personal passion for the arts with the public. The collectors, who are all members of the Van Abbemuseum Promoters Foundation, selected one important work from their collection and explained their choice in a video interview which formed part of the exhibition. The museum itself also made a selection from these collections and in this way focused on a number of story lines within every individual collection. The works are exhibited on the five floors of the tower of the Van Abbemuseum, a very special setting for this exhibition. The internationally well-known designer Piet Hein Eek is responsible for the spatial design of the exhibition.<BR/><BR/>With The Collectors Show, visitors have a unique opportunity to see various works from private collections which are only rarely on display in the public domain. This reveals an important and generally invisible link in the history of the Van Abbemuseum.<BR/><BR/><A HREF="http://www.vanabbemuseum.nl/" TARGET="_self">Van Abbemuseum</A> <BR/>Bilderdijklaan 10<BR/>5611 NH Eindhoven<BR/>The Netherlands<br><br>]]></content:encoded>
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			<title>Seline Baumgartner participating at &quot;KOMPOSITION DES ZUFALLS&quot; by Projekt MADONNA. 14.9. - 15.10.2011, Private Gallery Edgar Frei, Bern</title>
			<link>http://schauort.com/blog/2011/09/03/seline-baumgartner-participating-at-komposition-des-zufalls-by-projekt-madonna-14-9-15-10-2011-private-gallery-edgar-frei-bern</link>
			<comments>http://schauort.com/blog/2011/09/03/seline-baumgartner-participating-at-komposition-des-zufalls-by-projekt-madonna-14-9-15-10-2011-private-gallery-edgar-frei-bern</comments>
			<pubDate>Sat, 03 Sep 2011 17:16:00 +0000</pubDate>
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			<description><![CDATA[   KOMPOSITION DES ZUFALLS<BR/> <BR/>Drei Künstler(innen) als Ausgangspunkt &gt;<BR/>Beginn einer kausale Verkettung &gt;&gt;&gt;<BR/>mit Spielregeln &gt;&gt;&gt;<BR/>jeder Künstler(in) hat 24 h &gt;&gt;<BR/>wählt ein eigenes Werk &gt;&gt;&gt;<BR/>wählt eine(n) weiteren Künstler(in) &gt;&gt;&gt; <BR/>Vorgang wird sieben Mal [...]]]></description>
			<content:encoded><![CDATA[   KOMPOSITION DES ZUFALLS<BR/> <BR/>Drei Künstler(innen) als Ausgangspunkt &gt;<BR/>Beginn einer kausale Verkettung &gt;&gt;&gt;<BR/>mit Spielregeln &gt;&gt;&gt;<BR/>jeder Künstler(in) hat 24 h &gt;&gt;<BR/>wählt ein eigenes Werk &gt;&gt;&gt;<BR/>wählt eine(n) weiteren Künstler(in) &gt;&gt;&gt; <BR/>Vorgang wird sieben Mal wiederholt &gt;<BR/>Künstler(in) wählt Werk, wählt Künstler(in) wählt Werk, wählt Künstler(in) ... &gt;&gt; Spiel mit dem Verlust der Kontrolle &gt;<BR/>mit der Möglichkeit zu Scheitern &gt;&gt;&gt;<BR/>Komposition des Zufalls &gt;<BR/>let’s play art &gt;&gt;<BR/><BR/>OPENINGS:<BR/>VERSUCHSANORDNUNG 1:<BR/>14. SEPTEMBER, 19H<BR/>VERSUCHSANORDNUNG 1 + 2: <BR/>15. SEPTEMBER, 19H<BR/>VERSUCHSANORDNUNG 1, 2 + 3: <BR/>16. SEPTEMBER, 19H<BR/><BR/><A HREF="http://www.madonnafust.ch/home#" TARGET="_self">Projekt MADONNA</A> at<BR/><A HREF="http://www.gallery-edgarfrei.com/" TARGET="_self">Private Gallery Edgar Frei</A>, Weststrasse 16, Bern<br><br>]]></content:encoded>
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			<title>Michiel Ceulers participating at &quot;OFF-SITE&quot; Rod Barton, London.  September 1 -  September 17</title>
			<link>http://schauort.com/blog/2011/09/01/michiel-ceulers-participating-at-off-site-rod-barton-london-september-1-september-17</link>
			<comments>http://schauort.com/blog/2011/09/01/michiel-ceulers-participating-at-off-site-rod-barton-london-september-1-september-17</comments>
			<pubDate>Thu, 01 Sep 2011 11:37:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/09/01/michiel-ceulers-participating-at-off-site-rod-barton-london-september-1-september-17</guid>
			<description><![CDATA[ OFF-SITE:<BR/>Gabriele Beveridge, Steve Bishop &amp; Richard Sides, Michiel Ceulers, Joseph Long, Oliver Osborne,<BR/>Eddie Peake with Jess Flood-Paddock, Celia Hempton and Fabian Peake, Oliver Rafferty and Rachel Rose.<BR/><BR/><BR/>Addressing the effects of displacement, Off Site brings together nine artists who engage with methods of [...]]]></description>
			<content:encoded><![CDATA[ OFF-SITE:<BR/>Gabriele Beveridge, Steve Bishop &amp; Richard Sides, Michiel Ceulers, Joseph Long, Oliver Osborne,<BR/>Eddie Peake with Jess Flood-Paddock, Celia Hempton and Fabian Peake, Oliver Rafferty and Rachel Rose.<BR/><BR/><BR/>Addressing the effects of displacement, Off Site brings together nine artists who engage with methods of transference and re-combination. Working across painting, sculpture and installation, traditional modes of display are cited yet ultimately contested. Channels of information are refracted, altered by super-imposition and layering. Interweaving alternative narratives from iterations that otherwise remain implicit; jarring encounters of dissonant entities are personalized and cherished. Popular culture and personal histories interject as compendiums of mundane objects and images are compiled, revealing latent, unexpected associations. Suspending the ideal of the singular artist, homogeneity is circumvented in favour of creolisation. Tactility and collaboration are paramount: preconceptions of utility are outmoded by reinvention. <BR/><BR/><A HREF="http://www.rodbarton.com/" TARGET="_self">Rod Barton</A> <BR/>One Paget Street,<BR/>London EC1V 7PA<BR/><br><br>]]></content:encoded>
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			<title>Claudia Wieser participating at &quot;863 km&quot; SCHEUBLEIN Fine Art, Zürich</title>
			<link>http://schauort.com/blog/2011/08/25/claudia-wieser-participating-at-863-km-scheublein-fine-art-zurich</link>
			<comments>http://schauort.com/blog/2011/08/25/claudia-wieser-participating-at-863-km-scheublein-fine-art-zurich</comments>
			<pubDate>Thu, 25 Aug 2011 17:35:00 +0000</pubDate>
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			<description><![CDATA[   The group exhibition will single out artistic positions from Berlin’s eclectic art scene and has been inspired by a memorial stone, which found its firm place on a bridge at Zurich’s main station. The landmark, crafted by Otto Münch (1885-1965) in 1959, carries the inscription &#8220;863 km to Berlin” and serves as symbol of [...]]]></description>
			<content:encoded><![CDATA[   The group exhibition will single out artistic positions from Berlin’s eclectic art scene and has been inspired by a memorial stone, which found its firm place on a bridge at Zurich’s main station. The landmark, crafted by Otto Münch (1885-1965) in 1959, carries the inscription &#8220;863 km to Berlin” and serves as symbol of the amicable alliance and significant cultural exchange between Zurich and Berlin.<BR/><BR/>Opening Reception: 25 August 2011, 5-10 pm.<BR/><BR/>Duration of the exhibition: 863 hours, by appointment.<BR/><BR/><A HREF="http://www.scheubleinfineart.com/index.php?option=com_multicategories&amp;view=category&amp;id=22&amp;Itemid=71&amp;lang=en" TARGET="_self">SCHEUBLEIN Fine Art AG</A> <BR/>Schloss Sihlberg<BR/>Sihlberg 10<BR/>CH - 8002 Zurich, Switzerland<BR/><br><br>]]></content:encoded>
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			<title>Anita di Bianco participating at &quot;Sense and Sensibility&quot; Salzburger Kunstverein, 21.07.–25.09.2011</title>
			<link>http://schauort.com/blog/2011/07/21/anita-di-bianco-participating-at-sense-and-sensibility-salzburger-kunstverein-21-07-%e2%80%9325-09-2011</link>
			<comments>http://schauort.com/blog/2011/07/21/anita-di-bianco-participating-at-sense-and-sensibility-salzburger-kunstverein-21-07-%e2%80%9325-09-2011</comments>
			<pubDate>Thu, 21 Jul 2011 14:43:00 +0000</pubDate>
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			<description><![CDATA[   Die Gruppenausstellung „Sense and Sensibility&#8220; widmet sich der Frage der Verbindung von Literatur und bildender Kunst. Dabei steht jedoch weniger das Verhältnis von Text und Bild im Zentrum der Ausstellung, sondern vielmehr Inspirationen und Übergänge zwischen der Arbeit von bildenden KünstlerInnen und [...]]]></description>
			<content:encoded><![CDATA[   Die Gruppenausstellung „Sense and Sensibility&#8220; widmet sich der Frage der Verbindung von Literatur und bildender Kunst. Dabei steht jedoch weniger das Verhältnis von Text und Bild im Zentrum der Ausstellung, sondern vielmehr Inspirationen und Übergänge zwischen der Arbeit von bildenden KünstlerInnen und SchriftstellerInnen, wobei auch die Thematik von Doppelbegabungen behandelt wird.<BR/><BR/>Die Wechselbeziehungen von bildender Kunst und Literatur sind vielfältig. Historisch gesehen sind die Bezüge klar, wenn wir an den Dadaismus, die écriture automatique des Surrealismus, an die Visuelle Poesie der 1960er Jahre und die konzeptuelle Kunst denken. Aber wie sieht der zeitgenössische Umgang bildender KünstlerInnen mit Belletristik aus? Texte sind mittlerweile fixer Bestandteil von Projekten zeitgenössischer bildender Kunst. Die Ausstellung hingegen geht der Frage nach, inwieweit bildende KünstlerInnen nach wie vor von Texten der Literatur beeinflusst sind, welche Werke sie lesen und wie sie in ihre künstlerischen Arbeiten einfließen. Einen besonderen Schwerpunkt setzt die Ausstellung im Bereich Postkolonialismus – so wird das Reisen, Eroberungen, die Befreiung von Fremdherrschaft und das Zusammenleben unterschiedlicher Kulturen in den künstlerischen Arbeiten thematisiert.<BR/><BR/>KünstlerInnen:<BR/>Anita di Bianco, Mary Ellen Carroll,<BR/>Clegg &amp; Guttmann, Julius Deutschbauer,<BR/>Ines Doujak, Brendan Fernandes,<BR/>Michael Höpfner, Lucas Horvath,<BR/>Jakob Lena Knebl, Eva Kotátková,<BR/>Christine Meisner, Anna Meyer, Stephanie Mold,<BR/>Katrin Plavcak<BR/><BR/><BR/><A HREF="http://www.salzburger-kunstverein.at/Künstlerhaus" TARGET="_self">Salzburger Kunstverein</A> <BR/>Hellbrunner Straße 3<BR/>5020 Salzburg<br><br>]]></content:encoded>
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			<title>Irene Weingartner participating at &quot;Werk- und Atelierstipendien der Stadt Zürich 2011&quot; Helmhaus. Opening July 15, 18:00pm. Exhibition, July 16 - September 4, 2011</title>
			<link>http://schauort.com/blog/2011/07/07/irene-weingartner-participating-at-werk-und-atelierstipendien-der-stadt-zurich-2011-helmhaus-opening-july-15-1800pm-exhibition-july-16-september-4-2011</link>
			<comments>http://schauort.com/blog/2011/07/07/irene-weingartner-participating-at-werk-und-atelierstipendien-der-stadt-zurich-2011-helmhaus-opening-july-15-1800pm-exhibition-july-16-september-4-2011</comments>
			<pubDate>Thu, 07 Jul 2011 14:49:00 +0000</pubDate>
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			<description><![CDATA[   Im Rahmen der städtischen Kulturförderung schreibt das Präsidialdepartement im Bereich der Bildenden Kunst jährlich einen Stipendienwettbewerb aus. Zürcher Künstlerinnen und Künstler können sich für einen Werkbeitrag oder Atelieraufenthalt im Ausland bewerben und durchlaufen dabei ein juriertes, zweistufiges [...]]]></description>
			<content:encoded><![CDATA[   Im Rahmen der städtischen Kulturförderung schreibt das Präsidialdepartement im Bereich der Bildenden Kunst jährlich einen Stipendienwettbewerb aus. Zürcher Künstlerinnen und Künstler können sich für einen Werkbeitrag oder Atelieraufenthalt im Ausland bewerben und durchlaufen dabei ein juriertes, zweistufiges Auswahlverfahren, das in die Ausstellung «Werk- und Atelierstipendien der Stadt Zürich 2011» im Helmhaus Zürich mündet. <BR/><BR/>Helmhaus<BR/>Limmatquai 31<BR/>8001 Zürich<BR/><A HREF="http://www.stadt-zuerich.ch/kultur/de/index/institutionen/helmhaus.html" TARGET="_self"><B>website</B></A><B> </B><br><br>]]></content:encoded>
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			<title>Michiel Ceulers participating at &quot;Dirty Dancing - New Paintings by Michiel Ceulers - Cordula Ditz - David Ostrowski&quot; Figge von Rosen Galerie, Cologne. June 24 - August 27, 2011</title>
			<link>http://schauort.com/blog/2011/06/24/michiel-ceulers-participating-at-dirty-dancing-new-paintings-by-michiel-ceulers-cordula-ditz-david-ostrowski-figge-von-rosen-galerie-cologne-june-24-august-27-2011</link>
			<comments>http://schauort.com/blog/2011/06/24/michiel-ceulers-participating-at-dirty-dancing-new-paintings-by-michiel-ceulers-cordula-ditz-david-ostrowski-figge-von-rosen-galerie-cologne-june-24-august-27-2011</comments>
			<pubDate>Fri, 24 Jun 2011 05:57:00 +0000</pubDate>
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			<description><![CDATA[ Dirty Dancing assembles the work of three artists exploring the possibilities of contemporary painting, in a relatively rough, even aggressive way with techniques that include mixing spray with acrylic paint, glueing dirty artefacts on the canvas, including words or phrases, printing of randomly chosen objects or even destroying the canvas with [...]]]></description>
			<content:encoded><![CDATA[ Dirty Dancing assembles the work of three artists exploring the possibilities of contemporary painting, in a relatively rough, even aggressive way with techniques that include mixing spray with acrylic paint, glueing dirty artefacts on the canvas, including words or phrases, printing of randomly chosen objects or even destroying the canvas with cuts. In spite of all these formal correlations the three artists work with completely different strategies.<BR/><BR/><BR/>Figge von Rosen Galerie<BR/>Aachener Straße 65 <BR/>50674 Cologne, Germany <BR/><A HREF="http://www.figgevonrosen.com/" TARGET="_self"><B>website</B></A> <br><br>]]></content:encoded>
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			<title>Keren Cytter participating at &quot;Expanded Cinema. Part 1&quot; Moscow Museum of Modern Art MMOMA. June 14 — July 3, 2011.</title>
			<link>http://schauort.com/blog/2011/06/20/keren-cytter-participating-at-expanded-cinema-part-1-moscow-museum-of-modern-art-mmoma-june-14-%e2%80%94-july-3-2011</link>
			<comments>http://schauort.com/blog/2011/06/20/keren-cytter-participating-at-expanded-cinema-part-1-moscow-museum-of-modern-art-mmoma-june-14-%e2%80%94-july-3-2011</comments>
			<pubDate>Mon, 20 Jun 2011 05:49:00 +0000</pubDate>
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			<description><![CDATA[   The space of intersection of the languages of art and cinema has for twenty years been the subject of analysis and discussion of the participants of the Media Forum at the Moscow Film Festival: artists, film makers, and art and film critics. This year the programme’s organizers have realized probably the most grandiose project in all Media [...]]]></description>
			<content:encoded><![CDATA[   The space of intersection of the languages of art and cinema has for twenty years been the subject of analysis and discussion of the participants of the Media Forum at the Moscow Film Festival: artists, film makers, and art and film critics. This year the programme’s organizers have realized probably the most grandiose project in all Media Forum history, a project dedicated to the adjacent cinema and video art aesthetics.<BR/><BR/>The central part of this project is the Expanded Cinema exhibition opens on June 15th 2011 at the Moscow Museum of Modern Art. The display that consists of videos by well-known artists is divided into several thematic sections which demonstrate the key idea of the project — the idea of Expanded Cinema. This exhibition is not retrospective in character, on the contrary, it tries to analyze and describe the current situation in the art of moving images, that’s why all works presented were created in the last few years, some of them — especially for this project.<BR/><BR/>«The language with which video art speaks is distinct from that of cinema. Now under the influence of video psychology cinema is mutating and media art defines new ways for its development: the opportunities to work with space, at the intersection of visual and audio images, using interactive communication with the viewer,» — says Olga Shishko, the project’s curator. «Planning the exposition of the Expanded Art/ Expanded Cinema exhibition we aimed to attract the audience attention specifically to the visual characteristics of video art (composition, rhythm, texture, and proportions), and also to the conceptual aspects of its language, to video’s intervention into the viewer’s own personal space».<BR/><BR/>Most of the works on display will be housed by the MMoMA, where the attempt has been made to codify the interrelations of these two spheres of screen culture. Each of the museum’s floors is given to one of the aspects to the mutual fluctuation of themes, ideas and images.<BR/><BR/>MMOMA<BR/>25 Petrovka street<BR/>Moscow<BR/><A HREF="http://www.mmoma.ru/" TARGET="_self"><B>website</B></A><B> </B><br><br>]]></content:encoded>
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			<title>Hadassah Emmerich participating at &quot;Sowing and Weeding. Folk Culture and Contemporary Art&quot; Cobra Museum, Amstelveen NL. Opening: June 17, at 17.30. Exhibition: June 18 - September 4, 2011</title>
			<link>http://schauort.com/blog/2011/06/17/hadassah-emmerich-participating-at-sowing-and-weeding-folk-culture-and-contemporary-art-cobra-museum-amstelveen-nl-opening-june-17-at-17-30-exhibition-june-18-september-4-2011</link>
			<comments>http://schauort.com/blog/2011/06/17/hadassah-emmerich-participating-at-sowing-and-weeding-folk-culture-and-contemporary-art-cobra-museum-amstelveen-nl-opening-june-17-at-17-30-exhibition-june-18-september-4-2011</comments>
			<pubDate>Fri, 17 Jun 2011 16:46:00 +0000</pubDate>
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			<description><![CDATA[   <B>Sowing and Weeding</B><BR/><B>Folk Culture and Contemporary Art</B><BR/><BR/>18.06 - 04.09 2011<BR/><BR/>In Europe, and certainly in the Netherlands, we are experiencing a true ‘renaissance of folk culture’. This summer, the Cobra Museum presents a multilateral, international group exhibition that links today's renewed interest in [...]]]></description>
			<content:encoded><![CDATA[   <B>Sowing and Weeding</B><BR/><B>Folk Culture and Contemporary Art</B><BR/><BR/>18.06 - 04.09 2011<BR/><BR/>In Europe, and certainly in the Netherlands, we are experiencing a true ‘renaissance of folk culture’. This summer, the Cobra Museum presents a multilateral, international group exhibition that links today's renewed interest in folk culture to contemporary art and cultural heritage. The exhibition takes a close look at the relationship between folk culture and art, in which the most pertinent issue is the role that folk culture plays in the continuing process of globalization.<BR/><BR/>Over twenty European artists for whom folk culture is a source of inspiration are taking part. Several of these artists have been especially invited by the Cobra Museum to develop new work for this exhibition. Works by some of the Cobra artists are included. Cobra was the first post-war movement of avant-garde artists for whom folk art and folk culture were an essential source of information.<BR/><BR/>Participating artists:<BR/>Bureau Venhuizen (NL), CoBrA, Hadassah Emmerich (NL), Steingrimur Eyfjörd (IS), Kristof Georgen (DE), Sebastian Hammwöhner (DE), Uwe Henneken (DE), Nadine Hottenrott (DE), Britta Jonas (DE), Aurelia Mihai (RO), Mariella Mosler (DE), Monika Nuber (DE), Gabriela Oberkofler (IT), Rory Pilgrim (GB), Pinar &amp; Viola (NL), Lisl Ponger (A), Anselm Reyle (DE), Gitte Schäfer (DE), Wiebke Siem (DE), Martin Städeli (CH), Helmut Stallaerts (BE), Derk Thijs (NL), Olga Titus (CH), Gert &amp; Uwe Tobias (RO).<BR/><BR/>Cobra Museum<BR/>Sandbergplein 1<BR/>Amstelveen NL<BR/><A HREF="http://www.cobra-museum.nl/" TARGET="_self"><B>website</B></A> <br><br>]]></content:encoded>
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			<title>Yesim Akdeniz Graf at Palais für aktuelle Kunst, Glückstadt. June 20 - August 7</title>
			<link>http://schauort.com/blog/2011/06/17/yesim-akdeniz-graf-at-palais-fur-aktuelle-kunst-gluckstadt-june-20-august-7</link>
			<comments>http://schauort.com/blog/2011/06/17/yesim-akdeniz-graf-at-palais-fur-aktuelle-kunst-gluckstadt-june-20-august-7</comments>
			<pubDate>Fri, 17 Jun 2011 14:52:00 +0000</pubDate>
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			<description><![CDATA[ YESIM AKDENIZ GRAF<BR/>a dream within a dream<BR/>rüya içinde bir rüya<BR/><BR/>Die großformatigen Acryl- und Ölgemälde der Künstlerin Yesim Akdeniz Graf mit ihren klar konturierten, flächig gemalten Motiven bedienen sich einer rätselhaften und verschlüsselten Bildsprache. Dennoch (oder gerade deshalb) rufen Sie eine [...]]]></description>
			<content:encoded><![CDATA[ YESIM AKDENIZ GRAF<BR/>a dream within a dream<BR/>rüya içinde bir rüya<BR/><BR/>Die großformatigen Acryl- und Ölgemälde der Künstlerin Yesim Akdeniz Graf mit ihren klar konturierten, flächig gemalten Motiven bedienen sich einer rätselhaften und verschlüsselten Bildsprache. Dennoch (oder gerade deshalb) rufen Sie eine Faszination hervor, der sich der Betrachter nur schwer entziehen kann. In den Arbeiten der 1978 im türkischen Izmir geborenen Malerin finden sich zahlreiche Zeichen und Zitate wieder, die sich sowohl auf die Klassische Moderne beziehen, als auch aus dem popkulturellen Bildfundus schöpfen. Außerdem zirkulieren Akdeniz Grafs Bilder immer wieder um die Gedichte Edgar Allen Poes, die Filme von Catherine Breillat, J.G. Ballards Sci-Fi-Geschichten, Sigmund Freud, sowie die kunsthistorische Abhandlung Camille Paglias „Art and Decadence from Nefertiti to Emily Dickinson&#8220;.<BR/><BR/>KUNSTVEREIN GLÜCKSTADT<BR/>Palais für aktuelle Kunst<BR/>Am Hafen 46<BR/>D-25348 Glückstadt<BR/><A HREF="http://www.pak-glueckstadt.de/" TARGET="_self"><B>website</B></A> <br><br>]]></content:encoded>
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			<title>Irene Weingartner participating at &quot;Walking the line III. Summer drawing's show&quot;, Kudlek van der Grinten Galerie, Köln. June 11 - July 30, 2011</title>
			<link>http://schauort.com/blog/2011/06/10/irene-weingartner-participating-at-walking-the-line-iii-summer-drawings-show-kudlek-van-der-grinten-galerie-koln-june-11-july-30-2011</link>
			<comments>http://schauort.com/blog/2011/06/10/irene-weingartner-participating-at-walking-the-line-iii-summer-drawings-show-kudlek-van-der-grinten-galerie-koln-june-11-july-30-2011</comments>
			<pubDate>Fri, 10 Jun 2011 14:46:00 +0000</pubDate>
			<dc:creator></dc:creator>
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			<description><![CDATA[   WALKING THE LINE III<BR/>summer drawing's show<BR/><BR/>Group Exhibition with:<BR/>Isabel ALBRECHT, Francis ALYS, Lucie BEPPLER, <BR/>Hella BERENT, Heiner BINDING, Jonathan CALLAN, <BR/>Eyal DANIELI, Dominique DE BEIR, Reinhard DOUBRAWA,  Alexander GORLIZKI, Cosima HAWEMANN, Ines HOCK, Alex HAMILTON, Károly KESERÜ, Ellen KEUSEN, Corinne [...]]]></description>
			<content:encoded><![CDATA[   WALKING THE LINE III<BR/>summer drawing's show<BR/><BR/>Group Exhibition with:<BR/>Isabel ALBRECHT, Francis ALYS, Lucie BEPPLER, <BR/>Hella BERENT, Heiner BINDING, Jonathan CALLAN, <BR/>Eyal DANIELI, Dominique DE BEIR, Reinhard DOUBRAWA,  Alexander GORLIZKI, Cosima HAWEMANN, Ines HOCK, Alex HAMILTON, Károly KESERÜ, Ellen KEUSEN, Corinne LAROCHE, Glenda LEÓN, Bärbel MESSMANN, Jaap MOOY, Thomas MÜLLER, Dorrit NEBE, Marcus OSTROWSKI, Clement PAGE, Francis RICHARDSON, Inge SCHMIDT, Simon SCHUBERT, Hans SCHULTE, Philip SEIBEL, David SHER, Hannelore VAN DIJCK, Irene WEINGARTNER, Lynne WOODS TURNER, old Indian drawings<BR/><BR/>KUDLEK VAN DER GRINTEN GALERIE<BR/>Schaafenstrasse 25 <BR/>D - 50676 Köln<BR/><A HREF="http://www.kudlek-vandergrinten.de/" TARGET="_self"><B>website</B></A><B> </B><br><br>]]></content:encoded>
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			<title>Simone Schardt  &quot;Les Regards Obliques&quot;, c/o Manser/Palak-Otzoup, Basel</title>
			<link>http://schauort.com/blog/2011/06/08/simone-schardt-les-regards-obliques-co-manserpalak-otzoup-basel</link>
			<comments>http://schauort.com/blog/2011/06/08/simone-schardt-les-regards-obliques-co-manserpalak-otzoup-basel</comments>
			<pubDate>Wed, 08 Jun 2011 14:26:00 +0000</pubDate>
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			<description><![CDATA[   SIMONE SCHARDT<BR/>LES REGARDS OBLIQUES<BR/><BR/>Das für eine vorerst unbestimmte Zeit in einem Basler Privathaushalt installierte Tableau Les regards obliques (2011) verweist auf Subjektivierungsweisen im Feld des Visuellen. Als eine Genealogie des Sammelns und Ausstellens angelegt, beginnend mit den estudes – einem spezifischen [...]]]></description>
			<content:encoded><![CDATA[   SIMONE SCHARDT<BR/>LES REGARDS OBLIQUES<BR/><BR/>Das für eine vorerst unbestimmte Zeit in einem Basler Privathaushalt installierte Tableau Les regards obliques (2011) verweist auf Subjektivierungsweisen im Feld des Visuellen. Als eine Genealogie des Sammelns und Ausstellens angelegt, beginnend mit den estudes – einem spezifischen Raumtypus, der sich im 14. Jahrhundert in Frankreich entwickelte – untersucht Les regards obliques<BR/>die Verklammerung von Selbstverhältnissen, die zu bilden die Besuchenden jeder Ausstellung, sowie auch ihre Produzent_innen aufgefordert sind mit der spezifischen sozialräumlichen Situation der Intervention.<BR/><BR/>c/o Manser/Palak-Otzoup<BR/>St. Galler-Ring 97, CH-4055 Basel<BR/><BR/>Besichtigung nach Vereinbarung per Mail an<BR/>lisa.palak@bluewin.ch oder herbert_manser@bluewin.ch<BR/><br><br>]]></content:encoded>
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			<title>Michiel Ceulers at BOZAR Young Belgian Painters Award 2011, June 09 - September 11, 2011</title>
			<link>http://schauort.com/blog/2011/06/06/michiel-ceulers-at-bozar-young-belgian-painters-award-2011-june-09-september-11-2011</link>
			<comments>http://schauort.com/blog/2011/06/06/michiel-ceulers-at-bozar-young-belgian-painters-award-2011-june-09-september-11-2011</comments>
			<pubDate>Mon, 06 Jun 2011 10:55:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/06/06/michiel-ceulers-at-bozar-young-belgian-painters-award-2011-june-09-september-11-2011</guid>
			<description><![CDATA[ <B> </B><B>  The Young Belgian Painters Award is one of the most important visual arts events in Belgium. </B>The contest has been putting the spotlight on young Belgian artists since 1950. ‘Young’ means under 35, ‘Belgian’ means of Belgian nationality or resident in Belgium, while painting is no longer the only discipline [...]]]></description>
			<content:encoded><![CDATA[ <B> </B><B>  The Young Belgian Painters Award is one of the most important visual arts events in Belgium. </B>The contest has been putting the spotlight on young Belgian artists since 1950. ‘Young’ means under 35, ‘Belgian’ means of Belgian nationality or resident in Belgium, while painting is no longer the only discipline covered. This competition could be said to be the equivalent of the Turner Prize in Britain, the Prix Marcel Duchamp in France, and the Vincent Award in the Netherlands. <BR/><BR/> For the event, selected candidates will enter a new piece which will compete for one of four awards: the ‘Crowet’ Young Belgian Painters Award (€ 25.000), the ‘Emile and Stephy Langui’ Young Belgian Painters Award (€ 12.500), the Centre for Fine Arts Award (€12.500), and the ING Award (€ 12.500).<BR/><BR/>In December 2010 the jury selected ten artists out of a possible 276 candidates for the 2011 competition: David Catherall,<B> Michiel Ceulers,</B> Pieterjan Ginckels, Manor Grunewald, Hou Chien Cheng, Paul Hendrikse, Kelly Schacht, Joris Van De Moortel, Cédric Van Turtelboom and Freek Wambacq. From 9 June to 11 September 2011 these ten artists will be exhibiting their work in the Centre for Fine Arts. <B>The awards ceremony will take place on 8 June 2011</B><BR/><BR/>Centre for Fine Arts<BR/>Rue Ravenstein 23<BR/>1000 Bruxelles<BR/><A HREF="http://www.bozar.be/activity.php?id=10227" TARGET="_blank"><B>website</B></A> <br><br>]]></content:encoded>
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			<title>Seline Baumgartner participating at &quot;Le-Lieu # 07: Get up and run away with it - about love and the impossible&quot;, Le-Lieu Trogen, May 29 - July 7, 2011</title>
			<link>http://schauort.com/blog/2011/05/29/seline-baumgartner-participating-at-le-lieu-07-get-up-and-run-away-with-it-about-love-and-the-impossible-le-lieu-trogen-may-29-july-7-2011</link>
			<comments>http://schauort.com/blog/2011/05/29/seline-baumgartner-participating-at-le-lieu-07-get-up-and-run-away-with-it-about-love-and-the-impossible-le-lieu-trogen-may-29-july-7-2011</comments>
			<pubDate>Sun, 29 May 2011 13:28:00 +0000</pubDate>
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			<description><![CDATA[   Group Exhibition with: <BR/>Bettina Disler, Francisco Sierra, Michelle Kohler, Nicole Michel, Seline Baumgartner und Taus Makhacheva.<BR/>Curated by: Nadine Wietlisbach<BR/><BR/><BR/><BR/>Le-Lieu<BR/>Kantonsschulstrasse 6<BR/>9043 Trogen<BR/><A HREF="http://www.lelieu.palaisbleu.ch/index.php" TARGET="_self">website</A><BR/>  [...]]]></description>
			<content:encoded><![CDATA[   Group Exhibition with: <BR/>Bettina Disler, Francisco Sierra, Michelle Kohler, Nicole Michel, Seline Baumgartner und Taus Makhacheva.<BR/>Curated by: Nadine Wietlisbach<BR/><BR/><BR/><BR/>Le-Lieu<BR/>Kantonsschulstrasse 6<BR/>9043 Trogen<BR/><A HREF="http://www.lelieu.palaisbleu.ch/index.php" TARGET="_self">website</A><BR/> <br><br>]]></content:encoded>
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			<title>Irene Weingartner participating at &quot;Mögliche Systeme&quot;, Wäscherei Kunstverein Zürich, 26 May - 4 June, 2011. Opening: 26 May, 6pm</title>
			<link>http://schauort.com/blog/2011/05/26/irene-weingartner-participating-at-mogliche-systeme-wascherei-kunstverein-zurich-26-may-4-june-2011-opening-26-may-6pm</link>
			<comments>http://schauort.com/blog/2011/05/26/irene-weingartner-participating-at-mogliche-systeme-wascherei-kunstverein-zurich-26-may-4-june-2011-opening-26-may-6pm</comments>
			<pubDate>Thu, 26 May 2011 05:48:00 +0000</pubDate>
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			<description><![CDATA[   Ausstellung #1, Mögliche Systeme <BR/><BR/>Irene Weingartner / Sonya Schönberger  <BR/>Kuratiert von Nicola Ruffo <BR/><BR/><BR/>„Ich denke ja nicht alles allein, sondern das geschieht weitgehend im Zettelkasten.&#8220; <BR/><BR/>Der Soziologe Niklas Luhmann hat ein systematisches Denken entwickelt, das sämtliche gesellschaftliche [...]]]></description>
			<content:encoded><![CDATA[   Ausstellung #1, Mögliche Systeme <BR/><BR/>Irene Weingartner / Sonya Schönberger  <BR/>Kuratiert von Nicola Ruffo <BR/><BR/><BR/>„Ich denke ja nicht alles allein, sondern das geschieht weitgehend im Zettelkasten.&#8220; <BR/><BR/>Der Soziologe Niklas Luhmann hat ein systematisches Denken entwickelt, das sämtliche gesellschaftliche Phänomene als Systeme beschreibt. Herzstück seiner Gedankenwelt war ein Zettelkasten in der Ecke seines Büros in Bielefeld. Den fütterte er über dreissig Jahre. Jeden wichtigen Gedanken hielt er auf einem Zettel fest. Einen fotografischen Zettelkasten besitzt die Berliner Künstlerin Sonya Schönberger. Mit ihren Sammlungen inventarisiert sie ihre Erinnerungen. Doch nicht nur Fotografien, auch Feuerzeuge, Tierchen, Beutel, Stifte, Klebebänder und Tagebücher werden systematisch erfasst. Sonya Schönberger entwickelt damit keine gesellschaftlichen Theorien, sondern erzählt mehrdeutige Alltagsgeschichten. Für diese Ausstellung zeigt Sonya Schönberger ihre neue Arbeit "641 objetcs without qualities", die in Zusammenarbeit mit Christof Zwiener enstanden ist. Irene Weingartner bringt mit ihren seismographischen Aufzeichnungen die molekulare Welt auf Papier. Ihre Versuchungsanlagen gleichen einem wissenschaftlichen Experiment. Produzierte oder empfangene Signale werden im Hirn umgewandelt. Weitergeleitet zum Arm und über Bleistift oder Tusche aufs Papier gebracht. Feine Striche machen mikroskopisch kleine Vorgänge unserer Umwelt sichtbar. <BR/><BR/>Wäscherei / Kunstverein Zürich<BR/>Dienerstrasse 70, CH-8004 Zürich <BR/><BR/><A HREF="http://www.kunstvereinzuerich.ch/" TARGET="_self">www.kunstvereinzuerich.ch</A> <br><br>]]></content:encoded>
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			<title>Yesim Akdeniz Graf, &quot;The Tell-Tale Heart &quot;, Dirimart Istanbul, 24 May - 25 June, 2011</title>
			<link>http://schauort.com/blog/2011/05/24/yesim-akdeniz-graf-the-tell-tale-heart-dirimart-istanbul-24-may-25-june-2011</link>
			<comments>http://schauort.com/blog/2011/05/24/yesim-akdeniz-graf-the-tell-tale-heart-dirimart-istanbul-24-may-25-june-2011</comments>
			<pubDate>Tue, 24 May 2011 05:57:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/05/24/yesim-akdeniz-graf-the-tell-tale-heart-dirimart-istanbul-24-may-25-june-2011</guid>
			<description><![CDATA[   Yeşim Akdeniz Graf, inspired by Edgar A. Poe’s short story &#8220;The Tell-Tale Heart”, reviews it as a metaphor on reckoning with the past. Along with Poe’s stories and poems, Akdeniz Graf possesses a wide variety of strong works from Catherine Breillat’s films, J.G. Ballard’s novels, Frued’s symbolisms and [...]]]></description>
			<content:encoded><![CDATA[   Yeşim Akdeniz Graf, inspired by Edgar A. Poe’s short story &#8220;The Tell-Tale Heart”, reviews it as a metaphor on reckoning with the past. Along with Poe’s stories and poems, Akdeniz Graf possesses a wide variety of strong works from Catherine Breillat’s films, J.G. Ballard’s novels, Frued’s symbolisms and especially Camille Paglia’s &#8220;Sexual <BR/>Personae – Art and Decadence from Nefertiti to Emily Dickenson”. Akdeniz Graf’s works contain symbolism, romanticism, metaphors and posses a strong imaginary, utopian story boards. The artist possesses an ironic as well as a romantic annotation, while her belief that the prime retribution of today’s people are &#8220;modernism” and &#8220;modern thought”. Akdeniz Graf investigates also through the symbolic language of her work, Freud’s sexist commentary which has shaped the perception in the 20th century.Yeşim Akdeniz Graf is also collaborating with Emre Irmak on a sound <BR/>installation particularly designed for her exhibition &#8220;The Tell-Tale Heart”. <BR/><BR/><BR/>Dirimart<BR/>Abdi İpekçi Caddesi No:7/4 <BR/>Nişantaşı 34367 <BR/>İstanbul - TR<BR/><BR/><A HREF="http://www.dirimart.org/" TARGET="_self">www.dirmiart.org</A> <br><br>]]></content:encoded>
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			<title>Michiel Ceulers at Juliette Jongma, Amsterdam. May 14 - July 2, 2011</title>
			<link>http://schauort.com/blog/2011/05/14/michiel-ceulers-at-juliette-jongma-amsterdam-may-14-july-2-2011</link>
			<comments>http://schauort.com/blog/2011/05/14/michiel-ceulers-at-juliette-jongma-amsterdam-may-14-july-2-2011</comments>
			<pubDate>Sat, 14 May 2011 10:42:00 +0000</pubDate>
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			<description><![CDATA[   <B>My hands in your sneakers, a duo exhibition by Michiel Ceulers (Belgium, 1986) and Jean charles de Quillacq (France, 1979)</B><BR/><BR/><B>May 14 - July 2, 2011</B><BR/><BR/>"The paintings of Michiel Ceulers embody the seductive messiness of unexpected coupling. In his Love Birds series Ceulers literally grafts two unlikely paintings onto [...]]]></description>
			<content:encoded><![CDATA[   <B>My hands in your sneakers, a duo exhibition by Michiel Ceulers (Belgium, 1986) and Jean charles de Quillacq (France, 1979)</B><BR/><BR/><B>May 14 - July 2, 2011</B><BR/><BR/>"The paintings of Michiel Ceulers embody the seductive messiness of unexpected coupling. In his Love Birds series Ceulers literally grafts two unlikely paintings onto one another, leaving evidence of his seemingly insouciant matchmaking. His Corner Pieces join paintings at 90-degree angles, creating new wholes and demanding a different type of viewer interaction. The diversity of Ceulers’ paintings is initially hard to make sense of, but they are ultimately united by a reckless and yet controlling logic. The act of painting is paramount in Ceulers’ work; he never hides his technique, which often relies on choreographed mistakes and subtractive measures. You can see the angle from which paint was sprayed; the way tape was ripped off; where panels were bolted together; and where surfaces were sanded away. Fragments left by previous studio residents make their way into his work, as do defiant art historical references. Ceulers strips away what’s precious and demands we live with his art, just as he does in his own untidy studio." <BR/><BR/>Read complete exhibition text by Andrea Alessi's on the gallery's <A HREF="http://www.juliettejongma.com/galerie/home/1/1/" TARGET="_blank"><B>website.</B></A> <BR/> <BR/>                                                    <BR/>Galerie Juliètte Jongma<BR/>Gerard Doustraat 128a <BR/>1073VX Amsterdam <BR/>The Netherlands<br><br>]]></content:encoded>
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			<title>Michiel Ceulers at PS, Amsterdam</title>
			<link>http://schauort.com/blog/2011/05/06/michiel-ceulers-at-ps-amsterdam</link>
			<comments>http://schauort.com/blog/2011/05/06/michiel-ceulers-at-ps-amsterdam</comments>
			<pubDate>Fri, 06 May 2011 10:39:00 +0000</pubDate>
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			<description><![CDATA[    <B>Michiel Ceulers</B><BR/><B>Sexuelle Selektion und elterliche Fürsorge</B><BR/><B>8 May - 31 May 2011</B><BR/><BR/>Solo exhibition by Michiel Ceulers in Amsterdam's project space PS. <BR/><BR/>Visit website with images, click <A HREF="http://www.psprojectspace.nl/ex2011_ceulers.html" TARGET="_blank"><B>here.</B></A> [...]]]></description>
			<content:encoded><![CDATA[    <B>Michiel Ceulers</B><BR/><B>Sexuelle Selektion und elterliche Fürsorge</B><BR/><B>8 May - 31 May 2011</B><BR/><BR/>Solo exhibition by Michiel Ceulers in Amsterdam's project space PS. <BR/><BR/>Visit website with images, click <A HREF="http://www.psprojectspace.nl/ex2011_ceulers.html" TARGET="_blank"><B>here.</B></A> <BR/><BR/>PS<BR/>Leidsekade 60<BR/>1016 CX Amsterdam<br><br>]]></content:encoded>
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			<title>Claudia Wieser, &quot;Muster und Formen&quot;, Galerie Ben Kaufmann, 30 April - 11 June, 2011</title>
			<link>http://schauort.com/blog/2011/04/30/claudia-wieser-muster-und-formen-galerie-ben-kaufmann-30-april-11-june-2011</link>
			<comments>http://schauort.com/blog/2011/04/30/claudia-wieser-muster-und-formen-galerie-ben-kaufmann-30-april-11-june-2011</comments>
			<pubDate>Sat, 30 Apr 2011 05:34:00 +0000</pubDate>
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			<description><![CDATA[ Galerie Ben Kaufmann is presenting works by Claudie Wieser from April 30 - June 11, 2011.<BR/><BR/><BR/>Galerie Ben Kaufmann<BR/>Strausbergerplatz 8 <BR/>10243 Berlin<BR/><BR/><A HREF="http://www.benkaufmann.com/" TARGET="_self">www.benkaufmann.com</A> <BR/> [...]]]></description>
			<content:encoded><![CDATA[ Galerie Ben Kaufmann is presenting works by Claudie Wieser from April 30 - June 11, 2011.<BR/><BR/><BR/>Galerie Ben Kaufmann<BR/>Strausbergerplatz 8 <BR/>10243 Berlin<BR/><BR/><A HREF="http://www.benkaufmann.com/" TARGET="_self">www.benkaufmann.com</A> <BR/><br><br>]]></content:encoded>
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			<title>James Hyde at online publication PARALLELOGRAMS</title>
			<link>http://schauort.com/blog/2011/04/21/james-hyde-at-online-publication-parallelograms</link>
			<comments>http://schauort.com/blog/2011/04/21/james-hyde-at-online-publication-parallelograms</comments>
			<pubDate>Thu, 21 Apr 2011 08:42:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/04/21/james-hyde-at-online-publication-parallelograms</guid>
			<description><![CDATA[  "<A HREF="http://www.parallelograms.info/" TARGET="_blank"><B>Parallelograms</B></A> is an online publication and<BR/>multi-artist project exploring the relationship between images and interpretation. Each week,<BR/>we provide an artist, writer, designer, or collaborative team with an image found online. We then ask them to create a unique web [...]]]></description>
			<content:encoded><![CDATA[  "<A HREF="http://www.parallelograms.info/" TARGET="_blank"><B>Parallelograms</B></A> is an online publication and<BR/>multi-artist project exploring the relationship between images and interpretation. Each week,<BR/>we provide an artist, writer, designer, or collaborative team with an image found online. We then ask them to create a unique web project in response to this image. New projects are published at the beginning of the week and past projects are archived chronologically."<BR/><BR/><A HREF="http://www.parallelograms.info/" TARGET="_blank"><B>Parallelograms</B></A> is curated and published<BR/>by Leah Beeferman and Matthew Harvey.<BR/><BR/><B>Project by James Hyde - 04-14-11</B><BR/>"James Hyde is an abstract painter who currently lives and works in Brooklyn. His work ranges from paintings on photographic prints to large-scale installations, photography, and abstract furniture design. He has lectured as a visiting professor at a number of institutions and is represented by galleries in New York, Paris, and Zurich."<BR/><BR/>Click <A HREF="http://www.parallelograms.info/18-JH.php" TARGET="_blank"><B>HERE</B></A> to view James' publication for Parallelograms<br><br>]]></content:encoded>
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			<title>Jan Fabre solo exhibition &quot;The Years of the Hour Blue&quot;, Kunsthistorisches Museum Vienna, 4 May - 28 August 2011</title>
			<link>http://schauort.com/blog/2011/04/20/jan-fabre-solo-exhibition-the-years-of-the-hour-blue-kunsthistorisches-museum-vienna-4-may-28-august-2011</link>
			<comments>http://schauort.com/blog/2011/04/20/jan-fabre-solo-exhibition-the-years-of-the-hour-blue-kunsthistorisches-museum-vienna-4-may-28-august-2011</comments>
			<pubDate>Wed, 20 Apr 2011 13:13:00 +0000</pubDate>
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			<description><![CDATA[   <B>Jan Fabre</B><BR/><B>The Years of the Hour Blue</B><BR/>4 May - 28 August 2011<BR/><BR/>The Picture gallery of the Kunsthistorisches Museum will host an exhibition comprising 40 historical works by the internationally renowned Belgian artist, Jan Fabre (born 1958 in Antwerp). These works belong to his series &#8220;The Blue Hour”, and [...]]]></description>
			<content:encoded><![CDATA[   <B>Jan Fabre</B><BR/><B>The Years of the Hour Blue</B><BR/>4 May - 28 August 2011<BR/><BR/>The Picture gallery of the Kunsthistorisches Museum will host an exhibition comprising 40 historical works by the internationally renowned Belgian artist, Jan Fabre (born 1958 in Antwerp). These works belong to his series &#8220;The Blue Hour”, and most of them were created between 1986 and 1990. Executed with a blue BIC ballpoint pen, these drawings focus on metamorphosis and rebirth. The drawings – and a selection of three-dimensional objects with surfaces also covered with ballpoint drawings - will be placed in a number of galleries and rooms of the Picture Gallery of the Kunsthistorisches Museum, entering into a dialogue with masterpieces in the KHM’s permanent collection such as Tintoretto’s Susanna and the Elders, Caravaggio’s Man holding Tortoises, and Rubens’ Feast of Venus. In addition, important sculptures by the artist will be displayed in the Entrance Hall and – visible from Maria-Theresien-Square – on the roof of the museum, initiating a fascinating dialogue between the contemporary and the historical, the transient and the eternal.<BR/><BR/>The works on show are loans from important private collections and international museums such as the Kunstmuseum Basel, the Stedelijk Museum in Amsterdam, the Museum Kiasma in Helsinki, and the Museum of the 21st Century in Kanazawa (Japan). <BR/><BR/><A HREF="http://www.khm.at/nocache/de/khm/" TARGET="_blank"><B>Kunsthistorisches Museum</B></A> <BR/>Gemäldegalerie<BR/>Maria Theresien-Platz<BR/>1010 Wien / Vienna<br><br>]]></content:encoded>
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			<title>Walter Dahn solo exhibition &quot;Flowers and Coffee&quot;, Hochschule für Bildende Künste Braunschweig. Opening: 24 May, 7pm</title>
			<link>http://schauort.com/blog/2011/04/15/walter-dahn-solo-exhibition-flowers-and-coffee-hochschule-fur-bildende-kunste-braunschweig-opening-24-may-7pm</link>
			<comments>http://schauort.com/blog/2011/04/15/walter-dahn-solo-exhibition-flowers-and-coffee-hochschule-fur-bildende-kunste-braunschweig-opening-24-may-7pm</comments>
			<pubDate>Fri, 15 Apr 2011 14:11:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/04/15/walter-dahn-solo-exhibition-flowers-and-coffee-hochschule-fur-bildende-kunste-braunschweig-opening-24-may-7pm</guid>
			<description><![CDATA[   <B>Walter Dahn: Flowers &amp; Coffee</B><BR/><B>Hochschule für Bildende Künste</B><BR/><B>25.05.2011 - 10.06.2011 </B><BR/><BR/>HBK-Professor Walter Dahn zeigt in der Hochschulgalerie einen Überblick seiner Malereien auf Papier aus fast 40 Jahren. Es handelt sich dabei um Arbeiten, die bisher nur sehr selten und in wesentlich [...]]]></description>
			<content:encoded><![CDATA[   <B>Walter Dahn: Flowers &amp; Coffee</B><BR/><B>Hochschule für Bildende Künste</B><BR/><B>25.05.2011 - 10.06.2011 </B><BR/><BR/>HBK-Professor Walter Dahn zeigt in der Hochschulgalerie einen Überblick seiner Malereien auf Papier aus fast 40 Jahren. Es handelt sich dabei um Arbeiten, die bisher nur sehr selten und in wesentlich geringerem Umfang öffentlich präsentiert wurden und die seit seiner Zeit als Schüler von Joseph Beuys an der Kunstakademie Düsseldorf quasi parallel zu allem anderen, was er bisher erarbeitet hat, entstanden sind. »Diese Dinge bezeichnen den Punkt, der alles betrifft, was ich im größeren Format mit zum Teil ganz unterschiedlichen Mitteln versucht habe zu erarbeiten und natürlich auch zur Diskussion zu stellen«, sagt Walter Dahn. Die Ausstellung wird begleitet von Filmvorführungen und Diskussionsveranstaltungen. Es erscheint ein Katalog im Verlag Walter König. <BR/><BR/><A HREF="http://www.braunschweig.de/kultur_tourismus/veranstaltungen/kalender.html?mode=details&amp;event_id=117790" TARGET="_blank"><B><I>web</I></B></A><BR/><br><br>]]></content:encoded>
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			<title>Silvie Defraoui participating at Café des Rêves, Helmhaus Zurich, 29 April - 19 June, 2011</title>
			<link>http://schauort.com/blog/2011/04/15/silvie-defraoui-participating-at-cafe-des-reves-helmhaus-zurich-29-april-19-june-2011</link>
			<comments>http://schauort.com/blog/2011/04/15/silvie-defraoui-participating-at-cafe-des-reves-helmhaus-zurich-29-april-19-june-2011</comments>
			<pubDate>Fri, 15 Apr 2011 14:02:00 +0000</pubDate>
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			<description><![CDATA[ An exhibition of video with works by: <BR/><BR/>Emmanuelle Antille, Balthasar Burkhard, <B>Silvie Defraoui</B>, Bettina Disler, Sonja Feldmeier, Alexander Hahn, Luzia Hürzeler, Raphaël Cuomo &amp; Maria Iorio, Daniela Keiser, Dominique Müller, Shahryar Nashat, Yves Netzhammer, Susana Perrottet, Elodie Pong, Anne-Julie Raccoursier, [...]]]></description>
			<content:encoded><![CDATA[ An exhibition of video with works by: <BR/><BR/>Emmanuelle Antille, Balthasar Burkhard, <B>Silvie Defraoui</B>, Bettina Disler, Sonja Feldmeier, Alexander Hahn, Luzia Hürzeler, Raphaël Cuomo &amp; Maria Iorio, Daniela Keiser, Dominique Müller, Shahryar Nashat, Yves Netzhammer, Susana Perrottet, Elodie Pong, Anne-Julie Raccoursier, Delphine Reist, Chantal Romani, Denis Savary, Annelies Štrba, Till Velten, Ingrid Wildi Merino<BR/><BR/><A HREF="http://www.cafedesreves.ch/" TARGET="_blank"><B>www.cafedesreves.ch</B></A> <br><br>]]></content:encoded>
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			<title>Eva von Platen participating at &quot;Eins plus Eins&quot;, 3 April - 22 May, 2011. Athur Boskamp Stiftung</title>
			<link>http://schauort.com/blog/2011/03/21/eva-von-platen-participating-at-eins-plus-eins-3-april-22-may-2011-athur-boskamp-stiftung</link>
			<comments>http://schauort.com/blog/2011/03/21/eva-von-platen-participating-at-eins-plus-eins-3-april-22-may-2011-athur-boskamp-stiftung</comments>
			<pubDate>Mon, 21 Mar 2011 19:36:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/03/21/eva-von-platen-participating-at-eins-plus-eins-3-april-22-may-2011-athur-boskamp-stiftung</guid>
			<description><![CDATA[<B>EINS PLUS EINS</B><BR/><B>Michael Bauch, Alexandra Bircken, Joachim Koester, Jochen Lempert, Eva von Platen</B><BR/><B>Kuratiert von Brigitte Kölle</B><BR/><BR/>Eröffnung: Sonntag, 3. April 2011, 14.30 Uhr<BR/>Ausstellung vom 3. April bis 22. Mai 2011<BR/><BR/>Arthur Boskamp-Stiftung<BR/>Breite Straße 18<BR/>25551 Hohenlockstedt<BR/><A [...]]]></description>
			<content:encoded><![CDATA[<B>EINS PLUS EINS</B><BR/><B>Michael Bauch, Alexandra Bircken, Joachim Koester, Jochen Lempert, Eva von Platen</B><BR/><B>Kuratiert von Brigitte Kölle</B><BR/><BR/>Eröffnung: Sonntag, 3. April 2011, 14.30 Uhr<BR/>Ausstellung vom 3. April bis 22. Mai 2011<BR/><BR/>Arthur Boskamp-Stiftung<BR/>Breite Straße 18<BR/>25551 Hohenlockstedt<BR/><A HREF="http://www.arthurboskamp-stiftung.de/?cat=1" TARGET="_blank"><B>website</B></A>  <br><br>]]></content:encoded>
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			<title>Anita Di Bianco participating at &quot;...so schön? / ...so beautiful?&quot;, Nassauischer Kunstverein Wiesbaden, 20 March - 1 May, 2011</title>
			<link>http://schauort.com/blog/2011/03/17/anita-di-bianco-participating-at-so-schon-so-beautiful-nassauischer-kunstverein-wiesbaden-20-march-1-may-2011</link>
			<comments>http://schauort.com/blog/2011/03/17/anita-di-bianco-participating-at-so-schon-so-beautiful-nassauischer-kunstverein-wiesbaden-20-march-1-may-2011</comments>
			<pubDate>Thu, 17 Mar 2011 09:13:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/03/17/anita-di-bianco-participating-at-so-schon-so-beautiful-nassauischer-kunstverein-wiesbaden-20-march-1-may-2011</guid>
			<description><![CDATA[<B>...so beautiful?</B><BR/><B>Awst &amp; Walther / Fides Becker / Il-Jin Atem Choi &amp; Becker-Schmitz / Anita Di Bianco </B><BR/><B>Zilvinas Kempinas / Ján Mančuška / Neil McNally / Christine Mederer / Emilie Pitoiset </B><BR/><B>Sophia Pompéry / Markus Walenzyk</B><BR/><BR/><B>March 20th to May 1st, 2011</B><BR/><B>Opening / March [...]]]></description>
			<content:encoded><![CDATA[<B>...so beautiful?</B><BR/><B>Awst &amp; Walther / Fides Becker / Il-Jin Atem Choi &amp; Becker-Schmitz / Anita Di Bianco </B><BR/><B>Zilvinas Kempinas / Ján Mančuška / Neil McNally / Christine Mederer / Emilie Pitoiset </B><BR/><B>Sophia Pompéry / Markus Walenzyk</B><BR/><BR/><B>March 20th to May 1st, 2011</B><BR/><B>Opening / March 19th, 5 to 8 pm</B><BR/><BR/><B>Curated by Sara Stehr and Elke Gruhn</B><BR/><BR/>"What constitutes the poetic element in contemporary art? Curators, critics or even artists themselves often award works of art with a poetic quality. The metaphorical use of the term beyond poetry follows a long tradition. The group exhibition tries to make the attribute &#8220;poetic” tangible, based on works presented by 13 artists, in the media video art, installation,<BR/>performance, painting and photography. The title of the exhibition aims at the question whether the term poetic can fill the gap, opened by today's turn away from the original aesthetic category of beauty, whilst speaking about art, and to what extent it goes beyond the &#8220;so beautiful”. <BR/>...<BR/>A nostalgic moment manifests itself in the video work of the artist ANITA DI BIANCO (the USA), who as well lets an old ballroom become an active player. She uses familiar pictures and text from film, theatre and literature, reflecting on imitative acting. ..."<BR/><BR/>Read complete text on <A HREF="http://www.kunstverein-wiesbaden.de/seiten_e/2010_2011_060_e.html" TARGET="_blank"><B>website</B></A> <BR/><BR/>NKV - Nassauischer Kunstverein - Wilhelmstrasse 15 - 65185 Wiesbaden - Germany<br><br>]]></content:encoded>
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			<title>Mariana Castillo Deball participating at &quot;The Mirage of History&quot;, at LiveInYourHead, Geneva, March 18 - April 23, 2011</title>
			<link>http://schauort.com/blog/2011/03/17/mariana-castillo-deball-participating-at-the-mirage-of-history-at-liveinyourhead-geneva-march-18-april-23-2011</link>
			<comments>http://schauort.com/blog/2011/03/17/mariana-castillo-deball-participating-at-the-mirage-of-history-at-liveinyourhead-geneva-march-18-april-23-2011</comments>
			<pubDate>Thu, 17 Mar 2011 06:07:24 +0000</pubDate>
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			<description><![CDATA[The Mirage of History<BR/><BR/>Armando Andrade Tudela, Mariana Castillo Deball, Aurélien Froment, Mario Garcia Torres, Dominique Gonzalez-Foerster, Nancy Holt &amp; Robert Smithson, Joachim Koester, Adrien Missika, Uriel Orlow, Sean Snyder, Michael Stevenson<BR/><BR/>Une proposition de Yann Chateigné avec les étudiant-e-s du [...]]]></description>
			<content:encoded><![CDATA[The Mirage of History<BR/><BR/>Armando Andrade Tudela, Mariana Castillo Deball, Aurélien Froment, Mario Garcia Torres, Dominique Gonzalez-Foerster, Nancy Holt &amp; Robert Smithson, Joachim Koester, Adrien Missika, Uriel Orlow, Sean Snyder, Michael Stevenson<BR/><BR/>Une proposition de Yann Chateigné avec les étudiant-e-s du WORK.MASTER<BR/><BR/>Exposition du 18 mars au 23 avril 2011<BR/>Du mercredi au samedi de 14 à 19 heures<BR/><BR/>LiveInYourHead, Institut curatorial de la Head – Genève<BR/>Rue du Beulet 4, 1203 Genève<BR/>Visit <A HREF="http://head.hesge.ch/-LIVEINYOURHEAD-?lang=en#IMG/jpg/IDrawIHappy_01_web.jpg" TARGET="_blank"><B>website</B></A>  <br><br>]]></content:encoded>
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			<title>Yesim Akdeniz Graf: Ulalume. Solo exhibition at Fons Welters Amsterdam, 5 Mar - 2 Apr 2011</title>
			<link>http://schauort.com/blog/2011/03/01/yesim-akdeniz-graf-ulalume-solo-exhibition-at-fons-welters-amsterdam-5-mar-2-apr-2011</link>
			<comments>http://schauort.com/blog/2011/03/01/yesim-akdeniz-graf-ulalume-solo-exhibition-at-fons-welters-amsterdam-5-mar-2-apr-2011</comments>
			<pubDate>Tue, 01 Mar 2011 09:30:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/03/01/yesim-akdeniz-graf-ulalume-solo-exhibition-at-fons-welters-amsterdam-5-mar-2-apr-2011</guid>
			<description><![CDATA[ "The paintings of Yesim Akdeniz Graf (Izmir, Turkey, 1978) can be read as mysterious stills from a film. A narrative that slowly unfolds in the successive parts of a series, but that never fully reveals itself. Akdeniz Graf derived the title and dramatic composition for her third solo exhibition at Galerie Fons Welters from the poem by Edgar [...]]]></description>
			<content:encoded><![CDATA[ "The paintings of Yesim Akdeniz Graf (Izmir, Turkey, 1978) can be read as mysterious stills from a film. A narrative that slowly unfolds in the successive parts of a series, but that never fully reveals itself. Akdeniz Graf derived the title and dramatic composition for her third solo exhibition at Galerie Fons Welters from the poem by Edgar Allan Poe, whose persona wanders forlorn through an October night –  ‘The skies they were ashen and sober; / The leaves they were crispèd and sere’." <BR/><BR/>Read more on Fons Welters <A HREF="http://www.fonswelters.nl/exhibition/ulalume/#about" TARGET="_blank">website</A> <BR/><BR/>GALERIE FONS WELTERS<BR/>Bloemstraat 140<BR/>1016 lj Amsterdam<br><br>]]></content:encoded>
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			<title>Bettina Carl participating at &quot;Roulette&quot;, Vegas Gallery, London</title>
			<link>http://schauort.com/blog/2011/02/25/bettina-carl-participating-at-roulette-vegas-gallery-london</link>
			<comments>http://schauort.com/blog/2011/02/25/bettina-carl-participating-at-roulette-vegas-gallery-london</comments>
			<pubDate>Fri, 25 Feb 2011 18:06:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2011/02/25/bettina-carl-participating-at-roulette-vegas-gallery-london</guid>
			<description><![CDATA[VEGAS is delighted to present ‘Roulette’. A group show which marks four years since the gallery’s conception and, in bringing together recent works from all represented artists, is an opening celebration of the gallery’s newly built independent space. <BR/><BR/>Roulette: 10 March - 17 April 2011<BR/><BR/>Vegas Gallery<BR/>45 [...]]]></description>
			<content:encoded><![CDATA[VEGAS is delighted to present ‘Roulette’. A group show which marks four years since the gallery’s conception and, in bringing together recent works from all represented artists, is an opening celebration of the gallery’s newly built independent space. <BR/><BR/>Roulette: 10 March - 17 April 2011<BR/><BR/>Vegas Gallery<BR/>45 Vyner Street<BR/>E2 9DQ London<BR/><A HREF="http://www.vegasgallery.co.uk/" TARGET="_blank">website</A>  <br><br>]]></content:encoded>
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			<title>Hadassah Emmerich participating at La Vallée Patibulaire, Berlin</title>
			<link>http://schauort.com/blog/2011/02/24/hadassah-emmerich-participating-at-la-vallee-patibulaire-berlin</link>
			<comments>http://schauort.com/blog/2011/02/24/hadassah-emmerich-participating-at-la-vallee-patibulaire-berlin</comments>
			<pubDate>Thu, 24 Feb 2011 13:38:00 +0000</pubDate>
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			<description><![CDATA[Groupshow ***La Vallée Patibulaire***<BR/>Called by: Caro Bittermann, Caro Suerkemper, Peter Duka, Catherine Lorent<BR/><BR/>On the 25th, 26th and 27th of February 2011, a former butcher’s shop, located on the ”Red<BR/>Island&#8220; in Berlin Schöneberg, is going to transform into an exhibition gallery. The event is [...]]]></description>
			<content:encoded><![CDATA[Groupshow ***La Vallée Patibulaire***<BR/>Called by: Caro Bittermann, Caro Suerkemper, Peter Duka, Catherine Lorent<BR/><BR/>On the 25th, 26th and 27th of February 2011, a former butcher’s shop, located on the ”Red<BR/>Island&#8220; in Berlin Schöneberg, is going to transform into an exhibition gallery. The event is entitled<BR/>”La Vallée Patibulaire&#8220;, and it will awaken this sleeping beauty before it is transformed and renovated. The ”image&#8220; of the exhibition is constructed by this resuscitating place, the choices<BR/>of the artists hosting (Caro Bittermann, Caro Suerkemper, Peter Duka, and Catherine Lorent)<BR/>and its polysemous title ”Vallée Patibulaire&#8220;. ”Vallée Patibulaire&#8220; (also known as the ”disturbing<BR/>valley&#8220;) is a French translation of the ”Uncanny Valley&#8220; concept, which was born with robotics and has since spread through humanoid-like 3D animation. This concept asks the question of how our acceptance-level plunges as avatars resemble their human ”models&#8220; more and more.<BR/><BR/>Opening Friday Feb. 25th, 18.00 - 22.00<BR/>Güstav-Müller-strasse 18, 10829 Berlin<BR/>Exhibition on view Sat. 26 and Sunday 27 Feb. 12.00 - 18.00<BR/><BR/><A HREF="http://WWW.VALLEE-PATIBULAIRE.EU" TARGET="_blank">WWW.VALLEE-PATIBULAIRE.EU</A>  <br><br>]]></content:encoded>
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			<title>James Hyde at Jolie Laide, Philadelphia, 3 Feb - 26 Mar, 2011</title>
			<link>http://schauort.com/blog/2011/02/16/james-hyde-at-jolie-laide-philadelphia-3-feb-26-mar-2011</link>
			<comments>http://schauort.com/blog/2011/02/16/james-hyde-at-jolie-laide-philadelphia-3-feb-26-mar-2011</comments>
			<pubDate>Wed, 16 Feb 2011 15:05:00 +0000</pubDate>
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			<description><![CDATA[    <B>WORD! THE STUART DAVIS GROUP</B><BR/><B>Paintings by James Hyde</B><BR/><BR/>Jolie Laide is proud to present new work from James Hyde’s &#8220;Stuart Davis Group”.  Although born over half a century apart, both painters Stuart Davis and James Hyde grew up in the Philadelphia area, and this exhibit offers an opportunity to [...]]]></description>
			<content:encoded><![CDATA[    <B>WORD! THE STUART DAVIS GROUP</B><BR/><B>Paintings by James Hyde</B><BR/><BR/>Jolie Laide is proud to present new work from James Hyde’s &#8220;Stuart Davis Group”.  Although born over half a century apart, both painters Stuart Davis and James Hyde grew up in the Philadelphia area, and this exhibit offers an opportunity to celebrate their common regional heritage.  Davis was powerfully inspired by jazz- in his own words, "an abstract art of real order".  Hyde updates the liaison of music and painting by photographing passages, "sampling" from Davis's paintings in order to generate new works of art. While earlier paintings from the &#8220;Stuart Davis Group” have recently been shown at The Boiler in New York, the Mason Gross Gallery at Rutgers University, and The Tang Museum at Skidmore College, the work featured in Word! is being exhibited for the first time.<BR/><BR/>In the new paintings, Hyde performs visual magic by activating multiple perceptual experiences.  What appears to be thickly textured, colorful paint is actually a photograph, while what seem to be smooth blank areas turn out to be paint- sprayed, rolled or brushed- in low relief over the ink-jet photographic prints.  Further, Hyde’s paintings look like geometric abstraction at first glance, but quickly shift as we recognize the words they display. Hyde engages us in a circular game of seeing that expands to include painting, photography, and reading.  By activating these three modes of visual experience, Hyde generates an intoxicating syncopation of seeing and visual awareness. <BR/><BR/>Visit Jolie Laide Gallery <A HREF="http://www.jolielaide.com/gallery/home.html" TARGET="undefined">website</A> <br><br>]]></content:encoded>
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			<title>Anita Di Bianco included in &quot;After Reasonable Research&quot;, Printed Matter, New York</title>
			<link>http://schauort.com/blog/2011/02/09/anita-di-bianco-included-in-after-reasonable-research-printed-matter-new-york</link>
			<comments>http://schauort.com/blog/2011/02/09/anita-di-bianco-included-in-after-reasonable-research-printed-matter-new-york</comments>
			<pubDate>Wed, 09 Feb 2011 07:44:00 +0000</pubDate>
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			<description><![CDATA[After Reasonable Research, 9 - 26 Feb, 2011<BR/><BR/>"Printed Matter is pleased to announce After Reasonable Research, an exhibition of artists’ books and related material exploring the encyclopedic form. After Reasonable Research forms a radical reference library with an interest in accumulated knowledge. The collected books explore systems [...]]]></description>
			<content:encoded><![CDATA[After Reasonable Research, 9 - 26 Feb, 2011<BR/><BR/>"Printed Matter is pleased to announce After Reasonable Research, an exhibition of artists’ books and related material exploring the encyclopedic form. After Reasonable Research forms a radical reference library with an interest in accumulated knowledge. The collected books explore systems of classification, asking how information can be parsed and accommodated into expressive formats that describe content as much as deliver it. ..."<BR/><BR/>Read more on Printed Matter <A HREF="https://printedmatter.org/news/news.cfm?article_id=807" TARGET="_blank">website</A> <BR/><BR/>Printed Matter, Inc.<BR/>195 Tenth Avenue New York, NY 10011<BR/>T: 212 925 0325, F: 212 925 0464<br><br>]]></content:encoded>
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			<title>Claudia Wieser participating at &quot;The Cosmos of Rudolf Steiner&quot; in Stuttgart</title>
			<link>http://schauort.com/blog/2011/02/05/claudia-wieser-participating-at-the-cosmos-of-rudolf-steiner-in-stuttgart</link>
			<comments>http://schauort.com/blog/2011/02/05/claudia-wieser-participating-at-the-cosmos-of-rudolf-steiner-in-stuttgart</comments>
			<pubDate>Sat, 05 Feb 2011 13:44:00 +0000</pubDate>
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			<description><![CDATA[   <B>  The Cosmos of Rudolf Steiner</B><BR/><B>5 February - 22 May 2011</B><BR/><BR/>Rudolf Steiner is one of the most influential and controversial reformers of the 20th century. In the large special exhibition »The Cosmos of Rudolf Steiner«, the Kunstmuseum Stuttgart is presenting a comprehensive view of Steiner’s cultural and [...]]]></description>
			<content:encoded><![CDATA[   <B>  The Cosmos of Rudolf Steiner</B><BR/><B>5 February - 22 May 2011</B><BR/><BR/>Rudolf Steiner is one of the most influential and controversial reformers of the 20th century. In the large special exhibition »The Cosmos of Rudolf Steiner«, the Kunstmuseum Stuttgart is presenting a comprehensive view of Steiner’s cultural and art-historical impact.<BR/><BR/>Rudolf Steiner, an artist himself, impacted artists who were his contemporaries such as Vasily Kandinsky, and his influence can still be felt today: For example, Joseph Beuys studied Steiner’s writings very thoroughly, and we likewise find references to Steiner’s ideas in the work of many recent artists. These contemporary artists do not, however, see themselves as followers of Steiner’s teachings; instead their works are rather to be comprehended as reactions to a globalized, highly technological, and specialized world. This part of the exhibition, developed together with the Kunstmuseum Wolfsburg, shows works by the contemporary artists Jan Albers, Joseph Beuys, Tony Cragg, Olafur Eliasson, Helmut Federle, Manuel Graf, Katharina Grosse, Anish Kapoor, Kalin Lindena, Simon Dybbroe Møller, Carsten Nicolai, Giuseppe Penone, Bernd Ribbeck and Claudia Wieser.<BR/><BR/>KUNSTMUSEUM STUTTGART<BR/>Kleiner Schlossplatz 1<BR/>70173 Stuttgart, Germany<BR/>Phone: +49 (0) 711 - 216 21 88<BR/>Fax: +49 (0) 711 – 216 78 20<BR/><A HREF="mailto:info@kunstmuseum-stuttgart.de?subject=" TARGET="">info(at)kunstmuseum-stuttgart.de</A><A HREF="http://www.kunstmuseum-stuttgart.de/index.php?site=Home" TARGET="_blank"> </A><BR/><A HREF="http://www.kunstmuseum-stuttgart.de/index.php?site=Home" TARGET="_blank">www.kunstmuseum-stuttgart.de</A> <br><br>]]></content:encoded>
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			<title>Keren Cytter participating at &quot;Found in Translation&quot;, Guggenheim New York, 11 Feb - 1 May 2011</title>
			<link>http://schauort.com/blog/2011/02/02/keren-cytter-participating-at-found-in-translation-guggenheim-new-york-11-feb-1-may-2011</link>
			<comments>http://schauort.com/blog/2011/02/02/keren-cytter-participating-at-found-in-translation-guggenheim-new-york-11-feb-1-may-2011</comments>
			<pubDate>Wed, 02 Feb 2011 07:35:00 +0000</pubDate>
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			<description><![CDATA[ T<B>he Deutsche Bank Series at the Guggenheim: Found in Translation</B><BR/> <B>February 11–May 1, 2011. Organized by Associate Curator Nat Trotman</B>     <B> </B><BR/><BR/>"Found in Translation brings together recent works by eleven artists who look to translation as both a model and a metaphor to critically comment on the past and to [...]]]></description>
			<content:encoded><![CDATA[ T<B>he Deutsche Bank Series at the Guggenheim: Found in Translation</B><BR/> <B>February 11–May 1, 2011. Organized by Associate Curator Nat Trotman</B>     <B> </B><BR/><BR/>"Found in Translation brings together recent works by eleven artists who look to translation as both a model and a metaphor to critically comment on the past and to produce richly imagined possibilities for the present. For these artists, converting a text from one language to another exposes a discursive field in which the terms of identity—class, race, religion, sexuality—are negotiated, and meaning is generated." <BR/><BR/>Keren Cytter's video "Les Ruissellements du Diable" (2008), featuring a translator as the main character, will be part of this exhibition. <BR/><BR/>Read more on the Guggenheim <A HREF="http://www.guggenheim.org/new-york/exhibitions/on-view/found-in-translation" TARGET="_blank">website</A>      <br><br>]]></content:encoded>
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			<title>Lucy Skaer participating at &quot;Color Pattern Yellow Danger&quot;, Milliken Gallery Stockholm, 21 Jan - 26 Feb 2011</title>
			<link>http://schauort.com/blog/2011/01/31/lucy-skaer-participating-at-color-pattern-yellow-danger-milliken-gallery-stockholm-21-jan-26-feb-2011</link>
			<comments>http://schauort.com/blog/2011/01/31/lucy-skaer-participating-at-color-pattern-yellow-danger-milliken-gallery-stockholm-21-jan-26-feb-2011</comments>
			<pubDate>Mon, 31 Jan 2011 19:06:00 +0000</pubDate>
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			<description><![CDATA[Milliken Gallery is proud to present the first exhibition of the season, Color Pattern Yellow Danger, with works by KP Brehmer, Paul Fägerskiöld and Lucy Skaer. The Gallery explores the delicate balance between documentation and symbolism. The artists have, within diverse methodologies, re-contextualized widely ranging sources and created [...]]]></description>
			<content:encoded><![CDATA[Milliken Gallery is proud to present the first exhibition of the season, Color Pattern Yellow Danger, with works by KP Brehmer, Paul Fägerskiöld and Lucy Skaer. The Gallery explores the delicate balance between documentation and symbolism. The artists have, within diverse methodologies, re-contextualized widely ranging sources and created works representative of their origins while simultaneously implicating other perspectives. <BR/><BR/>Visit Milliken Gallery <A HREF="http://www.millikengallery.com" TARGET="_blank"><B>website</B></A>  <br><br>]]></content:encoded>
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			<title>Simone Schardt participating at: GET CONCRETE AT SOME POINT, Krobath Berlin, 25.1. - 5.3.2011</title>
			<link>http://schauort.com/blog/2011/01/19/simone-schardt-participating-at-get-concrete-at-some-point-krobath-berlin-25-1-5-3-2011</link>
			<comments>http://schauort.com/blog/2011/01/19/simone-schardt-participating-at-get-concrete-at-some-point-krobath-berlin-25-1-5-3-2011</comments>
			<pubDate>Wed, 19 Jan 2011 14:59:00 +0000</pubDate>
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			<description><![CDATA[ <B>GET CONCRETE AT SOME POINT</B><BR/>Falke Pisano, Simone Schardt und Jenni Tischer<BR/>in Zusammenarbeit mit Sabeth Buchmann<BR/><BR/>Eröffnung: Sonnabend, 22. Januar 2011, 18 bis 21 Uhr<BR/>25. Januar bis 5. März 2011<BR/><BR/><A HREF="http://www.galeriekrobath.at/" TARGET="_blank"><B>Krobath</B></A>, Marienstrasse 10, D-10117 [...]]]></description>
			<content:encoded><![CDATA[ <B>GET CONCRETE AT SOME POINT</B><BR/>Falke Pisano, Simone Schardt und Jenni Tischer<BR/>in Zusammenarbeit mit Sabeth Buchmann<BR/><BR/>Eröffnung: Sonnabend, 22. Januar 2011, 18 bis 21 Uhr<BR/>25. Januar bis 5. März 2011<BR/><BR/><A HREF="http://www.galeriekrobath.at/" TARGET="_blank"><B>Krobath</B></A>, Marienstrasse 10, D-10117 Berlin<BR/>Di–Sa 11–18 Uhr<br><br>]]></content:encoded>
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			<title>Irene Weingartner at Kulturpalast Wedding, Berlin: 29.1. - 6.2. 2011</title>
			<link>http://schauort.com/blog/2011/01/19/irene-weingartner-at-kulturpalast-wedding-berlin-29-1-6-2-2011</link>
			<comments>http://schauort.com/blog/2011/01/19/irene-weingartner-at-kulturpalast-wedding-berlin-29-1-6-2-2011</comments>
			<pubDate>Wed, 19 Jan 2011 11:38:00 +0000</pubDate>
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			<description><![CDATA[ <BR/><B>MÖGLICHE SYSTEME</B><BR/><B>Irene Weingartner + Sonya Schönberger</B><BR/><B>kuratiert von Nicola Ruffo</B><BR/><BR/>Eröffnung am Fr. 28. Januar um 20 h<BR/>Finissage am So. 06.Februar um 20 h<BR/>mit einer Auktions-Aktion<BR/><BR/>geöffnet Sa/ So von 16-20 h und nach Vereinbarung<BR/><BR/>Weitere Informationen <A [...]]]></description>
			<content:encoded><![CDATA[ <BR/><B>MÖGLICHE SYSTEME</B><BR/><B>Irene Weingartner + Sonya Schönberger</B><BR/><B>kuratiert von Nicola Ruffo</B><BR/><BR/>Eröffnung am Fr. 28. Januar um 20 h<BR/>Finissage am So. 06.Februar um 20 h<BR/>mit einer Auktions-Aktion<BR/><BR/>geöffnet Sa/ So von 16-20 h und nach Vereinbarung<BR/><BR/>Weitere Informationen <A HREF="http://kulturpalastwedding.wordpress.com/kalender-upcoming-events/" TARGET="_blank"><B>HIER</B></A> <BR/><BR/>Kulturpalast Wedding International<BR/>Freienwalder Str. 20<BR/>13359 Berlin<BR/><A HREF="http://www.kulturpalastwedding.com/" TARGET="_blank">www.kulturpalastwedding.com</A> <BR/><br><br>]]></content:encoded>
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			<title>Silvie Defraoui participating at &quot;Absolute Installation&quot;, National Museum of Contemporary Art Oslo</title>
			<link>http://schauort.com/blog/2011/01/14/silvie-defraoui-participating-at-absolute-installation-national-museum-of-contemporary-art-oslo</link>
			<comments>http://schauort.com/blog/2011/01/14/silvie-defraoui-participating-at-absolute-installation-national-museum-of-contemporary-art-oslo</comments>
			<pubDate>Fri, 14 Jan 2011 19:03:00 +0000</pubDate>
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			<description><![CDATA[The 1990s witnessed that installation art become an emergent form of expression in the post-modern art world. This is reflected in the National Museum's collection.Installation art arose through, among other things, the historical avant-garde's anti-aesthetic artistic vision early in the twentieth century. This artistic vision provides the [...]]]></description>
			<content:encoded><![CDATA[The 1990s witnessed that installation art become an emergent form of expression in the post-modern art world. This is reflected in the National Museum's collection.Installation art arose through, among other things, the historical avant-garde's anti-aesthetic artistic vision early in the twentieth century. This artistic vision provides the foundation for installation art's foremost characteristic: moving beyond the pictorial understanding offered by traditional aesthetics.<BR/><BR/>Each work in the exhibition stands as a world unto itself. These distinct worlds nonethe-less exert a mutual attraction on each other and can envelop, engage and soothe. The exhibition is an acknowledgment to the installation art of the 1990s, and works from the 2000s demonstrate the continuity of the art form.<BR/><BR/>The artists included are: Christian Boltanski, Suvi Nieminen, Olav Christopher Jenssen, Per Barclay, Maria Serebriakova, Magnus Wallin, Bill Viola, Per Maning, Anish Kapoor, Bjarne Melgaard, A K Dolven, avaf, <B>Silvie and Shérif Defraoui</B>, George Adéagbo, Else Marie Hagen, Jon Gundersen, William Kentridge, Louise Bourgeois and Ilya Kabakov.<BR/><BR/><A HREF="http://www.nasjonalmuseet.no/en/" TARGET="_blank">National Museum of Contemporary Art Oslo</A>  <br><br>]]></content:encoded>
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			<title>Keren Cytter solo exhibition in two spaces &quot;Avalanche&quot;, 14.01.-12.03.2011</title>
			<link>http://schauort.com/blog/2011/01/14/keren-cytter-solo-exhibition-in-two-spaces-avalanche-14-01-12-03-2011</link>
			<comments>http://schauort.com/blog/2011/01/14/keren-cytter-solo-exhibition-in-two-spaces-avalanche-14-01-12-03-2011</comments>
			<pubDate>Fri, 14 Jan 2011 17:27:00 +0000</pubDate>
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			<description><![CDATA[  Avalanche, a solo exhibition by Keren Cytter for David Roberts Art Foundation and Pilar Corrias Gallery. Playing with the specific geographic situation of the two sites, Cytter creates a single project in four parts, produced both in Berlin and London. The artist alters the formula of the conventional solo presentation by unravelling her [...]]]></description>
			<content:encoded><![CDATA[  Avalanche, a solo exhibition by Keren Cytter for David Roberts Art Foundation and Pilar Corrias Gallery. Playing with the specific geographic situation of the two sites, Cytter creates a single project in four parts, produced both in Berlin and London. The artist alters the formula of the conventional solo presentation by unravelling her exhibition across the two spaces. Language is everywhere in Avalanche, and it is a language of duplication and fractures that becomes the prison of the actors' mind, as Andrew's girlfriend said.<BR/><BR/>Following on from this project, from 15.02.2011 at DRAF solely, Cytter releases her authorial control by inviting artists Willem de Rooij and Falke Pisano to select the content of her exhibition. The exhibition at DRAF is curated by Vincent Honoré, director and curator at DRAF, in collaboration with Sandra Pusterhofer, assistant curator and Nicoletta Lambertucci, curatorial intern.<BR/><BR/>More information here: <A HREF="http://www.davidrobertsartfoundation.com/" TARGET="_blank">http://www.davidrobertsartfoundation.com/</A> <BR/>And here: <A HREF="http://www.pilarcorrias.com/" TARGET="_blank">http://www.pilarcorrias.com</A> / <br><br>]]></content:encoded>
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			<title>Irene Weingartner in: Aktuelle Kunst aus der Region 2011, Sankturbahnhof Sursee</title>
			<link>http://schauort.com/blog/2011/01/12/irene-weingartner-in-aktuelle-kunst-aus-der-region-2011-sankturbahnhof-sursee</link>
			<comments>http://schauort.com/blog/2011/01/12/irene-weingartner-in-aktuelle-kunst-aus-der-region-2011-sankturbahnhof-sursee</comments>
			<pubDate>Wed, 12 Jan 2011 17:10:00 +0000</pubDate>
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			<description><![CDATA[<B>15. Januar – 13. März 2011</B><BR/><B>Eröffnung: 14. Januar, 19.30</B><BR/>Es sprechen Corinne Sotzek, Vorsitzende der Jury, und Bettina Staub, Co-Leiterin Sankturbanhof.<BR/> <BR/>In der dritten Ausgabe der Jahresausstellung zeigt der Sankturbanhof 17 künstlerische Positionen mit Werken in den Medien Malerei, Zeichnung, [...]]]></description>
			<content:encoded><![CDATA[<B>15. Januar – 13. März 2011</B><BR/><B>Eröffnung: 14. Januar, 19.30</B><BR/>Es sprechen Corinne Sotzek, Vorsitzende der Jury, und Bettina Staub, Co-Leiterin Sankturbanhof.<BR/> <BR/>In der dritten Ausgabe der Jahresausstellung zeigt der Sankturbanhof 17 künstlerische Positionen mit Werken in den Medien Malerei, Zeichnung, Fotografie, Video und Installation. Die Qualität und die Vielfalt der Arbeiten spiegeln die Lebendigkeit des aktuellen Kunstschaffens in unserer Region. Die Namen der teilnehmenden Künstlerinnen und Künstler sowie die Daten der Begleitveranstaltungen können Sie beiliegendem Flyer entnehmen.<BR/>Wir freuen uns sehr, das neue Jahr mit Kunst aus der Region und mit Ihnen zu beginnen.<BR/><BR/>SANKTURBANHOF SURSEE<BR/>KUNST GESCHICHTE GEGENWART<BR/>Theaterstrasse 9<BR/>6210 Sursee<BR/>Tel. 041 922 24 00<BR/>www.sankturbanhof.ch<br><br>]]></content:encoded>
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			<title>Bettina Carl participating at &quot;Mit Seife und Gabeln&quot;, Kunstraum Kreuzlingen, 15.1.-27.2.2011</title>
			<link>http://schauort.com/blog/2010/12/30/bettina-carl-participating-at-mit-seife-und-gabeln-kunstraum-kreuzlingen-15-1-27-2-2011</link>
			<comments>http://schauort.com/blog/2010/12/30/bettina-carl-participating-at-mit-seife-und-gabeln-kunstraum-kreuzlingen-15-1-27-2-2011</comments>
			<pubDate>Thu, 30 Dec 2010 05:25:25 +0000</pubDate>
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			<description><![CDATA[MIT SEIFE UND GABELN<BR/>Eine Ausstellung zum Glück<BR/><BR/>Hat jemand eine Ahnung?<BR/>Wo sind die Werkzeuge, welche Rolle spielt der Zufall, ist Angst ein Antrieb, braucht es die Störung, was gilt es zu verteidigen? Ist das Glück eine launische Hure?<BR/>Es ist ein Boojum, nicht wahr?<BR/><BR/>MIT SEIFE UND GABELN ermittelt aus [...]]]></description>
			<content:encoded><![CDATA[MIT SEIFE UND GABELN<BR/>Eine Ausstellung zum Glück<BR/><BR/>Hat jemand eine Ahnung?<BR/>Wo sind die Werkzeuge, welche Rolle spielt der Zufall, ist Angst ein Antrieb, braucht es die Störung, was gilt es zu verteidigen? Ist das Glück eine launische Hure?<BR/>Es ist ein Boojum, nicht wahr?<BR/><BR/>MIT SEIFE UND GABELN ermittelt aus gegenwärtiger Perspektive soziale, politische und kulturelle Bedingungen für Glück. Parallelerzählung und konzeptionelle Blaupause bilden Motive aus THE HUNTING OF THE SNARK, Lewis Carrolls Versbericht aus dem Jahr 1876 über eine Handvoll unglücklicher Glücksuchender. In Gesellschaft von 30 Künstlerinnen und Künstlern beschliesst data | Auftrag für parasitäre* Gastarbeit seine Ermittlungen zum Glück und bündelt die Kräfte…<BR/><BR/>Kunstraum Kreuzlingen &amp; Tiefparterre<BR/>Kreuzlingen, Bodanstrasse 7a<BR/><A HREF="http://www.kunstraum-kreuzlingen.ch/" TARGET="_blank">www.kunstraum-kreuzlingen.ch</A>  <br><br>]]></content:encoded>
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			<title>Hadassah Emmerich in group show at Invaliden 1, Berlin</title>
			<link>http://schauort.com/blog/2010/11/25/hadassah-emmerich-in-group-show-at-invaliden-1-berlin</link>
			<comments>http://schauort.com/blog/2010/11/25/hadassah-emmerich-in-group-show-at-invaliden-1-berlin</comments>
			<pubDate>Thu, 25 Nov 2010 15:11:00 +0000</pubDate>
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			<description><![CDATA[ <B>Coup de Main</B><BR/>by Hadassah Emmerich // Catherine Lorent // C. Enache<BR/><BR/>Opening November 26th  //  7pm<BR/>Exhibition November 27th, 2010 - January 15th, 2011<BR/>tues - sat, 12 - 6 pm<BR/><BR/>Coup de Main brings together the work of three artists whose visual language challenges the representation of the figure and the [...]]]></description>
			<content:encoded><![CDATA[ <B>Coup de Main</B><BR/>by Hadassah Emmerich // Catherine Lorent // C. Enache<BR/><BR/>Opening November 26th  //  7pm<BR/>Exhibition November 27th, 2010 - January 15th, 2011<BR/>tues - sat, 12 - 6 pm<BR/><BR/>Coup de Main brings together the work of three artists whose visual language challenges the representation of the figure and the construction of the picture plane. Combining craftmanship with concept, the viewer comes across shrewd ways of consciousness such as timetravelling, mirroring, enlarging and replicating. The work invites to simultaneously enter a pictorial and a graphical space.<BR/><BR/><A HREF="http://www.invaliden1.com/exhibitions/current" TARGET="_blank"><B>Invaliden 1</B></A> <BR/>Brunnenstraße 22<BR/>10119 Berlin, Germany<BR/>Tel: +49 (0) 30 671 228 18<BR/>info@invaliden1.com<br><br>]]></content:encoded>
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			<title>Seline Baumgartner participating at &quot;In Between&quot;, Usego-Areal Olten</title>
			<link>http://schauort.com/blog/2010/11/20/seline-baumgartner-participating-at-in-between-usego-areal-olten</link>
			<comments>http://schauort.com/blog/2010/11/20/seline-baumgartner-participating-at-in-between-usego-areal-olten</comments>
			<pubDate>Sat, 20 Nov 2010 17:49:00 +0000</pubDate>
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			<description><![CDATA[Das Ausstellungsprojekt „In Between&#8220; sieht sich in einer Tradition der Kulturtätigkeit, die bereits in früheren Projekten der USEGO aufgegriffen und genutzt wurde. Die Ausstellung soll durch einen aktuellen zeitgenössischen Diskurs auf den Standort Olten aufmerksam machen und aufzeigen, dass sich das Gebäude und auch der [...]]]></description>
			<content:encoded><![CDATA[Das Ausstellungsprojekt „In Between&#8220; sieht sich in einer Tradition der Kulturtätigkeit, die bereits in früheren Projekten der USEGO aufgegriffen und genutzt wurde. Die Ausstellung soll durch einen aktuellen zeitgenössischen Diskurs auf den Standort Olten aufmerksam machen und aufzeigen, dass sich das Gebäude und auch der Standort als Plattform für zeitgenössische Kunst auch fernab von den Ballungszentren bestens eignet.<BR/><BR/>Kuratiert von Esther Spycher<BR/><BR/>Usego-Areal Olten<BR/>Solothurnerstr. 233, 4600 Olten<BR/><BR/>3.-19. Dezember 2010, Vernissage 2.12. ab 18 Uhr<BR/>12.12.: Künstlerin/Innen führen durch die Ausstellung<BR/><br><br>]]></content:encoded>
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			<title>Seline Baumgartner at &quot;Final Fish&quot;, videotank Dreikönigsstrasse Zürich</title>
			<link>http://schauort.com/blog/2010/11/20/seline-baumgartner-at-final-fish-videotank-dreikonigsstrasse-zurich</link>
			<comments>http://schauort.com/blog/2010/11/20/seline-baumgartner-at-final-fish-videotank-dreikonigsstrasse-zurich</comments>
			<pubDate>Sat, 20 Nov 2010 17:44:00 +0000</pubDate>
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			<description><![CDATA["Final Fish" ist die letzte Ausstellungsreihe von videotank im Jahr 2010. <BR/><BR/>Seline Baumgartner: 3. - 10. Dezember 2010<BR/><BR/><A HREF="http://www.videotank.ch/" TARGET="_blank"><B>videotank</B></A>   [...]]]></description>
			<content:encoded><![CDATA["Final Fish" ist die letzte Ausstellungsreihe von videotank im Jahr 2010. <BR/><BR/>Seline Baumgartner: 3. - 10. Dezember 2010<BR/><BR/><A HREF="http://www.videotank.ch/" TARGET="_blank"><B>videotank</B></A>  <br><br>]]></content:encoded>
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			<title>Martinka Kremeckova participating at &quot;Plastische Lücken&quot;, Kaskadenkondensator, Basel</title>
			<link>http://schauort.com/blog/2010/11/20/martinka-kremeckova-participating-at-plastische-lucken-kaskadenkondensator-basel</link>
			<comments>http://schauort.com/blog/2010/11/20/martinka-kremeckova-participating-at-plastische-lucken-kaskadenkondensator-basel</comments>
			<pubDate>Sat, 20 Nov 2010 17:43:00 +0000</pubDate>
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			<description><![CDATA[Vier BildhauerInnen unternehmen raumgreifende Massnahmen um der Materie und dem was dahinter liegt nahe zu kommen. Skulpturale Auswüchse aus der Neuzeit verdichten sich zu Dimensionen, welche über die dritte hinaus gehen.<BR/><BR/>8. - 31. Oktober 2010<BR/><BR/><A HREF="http://www.kasko.ch/" TARGET="_blank"><B>Kaskadenkondensator</B></A><B> [...]]]></description>
			<content:encoded><![CDATA[Vier BildhauerInnen unternehmen raumgreifende Massnahmen um der Materie und dem was dahinter liegt nahe zu kommen. Skulpturale Auswüchse aus der Neuzeit verdichten sich zu Dimensionen, welche über die dritte hinaus gehen.<BR/><BR/>8. - 31. Oktober 2010<BR/><BR/><A HREF="http://www.kasko.ch/" TARGET="_blank"><B>Kaskadenkondensator</B></A><B> </B><BR/>Raum für aktuelle Kunst und Performance<BR/>Warteck PP – Burgweg 7 – 4058 Basel<BR/>info@kasko.ch – +41 61 693 38 37<br><br>]]></content:encoded>
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			<title>Seline Baumgartner participating at &quot;Lust und Laster&quot;, Kunstmuseum Bern und Paul Klee Zentrum Bern</title>
			<link>http://schauort.com/blog/2010/11/20/seline-baumgartner-participating-at-lust-und-laster-kunstmuseum-bern-und-paul-klee-zentrum-bern</link>
			<comments>http://schauort.com/blog/2010/11/20/seline-baumgartner-participating-at-lust-und-laster-kunstmuseum-bern-und-paul-klee-zentrum-bern</comments>
			<pubDate>Sat, 20 Nov 2010 17:35:00 +0000</pubDate>
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			<description><![CDATA[   15. Oktober 2010 - 20. Februar 2011<BR/> <BR/>Das Zentrum Paul Klee und das Kunstmuseum Bern widmen den sieben Todsünden eine umfassende Ausstellung, welche die künstlerische Auseinandersetzung mit diesem Thema vom Mittelalter bis in die Gegenwart adäquat dokumentieren soll. <BR/> <BR/>Seline Baumgartners Video-Installation "I am [...]]]></description>
			<content:encoded><![CDATA[   15. Oktober 2010 - 20. Februar 2011<BR/> <BR/>Das Zentrum Paul Klee und das Kunstmuseum Bern widmen den sieben Todsünden eine umfassende Ausstellung, welche die künstlerische Auseinandersetzung mit diesem Thema vom Mittelalter bis in die Gegenwart adäquat dokumentieren soll. <BR/> <BR/>Seline Baumgartners Video-Installation "I am another" ist im Ausstellungsteil "Zorn" zu sehen. <BR/> <BR/>    <BR/>    <BR/>    Todsünden im <A HREF="http://www.kunstmuseumbern.ch/index.cfm?nav=567,1333&amp;SID=1&amp;DID=9" TARGET="_blank"><B>Kunstmuseum Bern</B></A>:<BR/>    - zyklischen Darstellungen<BR/>    - Superbia (Hochmut/Eitelkeit)<BR/>    - Invidia (Neid)<BR/>    - Ira (Zorn)<BR/>    - Avaritia (Geiz/Habgier)<BR/>    <BR/>    Todsünden im <A HREF="http://www.paulkleezentrum.ch/ww/de/pub/web_root.cfm" TARGET="_blank"><B>Zentrum Paul Klee</B></A>:<BR/>    - Acedia (Trägheit)<BR/>    - Gula (Völlerei)<BR/>    - Luxuria (Wollust)<BR/>    - Kulturhistorisches<br><br>]]></content:encoded>
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			<title>Anita Di Bianco participating in &quot;murmur&quot; at Waterside Project Space, London</title>
			<link>http://schauort.com/blog/2010/11/05/anita-di-bianco-participating-in-murmur-at-waterside-project-space-london</link>
			<comments>http://schauort.com/blog/2010/11/05/anita-di-bianco-participating-in-murmur-at-waterside-project-space-london</comments>
			<pubDate>Fri, 05 Nov 2010 16:45:00 +0000</pubDate>
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			<description><![CDATA[Exhibition curated by Eliza Tan<BR/>5 November – 19 December 2010<BR/><BR/>" ... The artists in the exhibition have mined sources ranging from folklore and literature, to history and cultural theory, selectively reiterating and placing ownership over information, language and images that otherwise slip into an anonymous stream of murmuring. [...]]]></description>
			<content:encoded><![CDATA[Exhibition curated by Eliza Tan<BR/>5 November – 19 December 2010<BR/><BR/>" ... The artists in the exhibition have mined sources ranging from folklore and literature, to history and cultural theory, selectively reiterating and placing ownership over information, language and images that otherwise slip into an anonymous stream of murmuring. ..." <BR/><BR/>Read exhibition text <A HREF="http://watersideprojectspace.org/murmur/murmur.html" TARGET="_blank"><B>here.</B></A> <BR/><BR/>Waterside Project Space<BR/>Unit 8, Waterside<BR/>44-48 Wharf Rd<BR/>London N1 7UX<br><br>]]></content:encoded>
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			<title>Keren Cytter shortlisted for Future Generation Art Prize 2010, PinchukArtCentre, Kiev</title>
			<link>http://schauort.com/blog/2010/10/25/keren-cytter-shortlisted-for-future-generation-art-prize-2010-pinchukartcentre-kiev</link>
			<comments>http://schauort.com/blog/2010/10/25/keren-cytter-shortlisted-for-future-generation-art-prize-2010-pinchukartcentre-kiev</comments>
			<pubDate>Mon, 25 Oct 2010 21:29:00 +0000</pubDate>
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			<description><![CDATA[The PinchukArtCentre has the honour to present an exhibition of the 21 artists shortlisted for the Future Generation Art Prize 2010. The group show features works submitted for the competition as well as brand new works specially made for the show. It will open on October 30 and will last till January 9, 2011. <BR/><BR/>Following an open, free and [...]]]></description>
			<content:encoded><![CDATA[The PinchukArtCentre has the honour to present an exhibition of the 21 artists shortlisted for the Future Generation Art Prize 2010. The group show features works submitted for the competition as well as brand new works specially made for the show. It will open on October 30 and will last till January 9, 2011. <BR/><BR/>Following an open, free and democratic application procedure via Internet a Selection Committee of seven competent and global art-professionals selected a shortlist. Out of more than 6 000 applications from 125 countries on all continents, 20 artists were chosen. The 21th nominee is Artem Volokytin, the winner of the first PinchukArtCentre Prize 2009, a contemporary art prize awarded to Ukrainian artists younger than 35 years.<BR/><BR/>The shortlist of the FGAP 2010 includes: Ziad Antar, Lebanon; Fikret Atay, Turkey; Fei Cao, China; <B>Keren Cytter, Israel;</B> Nathalie Djurberg, Sweden; Simon Fujiwara, United Kingdom; Nicholas Hlobo, South Africa; Clemens Hollerer, Austria; Runo Lagomarsino, Sweden; Cinthia Marcelle, Brazil; Gareth Moore, Canada; Mircea Nicolae, Romania; Ruben Ochoa, United States; Wilfredo Prieto Garcia, Cuba; Katerina Seda, Czech Republic; Guido van der Werve, Netherlands; Nico Vascellari, Italy, Jorinde Voigt, Germany; Artem Volokytin, Ukraine; Emily Wardill, United Kingdom; Hector Zamora, Mexico.<BR/><BR/>An international jury will chose and announce the winner of the main prize on December 10, 2010 in Kiev. The jury includes Daniel Birnbaum (Sweden), Okwui Enwezor (Nigeria), Yuko Hasegawa (Japan), Ivo Mesquita (Brazil), Eckhard Schneider (Germany), Robert Storr (USA) and Ai Weiwei (China). The winner will receive a generous prize of $60,000 in cash and $40,000 to be invested in the production of new work.<br><br>]]></content:encoded>
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			<title>Walter Dahn at Mike Potter Projects, Leipzig</title>
			<link>http://schauort.com/blog/2010/10/14/walter-dahn-at-mike-potter-projects-leipzig</link>
			<comments>http://schauort.com/blog/2010/10/14/walter-dahn-at-mike-potter-projects-leipzig</comments>
			<pubDate>Thu, 14 Oct 2010 17:18:00 +0000</pubDate>
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			<description><![CDATA[LIFE'S A BEACH<BR/><BR/>Walter Dahn<BR/>Jutta Koether<BR/>Andreas Schulze<BR/><BR/>Opening Reception: Friday, October 15, 2010, 7 pm<BR/>Saturday, October 16, 2010, 12 - 6 pm<BR/><BR/>Mike Potter Projects<BR/>Neumarkt 9, 04109 Leipzig<BR/><A HREF="mailto:mikepotterprojects@gmail.com?subject=" TARGET="">mikepotterprojects@gmail.com</A><A [...]]]></description>
			<content:encoded><![CDATA[LIFE'S A BEACH<BR/><BR/>Walter Dahn<BR/>Jutta Koether<BR/>Andreas Schulze<BR/><BR/>Opening Reception: Friday, October 15, 2010, 7 pm<BR/>Saturday, October 16, 2010, 12 - 6 pm<BR/><BR/>Mike Potter Projects<BR/>Neumarkt 9, 04109 Leipzig<BR/><A HREF="mailto:mikepotterprojects@gmail.com?subject=" TARGET="">mikepotterprojects@gmail.com</A><A HREF="http://www.mikepotterprojects.blogspot.com" TARGET="_blank"> </A><BR/><A HREF="http://www.mikepotterprojects.blogspot.com" TARGET="_blank">mikepotterprojects.blogspot.co</A>m <br><br>]]></content:encoded>
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			<title>Hadassah Emmerich at Palais für Aktuelle Kunst, Glückstadt, 24.10.-19.12.2010</title>
			<link>http://schauort.com/blog/2010/10/09/hadassah-emmerich-at-palais-fur-aktuelle-kunst-gluckstadt-24-10-19-12-2010</link>
			<comments>http://schauort.com/blog/2010/10/09/hadassah-emmerich-at-palais-fur-aktuelle-kunst-gluckstadt-24-10-19-12-2010</comments>
			<pubDate>Sat, 09 Oct 2010 15:01:00 +0000</pubDate>
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			<description><![CDATA["Die aus den Niederlanden stammende Künstlerin (*1974) zeigt aufwendige, ornamentale Malereien, Wandarbeiten und Drucke, die z.T. speziell für die Räumlichkeiten des Glückstädter Palais entstanden sind. Emmerich arbeitet u.a. zu den Themen Identität und Herkunft. Zu dieser Ausstellung soll eine Publikation [...]]]></description>
			<content:encoded><![CDATA["Die aus den Niederlanden stammende Künstlerin (*1974) zeigt aufwendige, ornamentale Malereien, Wandarbeiten und Drucke, die z.T. speziell für die Räumlichkeiten des Glückstädter Palais entstanden sind. Emmerich arbeitet u.a. zu den Themen Identität und Herkunft. Zu dieser Ausstellung soll eine Publikation erscheinen."<BR/><BR/>PALAIS FÜR AKTUELLE KUNST<BR/>KUNSTVEREIN GLÜCKSTADT<BR/>Am Hafen 46, D-25348 Glückstadt<BR/>Telefon: + 49 4124 - 60 47 76<BR/>eMail: info@pak-glueckstadt.de<BR/><A HREF="http://pak-glueckstadt.de/" TARGET="_blank">http://pak-glueckstadt.de/</A> <br><br>]]></content:encoded>
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			<title>James Hyde at Villa du Parc, Annemasse, Opening October 1, 6:30pm</title>
			<link>http://schauort.com/blog/2010/09/18/james-hyde-at-villa-du-parc-annemasse-opening-october-1-630pm</link>
			<comments>http://schauort.com/blog/2010/09/18/james-hyde-at-villa-du-parc-annemasse-opening-october-1-630pm</comments>
			<pubDate>Sat, 18 Sep 2010 07:32:00 +0000</pubDate>
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			<description><![CDATA[   James Hyde: <BR/><I>Live Principles of Ventilation and Adhesion</I><BR/>Oct 2 - Dec 4, 2010<BR/><BR/><B>Vernissage: October 1, 6:30pm</B><BR/><BR/>"Karine Vonna, directrice de la Villa du Parc, a choisi d’inviter le new-yorkais James Hyde (www.jameshyde.com) à s’emparer de la totalité des espaces d’exposition du centre [...]]]></description>
			<content:encoded><![CDATA[   James Hyde: <BR/><I>Live Principles of Ventilation and Adhesion</I><BR/>Oct 2 - Dec 4, 2010<BR/><BR/><B>Vernissage: October 1, 6:30pm</B><BR/><BR/>"Karine Vonna, directrice de la Villa du Parc, a choisi d’inviter le new-yorkais James Hyde (www.jameshyde.com) à s’emparer de la totalité des espaces d’exposition du centre d’art avec ses fresques sur polystyrène, ses poignées polychromes, ses nylon webbings, ses posters recouverts de peintures et ou papiers acryliques, stretches et ou rubans adhésifs, etc." <BR/><BR/>Villa du Parc<BR/>12, rue de Genève 74100 Annemasse<BR/>Tél. 04 50 38 84 61 Fax 04 50 87 28 92<BR/>info@villaduparc.com<BR/>ouverture du mardi au samedi de 14h à 18h30 et sur rendez-vous <BR/><A HREF="http://www.villaduparc.com/programmation-de-la-villa-du-parc/archives-de-la-villa-du-parc/hyde/hyde-la-villa-du-parc-centre-art-contemporain-annemasse.html" TARGET="_blank">website</A><BR/><BR/>(image: James Hyde, TWO TREES,  2010 (with Bokeh)  acrylic on archival inkjet print on stretched linen)<br><br>]]></content:encoded>
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			<title>Claudia Wieser at The Drawing Center, New York, opening: Friday, Sept. 10, 6-8 pm</title>
			<link>http://schauort.com/blog/2010/09/08/claudia-wieser-at-the-drawing-center-new-york-opening-friday-sept-10-6-8-pm</link>
			<comments>http://schauort.com/blog/2010/09/08/claudia-wieser-at-the-drawing-center-new-york-opening-friday-sept-10-6-8-pm</comments>
			<pubDate>Wed, 08 Sep 2010 14:51:00 +0000</pubDate>
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			<description><![CDATA[<B>Claudia Wieser: Poems of the Right Angle</B>, on view in the Drawing Room, will be the  first solo museum exhibition in North America of work by Berlin-based artist Claudia Wieser (b. 1973, Freilassing, Germany). The exhibition presents a site-specific installation of glazed ceramic tiles and prismatic mirrored facets against a background of [...]]]></description>
			<content:encoded><![CDATA[<B>Claudia Wieser: Poems of the Right Angle</B>, on view in the Drawing Room, will be the  first solo museum exhibition in North America of work by Berlin-based artist Claudia Wieser (b. 1973, Freilassing, Germany). The exhibition presents a site-specific installation of glazed ceramic tiles and prismatic mirrored facets against a background of geometrically-patterned wallpaper. In addition to the tile and mirror wall relief, Wieser will show a new series of colorful line drawings that play on the installation's optical and spatial illusions and serve to foreground her distinctive approach to abstraction. Together, the works mark the experiential and the intangible through precise geometries imbued with layers of spiritual, psychic, and phenomenal meaning that lead the viewer into contemplative spaces where the primacy of mark-making and viewing become fused. <BR/><BR/>Curated by Joanna Kleinberg, Assistant Curator at The Drawing Center.<BR/><BR/>The Drawing Center<BR/>35 Wooster Street<BR/>New York, NY 10013-5399, United States<BR/>(212) 219-2166<BR/>www.drawingcenter.org<br><br>]]></content:encoded>
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			<title>Lucy Skaer and Claudia Wieser participating at INTENSIF-STATION at K21 Ständehaus, Düsseldorf</title>
			<link>http://schauort.com/blog/2010/07/17/lucy-skaer-and-claudia-wieser-participating-at-intensif-station-at-k21-standehaus-dusseldorf</link>
			<comments>http://schauort.com/blog/2010/07/17/lucy-skaer-and-claudia-wieser-participating-at-intensif-station-at-k21-standehaus-dusseldorf</comments>
			<pubDate>Sat, 17 Jul 2010 05:39:00 +0000</pubDate>
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			<description><![CDATA[<B>10.07.2010 – 04.09.2011</B><BR/><BR/>Parallel zur Wiedereröffnung der Kunstsammlung am Grabbeplatz eröffnet im K21 Ständehaus die Ausstellung «Intensif-Station» –  26 Künstlerräume im K21. In den 26 Räumen werden bestehende Rauminstallationen und Werkgruppen in einen Dialog mit neuen, eigens vor Ort [...]]]></description>
			<content:encoded><![CDATA[<B>10.07.2010 – 04.09.2011</B><BR/><BR/>Parallel zur Wiedereröffnung der Kunstsammlung am Grabbeplatz eröffnet im K21 Ständehaus die Ausstellung «Intensif-Station» –  26 Künstlerräume im K21. In den 26 Räumen werden bestehende Rauminstallationen und Werkgruppen in einen Dialog mit neuen, eigens vor Ort entwickelten und eingerichteten Räumen treten. «Intensif-Station» stellt die Partizipation des Einzelnen in den Vordergrund und weckt die Lust an der Begegnung mit dem künstlerischen Werk.<BR/><BR/>Künstlerräume und Rauminstallationen stellen einen Sammlungsschwerpunkt dar, der seit einigen Jahren kontinuierlich ausgebaut wird. <BR/><BR/><A HREF="http://www.kunstsammlung.de/entdecken/austellungen/intensif-station.html" TARGET="_blank">read more</A> <BR/><BR/>K21 STÄNDEHAUS<BR/>Kunstsammlung Nordrhein-Westfalen<BR/>Ständehausstraße 1, 40217 Düsseldorf<br><br>]]></content:encoded>
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			<title>Walter Dahn - Solaris - Fotografie 1973-2010</title>
			<link>http://schauort.com/blog/2010/07/17/walter-dahn-solaris-fotografie-1973-2010</link>
			<comments>http://schauort.com/blog/2010/07/17/walter-dahn-solaris-fotografie-1973-2010</comments>
			<pubDate>Sat, 17 Jul 2010 05:30:00 +0000</pubDate>
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			<description><![CDATA[   <B>Exhibition from July 17 to August 28, 2010</B><BR/><BR/>Figge von Rosen Galerie presents 18 photoworks shot between 1973 and 2010, that have found their way from the Walter Dahn's "archive" to the situation of being an exhibited artwork. All the works have been printed recently and for the exhibition on bamboo-paper in a pigment ink [...]]]></description>
			<content:encoded><![CDATA[   <B>Exhibition from July 17 to August 28, 2010</B><BR/><BR/>Figge von Rosen Galerie presents 18 photoworks shot between 1973 and 2010, that have found their way from the Walter Dahn's "archive" to the situation of being an exhibited artwork. All the works have been printed recently and for the exhibition on bamboo-paper in a pigment ink print-process, each in a different format. <BR/><BR/>Aachener Straße 65, 50674 Cologne, Germany<BR/><BR/><A HREF="http://www.figgevonrosen.com/" TARGET="_blank">website</A><BR/> <br><br>]]></content:encoded>
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			<title>Hadassah Emmerich at 14th Vilnius Painting Triennial, 18 June - 15 August 2010</title>
			<link>http://schauort.com/blog/2010/06/18/hadassah-emmerich-at-14th-vilnius-painting-triennial-18-june-15-august-2010</link>
			<comments>http://schauort.com/blog/2010/06/18/hadassah-emmerich-at-14th-vilnius-painting-triennial-18-june-15-august-2010</comments>
			<pubDate>Fri, 18 Jun 2010 16:23:00 +0000</pubDate>
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			<description><![CDATA[<B>False Recognition</B><BR/>Curated by Evaldas Stankevičius, with advice from Anders Kreuger and Magda Kardasz<BR/>Organized by Contemporary Art Centre Vilnius and Lithuanian Artists' Union<BR/><BR/>Many of the problems contemporary painters are facing are not new. Shall painting be used to make images, or shall it by-pass any quest for [...]]]></description>
			<content:encoded><![CDATA[<B>False Recognition</B><BR/>Curated by Evaldas Stankevičius, with advice from Anders Kreuger and Magda Kardasz<BR/>Organized by Contemporary Art Centre Vilnius and Lithuanian Artists' Union<BR/><BR/>Many of the problems contemporary painters are facing are not new. Shall painting be used to make images, or shall it by-pass any quest for illusion and express itself through gesture and tactility? Shall painting stay on the surface or shall it create depth? Shall it visualise ideas or attract attention to its own materiality?<BR/><BR/>So, can painting articulate any new thoughts? Newness in painting might be something that at first looks very small, even insignificant. It might be a change of tone rather than a change of programme. It might be a shift in confidence or craftsmanship, a dexterity or an awkwardness that we have not seen before in this precise constellation. It might be ‘a new way of seeing’ that manifests itself as painting.<BR/><BR/>The 14th Vilnius Painting Triennial takes a broad look at what ‘new thoughts in painting’ might mean, and also at some ‘new names in painting’: artists who exemplify the tension between tradition and newness and whose work embodies different attitudes towards the image, the gesture, time and subjectivity. <BR/><BR/><A HREF="http://www.cac.lt/en" TARGET="_blank">Read on</A><B> </B><BR/><br><br>]]></content:encoded>
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			<title>Simone Schardt: Swiss Art Awards, 15. - 20. Juni 2010, Basel</title>
			<link>http://schauort.com/blog/2010/06/01/simone-schardt-swiss-art-awards-15-20-juni-2010-basel</link>
			<comments>http://schauort.com/blog/2010/06/01/simone-schardt-swiss-art-awards-15-20-juni-2010-basel</comments>
			<pubDate>Tue, 01 Jun 2010 16:48:00 +0000</pubDate>
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			<description><![CDATA[   <B>Vernissage am 14. Juni, Messehallen Basel</B><BR/><BR/>Der Eidgenössische Wettbewerb für Kunst wird vom Bundesamt für Kultur (BAK) organisiert; über die 25 bis 30 Gewinner entscheidet die Eidgenössische Kunstkommission. Der Wettbewerb wird in zwei Runden durchgeführt. In einer ersten Runde legen die Teilnehmerinnen und [...]]]></description>
			<content:encoded><![CDATA[   <B>Vernissage am 14. Juni, Messehallen Basel</B><BR/><BR/>Der Eidgenössische Wettbewerb für Kunst wird vom Bundesamt für Kultur (BAK) organisiert; über die 25 bis 30 Gewinner entscheidet die Eidgenössische Kunstkommission. Der Wettbewerb wird in zwei Runden durchgeführt. In einer ersten Runde legen die Teilnehmerinnen und Teilnehmer der Kunstkommission ein Dossier vor. Ausgewählte Bewerberinnen und Bewerber werden zu einer zweiten Runde eingeladen, bei der sie im Rahmen der Ausstellung «Swiss Art Awards» ihre Arbeiten vorstellen können. <BR/><BR/>Keeping our fingers crossed, Simone!<br><br><br><br>]]></content:encoded>
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			<title>Keren Cytter's solo exhibition at Kunsthaus Baselland, Basel, 09 May - 04 Jul 2010 </title>
			<link>http://schauort.com/blog/2010/05/19/keren-cytters-solo-exhibition-at-kunsthaus-baselland-basel-09-may-04-jul-2010</link>
			<comments>http://schauort.com/blog/2010/05/19/keren-cytters-solo-exhibition-at-kunsthaus-baselland-basel-09-may-04-jul-2010</comments>
			<pubDate>Wed, 19 May 2010 17:37:00 +0000</pubDate>
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			<description><![CDATA[   REPULSION<BR/><BR/>The artist Keren Cytter (*1977 in Tel Aviv, lives and works in Berlin) is by now familiar in Switzerland. For years she has been represented by Elisabeth Kaufmann Gallery (now in co-operation with Christiane Büntgen), and her first Swiss solo exhibition in 2005 took place at Kunsthalle Zurich. The following year Cytter won [...]]]></description>
			<content:encoded><![CDATA[   REPULSION<BR/><BR/>The artist Keren Cytter (*1977 in Tel Aviv, lives and works in Berlin) is by now familiar in Switzerland. For years she has been represented by Elisabeth Kaufmann Gallery (now in co-operation with Christiane Büntgen), and her first Swiss solo exhibition in 2005 took place at Kunsthalle Zurich. The following year Cytter won the Art Statement Award. In addition, her works were shown in solo exhibitions at Frankfurter Kunstverein (2005), Kunst-Werke Berlin (2006), MUMOK Vienna (2007), Witte de With, Rotterdam (2008) and at Le Plateau Paris (2009), as well as in numerous group exhibitions worldwide. Last year, the artist was nominated for the prestigious Preis der Nationalgalerie für junge Kunst in Berlin. Cytter studied art in Tel Aviv and Amsterdam. She is best known for her experimental video works that illuminate the interpersonal and the private, works that are often based on templates of literary or cinematic classics, simultaneously reflecting the influence of the media. The artist is also concerned with drawing, theater production, performance, dance, and even writes screenplays and novels. The exhibition Repulsion at Kunsthaus Baselland, named after one of her works, presents a selection of videos that have not yet been seen in the Swiss institutional framework. <BR/><BR/><A HREF="http://www.kunsthausbaselland.ch/act_detail.php?detail=121&amp;lan=en" TARGET="_blank">READ MORE HERE </A><BR/><BR/>Kunsthaus Baselland<BR/>St. Jakob-Strasse 170<BR/>CH-4132 Muttenz/Basel<BR/>+41 (0)61 312 83 88<BR/>Di, Do – So 11 – 17 H, Mi 14 – 20 H <br><br>]]></content:encoded>
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			<title>Keren Cytter at Moderna Museet, Stockholm, until August 15, 2010 </title>
			<link>http://schauort.com/blog/2010/05/19/keren-cytter-at-moderna-museet-stockholm-until-august-15-2010</link>
			<comments>http://schauort.com/blog/2010/05/19/keren-cytter-at-moderna-museet-stockholm-until-august-15-2010</comments>
			<pubDate>Wed, 19 May 2010 05:28:00 +0000</pubDate>
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			<description><![CDATA[   Curator: Magnus af Petersens <BR/> <BR/>  Keren Cytter has rapidly established herself internationally as one of the most interesting and unique artists on the contemporary art scene. At the mere age of 33 (born 1977 in Tel Aviv, currently living and working in Berlin), in the last eight years Keren Cytter has produced more than 50 video works, [...]]]></description>
			<content:encoded><![CDATA[   Curator: Magnus af Petersens <BR/> <BR/>  Keren Cytter has rapidly established herself internationally as one of the most interesting and unique artists on the contemporary art scene. At the mere age of 33 (born 1977 in Tel Aviv, currently living and working in Berlin), in the last eight years Keren Cytter has produced more than 50 video works, written three novels and an opera libretto, started the dance and theatre company D.I.E. Now, won awards and is the darling of the art press. Last summer, she exhibited at the New Museum's group show Younger Than Jesus and participated in the Venice Biennale. Moderna Museet’s exhibition of Keren Cytter, her first in a Nordic art institution, opens on 8 May. A selection of the artist’s best films and several drawings will be featured, including a new suite made especially for the exhibition, along with text-based works.<BR/><BR/><A HREF="http://www.modernamuseet.se/en/Stockholm/Exhibitions/2010/Keren-Cytter/" TARGET="_blank">READ MORE HERE </A><BR/><A HREF="http://www.modernamuseet.se/en/Stockholm/Exhibitions/2010/Keren-Cytter/" TARGET="_blank"/><BR/>Moderna Museet<BR/>Skeppsholmen, Stockholm<BR/>Information desk: +46 8 5195 5289<br><br>]]></content:encoded>
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			<title>Hadassah Emmerich at Erasmushuis, Jakarta (Indonesia) until May 4th, 2010</title>
			<link>http://schauort.com/blog/2010/04/13/hadassah-emmerich-at-erasmushuis-jakarta-indonesia-until-may-4th-2010</link>
			<comments>http://schauort.com/blog/2010/04/13/hadassah-emmerich-at-erasmushuis-jakarta-indonesia-until-may-4th-2010</comments>
			<pubDate>Tue, 13 Apr 2010 23:49:00 +0000</pubDate>
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			<description><![CDATA[<B>Back to Jakarta</B><BR/>(Kembali ke Jakarta)<BR/><BR/>Hadassah Emmerich’s surreal drawings and mural paintings are immersive dreams of the exotic. Their sheer scale is overwhelming and like a dream they haunt the viewer. Cliché fantasies of foreign beauties, ornaments, tropical plants and flowers are expressions of the artist’s [...]]]></description>
			<content:encoded><![CDATA[<B>Back to Jakarta</B><BR/>(Kembali ke Jakarta)<BR/><BR/>Hadassah Emmerich’s surreal drawings and mural paintings are immersive dreams of the exotic. Their sheer scale is overwhelming and like a dream they haunt the viewer. Cliché fantasies of foreign beauties, ornaments, tropical plants and flowers are expressions of the artist’s exploration of her own nationality: Emmerich is Dutch, born to mixed race parents of German, Chinese and Indonesian origin. Following Sigmund Freud’s Interpretation of Dreams we can read Emmerich’s naïve and powerful fantasies about a place ‘elsewhere’ as an expression of the desire to reconnect with the repressed, as longings for Indonesia, her father’s country, which she visited for the first time in her early twenties. Yet, the paintings are no one-toone translations of the artist’s subconscious, but they are inquiries into the idea of the exotic. For the artist, dreams are the starting point, never the end product. Emmerich’s hypersensitive environments turn exaggeration and over-amplification into critical strategies of analysis. The references to woodcut, the traditional craft of so-called primitive art, and to the work of Paul Gauguin and Henri Rousseau are sometimes critical, often ironic and always celebratory comments on the representation of the exotic in art history.<BR/><BR/><B>A new catalogue will be presented, with texts by Mella Jaarsma, the artist and a foreword by Ambassador Dr. Nikolaos van Dam</B><BR/><BR/>Visit website of  <B> </B><A HREF="http://www.mfa.nl/erasmushuis/en/algemeen/events/drawing_exhibition" TARGET="_blank"><B>Erasmushuis  </B></A><br><br>]]></content:encoded>
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			<title>Shahryar Nashat at Kunstverein Nürnberg Albrecht Dürer Gesellschaft, April 17 - June 27, 2010</title>
			<link>http://schauort.com/blog/2010/04/01/shahryar-nashat-at-kunstverein-nurnberg-albrecht-durer-gesellschaft-april-17-june-27-2010</link>
			<comments>http://schauort.com/blog/2010/04/01/shahryar-nashat-at-kunstverein-nurnberg-albrecht-durer-gesellschaft-april-17-june-27-2010</comments>
			<pubDate>Thu, 01 Apr 2010 16:06:00 +0000</pubDate>
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			<description><![CDATA[<B>Line up</B><BR/>Shahryar Nashat solo exhibition at Kunstverein Nürnberg, Albrecht Dürer Gesellschaft, opens on Friday, April 16th, 2010. <BR/><BR/>Kunstverein Nürnberg<BR/>Albrecht Dürer Gesellschaft<BR/>Kressengartenstraße 2, D - 90402 Nürnberg<BR/>T +49 (0)911 24 15 62, F +49 (0)911 24 15 63<BR/><BR/><A [...]]]></description>
			<content:encoded><![CDATA[<B>Line up</B><BR/>Shahryar Nashat solo exhibition at Kunstverein Nürnberg, Albrecht Dürer Gesellschaft, opens on Friday, April 16th, 2010. <BR/><BR/>Kunstverein Nürnberg<BR/>Albrecht Dürer Gesellschaft<BR/>Kressengartenstraße 2, D - 90402 Nürnberg<BR/>T +49 (0)911 24 15 62, F +49 (0)911 24 15 63<BR/><BR/><A HREF="http://www.kunstverein-nbg.de/index.php" TARGET="_blank">Website</A><BR/><B> </B><br><br>]]></content:encoded>
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			<title>Eran Schaerf's projects in Spring 2010</title>
			<link>http://schauort.com/blog/2010/03/23/eran-schaerfs-projects-in-spring-2010</link>
			<comments>http://schauort.com/blog/2010/03/23/eran-schaerfs-projects-in-spring-2010</comments>
			<pubDate>Tue, 23 Mar 2010 20:40:00 +0000</pubDate>
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			<description><![CDATA[<B>Mein Gedächtnis beobachtet mich </B><BR/>Film by Eva Meyer and Eran Schaerf<BR/>will be screened at: Ambulante - Travelling Film Festival<BR/>curator: Eduardo Thomas<BR/>February 12th - May 6th 2010<BR/>Mexico<BR/><BR/><B>Twice upon a time</B><BR/>Installation at the group exhibitiont: `Make the Most of Now´ <BR/>Kunsthalle [...]]]></description>
			<content:encoded><![CDATA[<B>Mein Gedächtnis beobachtet mich </B><BR/>Film by Eva Meyer and Eran Schaerf<BR/>will be screened at: Ambulante - Travelling Film Festival<BR/>curator: Eduardo Thomas<BR/>February 12th - May 6th 2010<BR/>Mexico<BR/><BR/><B>Twice upon a time</B><BR/>Installation at the group exhibitiont: `Make the Most of Now´ <BR/>Kunsthalle Exnergasse Wien<BR/>curator: Max Benkendorff<BR/>March 24th - April 25th, 2010<BR/><B> </B><BR/><B>Die Stimme des Hörers</B> (BR 2002)<BR/>Installation in: r e s o n a n z e n 2010, Festival fuer Hoerkunst<BR/>15. - 17. April, 2010, Leipzig<BR/> <BR/><B>Nichts wie jetzt</B> (BR 2009)<BR/>Radio play in BR2<BR/>April 9th, 2010<BR/><BR/><B>Die Stimme des Hörers</B> (BR 2002)<BR/>Radio play in SWR2<BR/>March 12th, 2010<BR/> <BR/><B>Nacktscanner</B><BR/>artist insert in: Du – Das Kulturmagazin<BR/>Kurator: Roman Kurzmeyer<BR/>issue 804, March 2010<BR/> <BR/><B>Die Stimme des Hörers</B><BR/>Radio play in: "Sounds. Radio – Kunst – Neue Musik" <BR/>Concept team: Marius Babias, Gaby Hartel, Frank Kaspar, Katrin Klingan<BR/><BR/><B>Neue Berliner Kunstverein </B><BR/>13. Februar - 28. März 2010<BR/> <BR/>Out now:<BR/><BR/>Umgekehrte Assimilation. Das bis dahin und weiterhin nicht Gesehene<BR/>Text-Bild-Beitrag in: Beatrice von Bismarck (Hrsg.), Kunst, Sichtbarkeit, Ökonomie<BR/>Verlag für moderne Kunst Nürnberg<BR/> <BR/>Polizei-Feedback. Ein Interview mit René Magritte <BR/>Audiobeitrag in: Herbert Kapfer / Margit Rosen (Hrsgg.), der künstler als jünger hund peter weibl tribute album<BR/>internedium rec. 044<BR/> <br><br>]]></content:encoded>
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			<title>Keren Cytter and Eran Schaerf, Kunsthalle Exnergasse, Vienna, Mar 25 - Apr 24, 2010</title>
			<link>http://schauort.com/blog/2010/03/23/keren-cytter-and-eran-schaerf-kunsthalle-exnergasse-vienna-mar-25-apr-24-2010</link>
			<comments>http://schauort.com/blog/2010/03/23/keren-cytter-and-eran-schaerf-kunsthalle-exnergasse-vienna-mar-25-apr-24-2010</comments>
			<pubDate>Tue, 23 Mar 2010 19:51:00 +0000</pubDate>
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			<description><![CDATA[ <B> Opening March 25, 7pm. </B><BR/><BR/>Keren and Eran are part of the group exhibition <B>MAKE THE MOST OF NOW</B>, <B>curated by Max Benkendorff.</B> <BR/><BR/>The exhibition Make the Most of Now departs from the questions: What leeway do contemporary artistic practices provide, and whether to assertively avoid this imperative of immediacy, to [...]]]></description>
			<content:encoded><![CDATA[ <B> Opening March 25, 7pm. </B><BR/><BR/>Keren and Eran are part of the group exhibition <B>MAKE THE MOST OF NOW</B>, <B>curated by Max Benkendorff.</B> <BR/><BR/>The exhibition Make the Most of Now departs from the questions: What leeway do contemporary artistic practices provide, and whether to assertively avoid this imperative of immediacy, to performatively shift it or to critically circumvent the expectations?<BR/>At the same time, the focus of the collected works is placed equally upon the investigation of other possible and imaginable forms and narrative methods of &#8220;grand emotions”, other ties between affect, desire and wishes (thereby also other forms of subjectivity, memory and the present) beyond the widely understood bipolar contradiction between &#8220;authenticity” and its alleged inverse in the media.<BR/>On the border between representation and immediate experience, between life and fiction, dramatization and reality, intensity and efficiency, it is about the interpretation and the definition of that which one might call &#8220;the now”, &#8220;life” or also &#8220;the present”, or at least what one is able to make of it.<BR/><BR/>Visit the <A HREF="http://www.wuk.at/language/en-US/event/id/14453" TARGET="_blank">website.</A> <BR/><br><br>]]></content:encoded>
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			<title>Hadassah Emmerich at Hendershot Gallery, New York, Mar 3 - Apr 17, 2010</title>
			<link>http://schauort.com/blog/2010/02/27/hadassah-emmerich-at-hendershot-gallery-new-york-mar-3-apr-17-2010</link>
			<comments>http://schauort.com/blog/2010/02/27/hadassah-emmerich-at-hendershot-gallery-new-york-mar-3-apr-17-2010</comments>
			<pubDate>Sat, 27 Feb 2010 13:00:00 +0000</pubDate>
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			<description><![CDATA[<I>La Charmeuse de Serpents</I><BR/>Solo exhibition featuring works on paper and linocuts.<BR/>Opening reception: March 3rd, 6 - 8 p.m. <BR/><BR/>Hendershot Gallery<BR/>547 West 27th Street<BR/>New York, NY 10001<BR/><BR/>Visit gallery <A HREF="http://www.hendershotgallery.com/" TARGET="_blank">website.</A> [...]]]></description>
			<content:encoded><![CDATA[<I>La Charmeuse de Serpents</I><BR/>Solo exhibition featuring works on paper and linocuts.<BR/>Opening reception: March 3rd, 6 - 8 p.m. <BR/><BR/>Hendershot Gallery<BR/>547 West 27th Street<BR/>New York, NY 10001<BR/><BR/>Visit gallery <A HREF="http://www.hendershotgallery.com/" TARGET="_blank">website.</A><br><br>]]></content:encoded>
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			<title>Hadassah Emmerich at Gallery Akinci, Amsterdam, Feb 19 - Mar 20, 2010</title>
			<link>http://schauort.com/blog/2010/02/23/hadassah-emmerich-at-gallery-akinci-amsterdam-feb-19-mar-20-2010</link>
			<comments>http://schauort.com/blog/2010/02/23/hadassah-emmerich-at-gallery-akinci-amsterdam-feb-19-mar-20-2010</comments>
			<pubDate>Tue, 23 Feb 2010 10:14:00 +0000</pubDate>
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			<description><![CDATA[  <B>Le Cercle Infernal curated by Hadassh Emmerich</B><BR/><B> </B><BR/><B> Hadassah Emmerich, Tatiana Echeverri Fernandez</B>, <B>Veronica Brovall</B><BR/> <BR/> Hadassah Emmerich (Heerlen, The Netherlands, 1974, lives and works in Berlin) shows her own piece Le Cercle Infernal (2009). The work is a reference to the movie ‘2001, A Space [...]]]></description>
			<content:encoded><![CDATA[  <B>Le Cercle Infernal curated by Hadassh Emmerich</B><BR/><B> </B><BR/><B> Hadassah Emmerich, Tatiana Echeverri Fernandez</B>, <B>Veronica Brovall</B><BR/> <BR/> Hadassah Emmerich (Heerlen, The Netherlands, 1974, lives and works in Berlin) shows her own piece Le Cercle Infernal (2009). The work is a reference to the movie ‘2001, A Space Odyssey’ this movie takes the viewer along on a journey from the beginning of times to a world ruled by computers. The second reference is the 1946 work Le Cercle Infernal by Picabia. His work takes the viewer on a different journey; trough the styles of painting. Emmerich wants to take the onlooker of her own Le Cercle Infernal a visual journey in time, her work show the primitive as well as the cultured, the raw and the refined. These concepts are the two points between which all the works exist. Hadassah Emmerich graduated at Goldsmiths College, London in 2005. This year she contributes to the group show Global Design at Museum für Gestaltung, Zürich. Her works can also be seen during the Amory Show at Hendershot Gallery, New York, and by the end of 2010 at Palais für Aktuelle Kunst in Glückstadt, Germany. <BR/><BR/>Visit gallery <A HREF="http://www.akinci.nl" TARGET="_blank">website.</A> <br><br>]]></content:encoded>
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			<title>Lucy Skaer at de Appel Boys' School, Amsterdam, 13 Feb - 28 Mar, 2010</title>
			<link>http://schauort.com/blog/2010/02/13/lucy-skaer-at-de-appel-boys-school-amsterdam-13-feb-28-mar-2010</link>
			<comments>http://schauort.com/blog/2010/02/13/lucy-skaer-at-de-appel-boys-school-amsterdam-13-feb-28-mar-2010</comments>
			<pubDate>Sat, 13 Feb 2010 14:47:00 +0000</pubDate>
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			<description><![CDATA[   <B>For the blind man in the dark room looking for the black cat that isn't there</B><BR/><BR/>Participating artists e.g.: <BR/>Anonymous, Dave Hullfish Bailey (US), Marcel Broodthaers (BE), Bryssinck en Peeters (BE), Patrick van Caeckenbergh (BE), Sarah Crowner (US), Mariana Castillo Deball (MX), Eric Duyckaerts (BE), Ger van Elk [...]]]></description>
			<content:encoded><![CDATA[   <B>For the blind man in the dark room looking for the black cat that isn't there</B><BR/><BR/>Participating artists e.g.: <BR/>Anonymous, Dave Hullfish Bailey (US), Marcel Broodthaers (BE), Bryssinck en Peeters (BE), Patrick van Caeckenbergh (BE), Sarah Crowner (US), Mariana Castillo Deball (MX), Eric Duyckaerts (BE), Ger van Elk (NL), Ayse Erkmen (TU), Hans-Peter Feldmann (DE), Peter Fischli &amp; David Weiss (CH), gerlach en koop (NL), Rachel Harrison (US), Matt Mullican (US), Bruno Munari (IT), Nashashibi/Skaer (UK), Falke Pisano (NL), Jimmy Raskin (US), Frances Stark (US), Rosemarie Trockel (DE) and David William (US/UK)<BR/><BR/>Curated by Anthony Huberman, Contemporary Art Museum St. Louis (US), i.c.w. Ann Demeester <BR/><BR/>On the occasion of the inauguration of the new exhibition venue ‘de Appel Boys’ School’ on the Eerste Jacob van Campenstraat 59 in Amsterdam, de Appel presents &#8220;For the blind man in the dark room looking for the black cat that isn’t there”. This group exhibition celebrates the experience of curiosity and speculation as a form of knowledge. In that spirit, the contributing artists each pursue a better understanding of the world, but also insist that an artwork isn't an explanation and that art is not a code that has to be unlocked. <BR/><br><br>]]></content:encoded>
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			<title>Anita Di Bianco at Artefact Festival, Stuk Kunstcentrum Leuven, 9 - 14 February 2010</title>
			<link>http://schauort.com/blog/2010/02/11/anita-di-bianco-at-artefact-festival-stuk-kunstcentrum-leuven-9-14-february-2010</link>
			<comments>http://schauort.com/blog/2010/02/11/anita-di-bianco-at-artefact-festival-stuk-kunstcentrum-leuven-9-14-february-2010</comments>
			<pubDate>Thu, 11 Feb 2010 18:58:00 +0000</pubDate>
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			<description><![CDATA[In On Gaps and Silent Documents international artists question the absence of documents and data in archives, data banks and memory. What is missing? Has it never been there or has it been removed? Does available information exist that is not looked at, read or used? Archives and data banks are primarily determined by these gaps and silent [...]]]></description>
			<content:encoded><![CDATA[In On Gaps and Silent Documents international artists question the absence of documents and data in archives, data banks and memory. What is missing? Has it never been there or has it been removed? Does available information exist that is not looked at, read or used? Archives and data banks are primarily determined by these gaps and silent documents. As Sven Spieker notes, "Archives are less concerned with memory than with the necessity to discard, erase, eliminate." Creating archives is continual selection. As such, it reveals the priorities and blind spots of the keeper of the archives, his world and his time. <BR/><BR/>Read more on the <A HREF="http://www.artefact-festival.be//language/en" TARGET="_blank">website.</A> <BR/><BR/>STUK Onthaal<BR/>Naamsestraat 96<BR/>3000 Leuven, Belgium<BR/>info@artefact-festival.be<br><br>]]></content:encoded>
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			<title>Georges Adeagbo at Galerie Holzhauer, Hamburg, 14 Feb - 22 Apr 2010</title>
			<link>http://schauort.com/blog/2010/02/09/georges-adeagbo-at-galerie-holzhauer-hamburg-14-feb-22-apr-2010</link>
			<comments>http://schauort.com/blog/2010/02/09/georges-adeagbo-at-galerie-holzhauer-hamburg-14-feb-22-apr-2010</comments>
			<pubDate>Tue, 09 Feb 2010 16:04:00 +0000</pubDate>
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			<description><![CDATA[„Georges Adéagbo: La Culture et les Cultures – La Chine à Hambourg&#8220;<BR/>Opening Saturday February 13th, 4-8 pm<BR/>                                                                           <BR/>During the past two years, Adeagbo was invited twice by major Chinese institutions to their events- the Guangzouh Triennial 2008 and [...]]]></description>
			<content:encoded><![CDATA[„Georges Adéagbo: La Culture et les Cultures – La Chine à Hambourg&#8220;<BR/>Opening Saturday February 13th, 4-8 pm<BR/>                                                                           <BR/>During the past two years, Adeagbo was invited twice by major Chinese institutions to their events- the Guangzouh Triennial 2008 and the Beijing Biennial 2010. In collaboration with Stephan Köhler-jointadventures.org Adeagbo developed concepts and studies, which as of today were never shown. Final agreements with the organizers failed not only concerning production and travel costs, parameters of lending and returning the work; above all the thematic freedom could not be guaranteed. Adeagbo and Köhler realized that elements relating to Tibet and the recent sentence of Liu Xiaobo could not be removed without turning from being a critical artist into a decorator.<BR/> <BR/>The objects bought and commissioned in West Africa and Hamburg for a possible project in China, as well as excerpts from the correspondence, will be on view in this exhibition at Gallery Holzhauer in Hamburg.<BR/><BR/>In cooperation with Stephan Köhler – <A HREF="http://www.jointadventures.org" TARGET="_blank">jointadventures.org</A><BR/><BR/>For more information, please visit the gallery's <A HREF="http://www.holzhauerhamburg.de" TARGET="_blank">website.</A> <br><br>]]></content:encoded>
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			<title>Hadassah Emmerich at Museum of Design Zurich, Exhibition &quot;Global Design&quot;, Feb 12 - May 30, 2010</title>
			<link>http://schauort.com/blog/2010/02/03/hadassah-emmerich-at-museum-of-design-zurich-exhibition-global-design-feb-12-may-30-2010</link>
			<comments>http://schauort.com/blog/2010/02/03/hadassah-emmerich-at-museum-of-design-zurich-exhibition-global-design-feb-12-may-30-2010</comments>
			<pubDate>Wed, 03 Feb 2010 07:52:00 +0000</pubDate>
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			<description><![CDATA[<B>Opening Feb 11, 2010</B><BR/><BR/>Globalization, along with all its implications and repercussions in highly diverse areas of society, is a much discussed theme. One aspect which has so far been neglected is the relationship of globalization and design. This exhibition now shows the effects that the globalized world has had on design since the [...]]]></description>
			<content:encoded><![CDATA[<B>Opening Feb 11, 2010</B><BR/><BR/>Globalization, along with all its implications and repercussions in highly diverse areas of society, is a much discussed theme. One aspect which has so far been neglected is the relationship of globalization and design. This exhibition now shows the effects that the globalized world has had on design since the 1970s and how design is developed for the globalized world. It is based on a concept of design which includes architecture, graphics, media, fashion, product and industrial design just as much as the design of spheres of life or product processes. Beginning with global networking in the fields of communication, mobility, production, trade and capital, the focal themes are the presentation of globalization in relationship to regionalism, the container as the primary element of globalization, cultural transfer and global trends. Contributions from artists such as Thomas Demand, Fischli/Weiss, Armin Linke or Allan Sekula illustrate special phenomena of globalization.<BR/><BR/>Visit <A HREF="http://www.museum-gestaltung.ch/exhibitions/program.html" TARGET="_blank">museum website</A> for discussion schedule and more information. <BR/><BR/>Museum für Gestaltung Zürich<BR/>Designsammlung, Grafiksammlung<BR/>Förrlibuckstr. 62<BR/>CH-8005 Zürich<BR/><BR/>Tue - Sun: 10am–5pm<BR/>Wed: 10am–8pm<br><br>]]></content:encoded>
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			<title>Keren Cytter at Hammer Projects, Los Angeles</title>
			<link>http://schauort.com/blog/2010/01/30/keren-cytter-at-hammer-projects-los-angeles</link>
			<comments>http://schauort.com/blog/2010/01/30/keren-cytter-at-hammer-projects-los-angeles</comments>
			<pubDate>Sat, 30 Jan 2010 05:51:00 +0000</pubDate>
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			<description><![CDATA[See a selection of works by Keren Cytter at Hammer Projects! Exhibition running until April 4, 2010:<BR/><BR/><I>Untitled,</I> 2009 (video shown at Vennice Biennial 2009)<BR/><I>Four Seasons</I>, 2009<BR/><I>Les Ruissellements du Diable</I>, 2008 <BR/><BR/>HAMMER<BR/>10899 Wilshire Blvd<BR/>Los Angeles, CA 90024<BR/>Phone: [...]]]></description>
			<content:encoded><![CDATA[See a selection of works by Keren Cytter at Hammer Projects! Exhibition running until April 4, 2010:<BR/><BR/><I>Untitled,</I> 2009 (video shown at Vennice Biennial 2009)<BR/><I>Four Seasons</I>, 2009<BR/><I>Les Ruissellements du Diable</I>, 2008 <BR/><BR/>HAMMER<BR/>10899 Wilshire Blvd<BR/>Los Angeles, CA 90024<BR/>Phone: 310.443.7000<BR/><BR/>Please click <A HREF="http://hammer.ucla.edu/exhibitions/detail/exhibition_id/174" TARGET="_blank"><B>here</B></A><B> </B>for more information on the show. <br><br>]]></content:encoded>
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			<title>Shahryar Nashat - Group exhibition at Museum für Gegenwartskunst, Basel, Jan 16 - Mar 14, 2010</title>
			<link>http://schauort.com/blog/2010/01/07/shahryar-nashat-group-exhibition-at-museum-fur-gegenwartskunst-basel-jan-16-mar-14-2010</link>
			<comments>http://schauort.com/blog/2010/01/07/shahryar-nashat-group-exhibition-at-museum-fur-gegenwartskunst-basel-jan-16-mar-14-2010</comments>
			<pubDate>Thu, 07 Jan 2010 17:35:00 +0000</pubDate>
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			<description><![CDATA[<B>Silberkuppe</B><BR/><B>Old Ideas</B><BR/><BR/>Silberkuppe is not only one of Berlin’s most vibrant independent spaces for contemporary art and culture, but also an artist’s meeting place. Since their inaugural all-night opening just over a year ago, Silberkuppe has initiated a colorful array of convention-challenging presentations, [...]]]></description>
			<content:encoded><![CDATA[<B>Silberkuppe</B><BR/><B>Old Ideas</B><BR/><BR/>Silberkuppe is not only one of Berlin’s most vibrant independent spaces for contemporary art and culture, but also an artist’s meeting place. Since their inaugural all-night opening just over a year ago, Silberkuppe has initiated a colorful array of convention-challenging presentations, exhibitions, talks, screenings, music and performances. At the Museum für Gegenwartskunst they will present a selection of new, site-oriented productions from a diverse group of artists under the banner &#8220;Old Ideas”. For Silberkuppe, some &#8220;old ideas” are new again and the notion of the &#8220;cutting-edge” or &#8220;contemporary” rests on cushions called &#8220;yesterday” with its feet up on a stool called &#8220;tomorrow”. Throughout the course of the exhibition, Silberkuppe will host a variety of social evenings and events in their own unique and inclusive style.<BR/><BR/>Kunstmuseum Basel<BR/>St. Alban-Graben 16<BR/>CH-4010 Basel<BR/>0041 (0)61 206 62 62<BR/>Tue - Sun 10 a.m. - 6 p.m.<BR/><BR/>Visit <A HREF="http://www.kunstmuseumbasel.ch/en/exhibitions/current/silberkuppe/" TARGET="_blank">museum website</A> for further information. <br><br>]]></content:encoded>
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			<title>Anita di Bianco - Jahresgabe Kunstverein Braunschweig</title>
			<link>http://schauort.com/blog/2009/12/19/anita-di-bianco-jahresgabe-kunstverein-braunschweig</link>
			<comments>http://schauort.com/blog/2009/12/19/anita-di-bianco-jahresgabe-kunstverein-braunschweig</comments>
			<pubDate>Sat, 19 Dec 2009 13:33:00 +0000</pubDate>
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			<description><![CDATA[ Von Anita di Bianco bietet der Kunstverein Braunschweig in diesem Jahr eine Serie von 5 Unikaten mit Zertifikat an: Letters from the Unsuspecting, 2009, 3 Lagen Transparentpapier, handbeschrieben mit Tinte, 42 x 59.4 cm. <BR/><BR/>Weite Informationen und Bestellmöglichkeiten <A [...]]]></description>
			<content:encoded><![CDATA[ Von Anita di Bianco bietet der Kunstverein Braunschweig in diesem Jahr eine Serie von 5 Unikaten mit Zertifikat an: Letters from the Unsuspecting, 2009, 3 Lagen Transparentpapier, handbeschrieben mit Tinte, 42 x 59.4 cm. <BR/><BR/>Weite Informationen und Bestellmöglichkeiten <A HREF="http://www.kunstverein-bs.de/mitglieder/jahresg_2010.html#04" TARGET="_blank"><B>hier.</B></A> <BR/><br><br>]]></content:encoded>
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			<title>Keren Cytter listed as No. 2 in Flash Art list of top 100 emerging artists</title>
			<link>http://schauort.com/blog/2009/10/31/keren-cytter-listed-as-no-2-in-flash-art-list-of-top-100-emerging-artists</link>
			<comments>http://schauort.com/blog/2009/10/31/keren-cytter-listed-as-no-2-in-flash-art-list-of-top-100-emerging-artists</comments>
			<pubDate>Sat, 31 Oct 2009 16:52:00 +0000</pubDate>
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			<description><![CDATA[We are very proud to announce that Keren Cytter has been listed as number 2 in the Flash Art list of the "Top 100 Emerging Artists", published in the October issue. <BR/><BR/>The list was compiled from answers to a questionnaire sent to over 100 museum directors, curators and critics. <BR/><BR/>Congratulations, Keren! [...]]]></description>
			<content:encoded><![CDATA[We are very proud to announce that Keren Cytter has been listed as number 2 in the Flash Art list of the "Top 100 Emerging Artists", published in the October issue. <BR/><BR/>The list was compiled from answers to a questionnaire sent to over 100 museum directors, curators and critics. <BR/><BR/>Congratulations, Keren!<br><br>]]></content:encoded>
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			<title>James Hyde at Galerie Les Filles Du Calvaire, Bruxelles, Oct 30 - Dec 19, 2009</title>
			<link>http://schauort.com/blog/2009/10/27/james-hyde-at-galerie-les-filles-du-calvaire-bruxelles-oct-30-dec-19-2009</link>
			<comments>http://schauort.com/blog/2009/10/27/james-hyde-at-galerie-les-filles-du-calvaire-bruxelles-oct-30-dec-19-2009</comments>
			<pubDate>Tue, 27 Oct 2009 18:11:00 +0000</pubDate>
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			<description><![CDATA[ "<BR/>"Reformation"<BR/>Vernissage Oct 29, 2009 from 6 - 9pm<BR/><BR/>&#8220;Is a picture ever material?”, James Hyde asks (us? himself?) in a nineteen-part questionnaire dating from 1998 that can be viewed on the artist’s website. Many questions are of course really meant (i.e. posed) to remain unanswered forever, and their ceaseless [...]]]></description>
			<content:encoded><![CDATA[ "<BR/>"Reformation"<BR/>Vernissage Oct 29, 2009 from 6 - 9pm<BR/><BR/>&#8220;Is a picture ever material?”, James Hyde asks (us? himself?) in a nineteen-part questionnaire dating from 1998 that can be viewed on the artist’s website. Many questions are of course really meant (i.e. posed) to remain unanswered forever, and their ceaseless rephrasing and reformulating is essentially what drives the very idea of &#8220;artistic research”: how shall I put this so as to avoid a definitive response that will forever put me out of business? Hyde’s practice is motivated (obviously) by many queries, and although the above question may not necessarily be the final or even most important one, it is certainly one that has gained in pertinence and urgency over the years – years, that is, that have seen the dizzying acceleration of the dematerialization of pretty much everything in the sphere of human activity (whether cultural, economic, political or plainly social). Asking of anything that has historically been viewed as immaterial whether it is really material after all, therefore, is fundamentally a critical question, reminding us of the basic fact of the world’s irreducible materiality and physicality."<BR/><BR/>Read more <A HREF="http://www.fillesducalvaire.com/" TARGET="_blank">here.</A><BR/><BR/>Satellite FDC, Brussels<BR/>Boulevard Barthélémy 20, 1000 Brussel<BR/>tél. : +32 (0)2 511 63 20 - fax : +32 (0)2 511 45 16<BR/><A HREF="mailto:bruxelles@fillesducalvaire.com?subject=" TARGET="">bruxelles@fillesducalvaire.com</A><BR/>Open from wednesday to saturday from 11am to 6:30pm<br><br>]]></content:encoded>
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			<title>Keren Cytter at KunstFilmBiennale in Cologne, Oct 28 - Nov 1, 2009</title>
			<link>http://schauort.com/blog/2009/10/27/keren-cytter-at-kunstfilmbiennale-in-cologne-oct-28-nov-1-2009</link>
			<comments>http://schauort.com/blog/2009/10/27/keren-cytter-at-kunstfilmbiennale-in-cologne-oct-28-nov-1-2009</comments>
			<pubDate>Tue, 27 Oct 2009 18:08:00 +0000</pubDate>
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			<description><![CDATA[Works by Keren Cytter are presented at this year's KunstFilmBiennale in Cologne. <BR/><BR/>To visit the website for more information and the program, please click <A HREF="http://www.kunstfilmbiennale.de/web/en/228.html" TARGET="_blank">here.</A>  [...]]]></description>
			<content:encoded><![CDATA[Works by Keren Cytter are presented at this year's KunstFilmBiennale in Cologne. <BR/><BR/>To visit the website for more information and the program, please click <A HREF="http://www.kunstfilmbiennale.de/web/en/228.html" TARGET="_blank">here.</A> <br><br>]]></content:encoded>
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			<title>Silvie Defraoui at Centre Culture Suisse, Opening: 10 Oct, 2009</title>
			<link>http://schauort.com/blog/2009/10/09/silvie-defraoui-at-centre-culture-suisse-opening-10-oct-2009</link>
			<comments>http://schauort.com/blog/2009/10/09/silvie-defraoui-at-centre-culture-suisse-opening-10-oct-2009</comments>
			<pubDate>Fri, 09 Oct 2009 18:36:00 +0000</pubDate>
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			<description><![CDATA[ EXPOSITION 10.10-13.12.09<BR/>Silvie Defraoui<BR/>Sombras eléctricas<BR/><BR/>Vernissage 10.10.09 17h - 21h <BR/><BR/>"Silvie Defraoui est une grande figure de l’art contemporain en Suisse. D’abord avec son partenaire Chérif Defraoui, puis seule après le décès de celui-ci en 1994, elle a développé un travail de [...]]]></description>
			<content:encoded><![CDATA[ EXPOSITION 10.10-13.12.09<BR/>Silvie Defraoui<BR/>Sombras eléctricas<BR/><BR/>Vernissage 10.10.09 17h - 21h <BR/><BR/>"Silvie Defraoui est une grande figure de l’art contemporain en Suisse. D’abord avec son partenaire Chérif Defraoui, puis seule après le décès de celui-ci en 1994, elle a développé un travail de vidéos, photos, installations, objets, publications, qui intègre des références aux cultures orientales et occidentales, analyse les mécanismes de la mémoire tout en jouant sur une multitude d’éléments décoratifs. Elle a aussi été une enseignante très importante pour plusieurs générations d’artistes, au sein de l’Ecole des beaux-arts de Genève...."<BR/><BR/><A HREF="http://www.ccsparis.com/fr/events/detail/136" TARGET="_blank">Read more</A><br><br>]]></content:encoded>
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			<title>Keren Cytter screening at Julia Stoschek Collection, Berlin, 26 Sep 09</title>
			<link>http://schauort.com/blog/2009/09/18/keren-cytter-screening-at-julia-stoschek-collection-berlin-26-sep-09</link>
			<comments>http://schauort.com/blog/2009/09/18/keren-cytter-screening-at-julia-stoschek-collection-berlin-26-sep-09</comments>
			<pubDate>Fri, 18 Sep 2009 18:22:00 +0000</pubDate>
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			<description><![CDATA[On the occasion of the Art Forum Berlin 2009 and in honor of the artist Keren Cytter, Julia Stoschek invites to a reception from 12 - 4 pm at the Tower Apartment at the Ritz-Carlton on Saturday, 26 September 2009 - with screening of videos!<BR/><BR/>Tower Apartment<BR/>15th Floor at Ritz-Carlton<BR/>Potsdamer Platz 4<BR/>10785 Berlin [...]]]></description>
			<content:encoded><![CDATA[On the occasion of the Art Forum Berlin 2009 and in honor of the artist Keren Cytter, Julia Stoschek invites to a reception from 12 - 4 pm at the Tower Apartment at the Ritz-Carlton on Saturday, 26 September 2009 - with screening of videos!<BR/><BR/>Tower Apartment<BR/>15th Floor at Ritz-Carlton<BR/>Potsdamer Platz 4<BR/>10785 Berlin<br><br>]]></content:encoded>
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			<title>Pavel Pepperstein at Galerie Kamm Berlin, Opening: 30 October, 2009</title>
			<link>http://schauort.com/blog/2009/09/09/pavel-pepperstein-at-galerie-kamm-berlin-opening-30-october-2009</link>
			<comments>http://schauort.com/blog/2009/09/09/pavel-pepperstein-at-galerie-kamm-berlin-opening-30-october-2009</comments>
			<pubDate>Wed, 09 Sep 2009 11:15:00 +0000</pubDate>
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			<description><![CDATA[Galerie Kamm Berlin will present Pavel Pepperstein in a solo-exhibition from 31 Ocotber until 19 December, 2009. <BR/><BR/><A HREF="http://www.galeriekamm.de/en/artists/pavel-pepperstein.html" TARGET="_blank">Visit Galerie Kamm website here!</A> [...]]]></description>
			<content:encoded><![CDATA[Galerie Kamm Berlin will present Pavel Pepperstein in a solo-exhibition from 31 Ocotber until 19 December, 2009. <BR/><BR/><A HREF="http://www.galeriekamm.de/en/artists/pavel-pepperstein.html" TARGET="_blank">Visit Galerie Kamm website here!</A><br><br>]]></content:encoded>
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			<title>Eran Schaerf at Zwinger Galerie Berlin, Opening: 11 September, 2009</title>
			<link>http://schauort.com/blog/2009/09/09/eran-schaerf-at-zwinger-galerie-berlin-opening-11-september-2009</link>
			<comments>http://schauort.com/blog/2009/09/09/eran-schaerf-at-zwinger-galerie-berlin-opening-11-september-2009</comments>
			<pubDate>Wed, 09 Sep 2009 11:09:00 +0000</pubDate>
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			<description><![CDATA[Zwinger Galerie Berlin presents Eran Schaerf in a solo-exhibition titled "Twice upon a time" from 12 September to 7 November, 2009. <BR/><BR/><A HREF="http://www.zwinger-galerie.de/sites/deutsch/kuenstler/schaerf_vita.html#" TARGET="_blank">Visit Zwinger Galerie website here!</A> [...]]]></description>
			<content:encoded><![CDATA[Zwinger Galerie Berlin presents Eran Schaerf in a solo-exhibition titled "Twice upon a time" from 12 September to 7 November, 2009. <BR/><BR/><A HREF="http://www.zwinger-galerie.de/sites/deutsch/kuenstler/schaerf_vita.html#" TARGET="_blank">Visit Zwinger Galerie website here!</A><br><br>]]></content:encoded>
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			<title>Jan Fabre at Museum of Modern Art Dubrovnik, until 23 Aug 09</title>
			<link>http://schauort.com/blog/2009/08/18/jan-fabre-at-museum-of-modern-art-dubrovnik-until-23-aug-09</link>
			<comments>http://schauort.com/blog/2009/08/18/jan-fabre-at-museum-of-modern-art-dubrovnik-until-23-aug-09</comments>
			<pubDate>Tue, 18 Aug 2009 17:44:00 +0000</pubDate>
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			<description><![CDATA[There is still time to visit Jan Fabre's exhibition at Museum of Modern Art Dubrovnik, Croatia, until 23 August 2009:<BR/><BR/><B>The Borrowed Time</B><BR/><BR/>Le temps emprunté or Borrowed Time is the second part of the unscheduled Dubrovnik ”exhibition diptych” of Jan Fabre. The first part, Umbraculum for Dubrovnik, as it is known, [...]]]></description>
			<content:encoded><![CDATA[There is still time to visit Jan Fabre's exhibition at Museum of Modern Art Dubrovnik, Croatia, until 23 August 2009:<BR/><BR/><B>The Borrowed Time</B><BR/><BR/>Le temps emprunté or Borrowed Time is the second part of the unscheduled Dubrovnik ”exhibition diptych” of Jan Fabre. The first part, Umbraculum for Dubrovnik, as it is known, took place three years ago in the same place, the Museum of Modern Art in Dubrovnik.<BR/><BR/><A HREF="http://www.ugdubrovnik.hr/e/izlozbe-2009.htm#fabre" TARGET="_blank">Read more</A><br><br>]]></content:encoded>
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			<title>Jan Fabre - Two Awards for the artist and theatre maker</title>
			<link>http://schauort.com/blog/2009/08/18/jan-fabre-two-awards-for-the-artist-and-theatre-maker</link>
			<comments>http://schauort.com/blog/2009/08/18/jan-fabre-two-awards-for-the-artist-and-theatre-maker</comments>
			<pubDate>Tue, 18 Aug 2009 17:34:00 +0000</pubDate>
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			<description><![CDATA[Jan Fabre will receive the "International Art Award" for his work as a visual artist. The <B>Cristobal Gabarron Foundation</B> (Valladolid) will present this prestigious prize to Fabre on 9 October 2009. From the jury's report: "Due to his versatile character, open to diverse artistic disciplines ranging from scenic to visual arts. The trajectory [...]]]></description>
			<content:encoded><![CDATA[Jan Fabre will receive the "International Art Award" for his work as a visual artist. The <B>Cristobal Gabarron Foundation</B> (Valladolid) will present this prestigious prize to Fabre on 9 October 2009. From the jury's report: "Due to his versatile character, open to diverse artistic disciplines ranging from scenic to visual arts. The trajectory of this Belgian artist won him international recognition because of his innovating spirit, while at the same time demonstrating his control of different technique, materials and expressions."<BR/><BR/><B>Le Syndicat de la Critique Professionnelle</B> has awarded the "Prix du Jury" to Fabre (which has been presented to him on 15 June 2009). This organization groups all French professional art critics (performance arts). Fabre will receive this award for his most recent work for the stage, "Orgy of Tolerance". <BR/><BR/><A HREF="http://www.premiosinternacionalesfcg.org/" TARGET="_blank">http://www.premiosinternacionalesfcg.org/</A><BR/><A HREF="http://www.syndicat-critique-tmd.fr" TARGET="_blank">http://www.syndicat-critique-tmd.fr</A><br><br>]]></content:encoded>
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			<title>Keren Cytter at Frac Ile-de-France/Le Plateau, 9 Dec 09 - 14 Feb 10</title>
			<link>http://schauort.com/blog/2009/08/18/keren-cytter-at-frac-ile-de-francele-plateau-9-dec-09-14-feb-10</link>
			<comments>http://schauort.com/blog/2009/08/18/keren-cytter-at-frac-ile-de-francele-plateau-9-dec-09-14-feb-10</comments>
			<pubDate>Tue, 18 Aug 2009 17:23:00 +0000</pubDate>
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			<description><![CDATA[We are proud to announce Keren Cytter's first solo exhibition in France! <BR/><BR/>"Now living and working in Berlin, this young Israeli artist works mainly in video, mingling genres and styles in short narratives that involve the viewer in the often tragic destinies of characters trapped in violent relationships. In a mix of [...]]]></description>
			<content:encoded><![CDATA[We are proud to announce Keren Cytter's first solo exhibition in France! <BR/><BR/>"Now living and working in Berlin, this young Israeli artist works mainly in video, mingling genres and styles in short narratives that involve the viewer in the often tragic destinies of characters trapped in violent relationships. In a mix of cinéma-vérité and sitcom, home movie and reality TV, filmed performance and auteur cinema, Cytter offers works marked by a seemingly constant conflict between reality and fiction."<BR/><BR/><A HREF="http://www.fracidf-leplateau.com/en/index.html" TARGET="_blank">Read more</A><br><br>]]></content:encoded>
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			<title>Jan Fabre participates at &quot;Glasstress&quot;, Venice</title>
			<link>http://schauort.com/blog/2009/08/17/jan-fabre-participates-at-glasstress-venice</link>
			<comments>http://schauort.com/blog/2009/08/17/jan-fabre-participates-at-glasstress-venice</comments>
			<pubDate>Mon, 17 Aug 2009 17:49:00 +0000</pubDate>
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			<description><![CDATA[<B>Glasstress</B><BR/>06.06.2009 - 22.11.2009<BR/>Instituto Veneto di Scienze Lettere ed Arti<BR/>Scuola Grande di San Teodoro San Marco, Venice<BR/><BR/>Glasstress revolves around the experiences of several contemporary international artists who regularly use glass as a medium. The exhibition seeks out new perspectives that working with glass may [...]]]></description>
			<content:encoded><![CDATA[<B>Glasstress</B><BR/>06.06.2009 - 22.11.2009<BR/>Instituto Veneto di Scienze Lettere ed Arti<BR/>Scuola Grande di San Teodoro San Marco, Venice<BR/><BR/>Glasstress revolves around the experiences of several contemporary international artists who regularly use glass as a medium. The exhibition seeks out new perspectives that working with glass may offer. The artists taking part include Louise Bourgeois, Daniel Buren, Tony Cragg, Jan Fabre, Roni Horn, Man Ray, Kiki Smith, Koen Vanmechelen en Chen Zen.<BR/><BR/>Organization: Mjellby Konstmuseum Halmstadgruppens Museum<BR/><BR/>Information:<BR/>Instituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, Campo Santo Stefano - San Marco 2842, Scuola Grande di San Teodoro, San Marco, 4811<BR/><BR/><A HREF="http://www.labiennale.org" TARGET="_blank">http://www.labiennale.org</A> <br><br>]]></content:encoded>
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			<title>53. Biennale di Venezia - Making Worlds, 07 Jun - 22 Nov 09</title>
			<link>http://schauort.com/blog/2009/08/13/53-biennale-di-venezia-making-worlds-07-jun-22-nov-09</link>
			<comments>http://schauort.com/blog/2009/08/13/53-biennale-di-venezia-making-worlds-07-jun-22-nov-09</comments>
			<pubDate>Thu, 13 Aug 2009 16:55:00 +0000</pubDate>
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			<description><![CDATA[ We are proud that three of our artists were selected to be part of this year's Venice Biennial:<BR/> <B>Keren Cytter, Jan Fabre, </B>and <B>Pavel Pepperstein</B> . <BR/> <BR/> Following his nomination, the director Daniel Birnbaum declared:<BR/> <BR/> &#8220;My recent exhibitions have all been close collaborations with artists, often [...]]]></description>
			<content:encoded><![CDATA[ We are proud that three of our artists were selected to be part of this year's Venice Biennial:<BR/> <B>Keren Cytter, Jan Fabre, </B>and <B>Pavel Pepperstein</B> . <BR/> <BR/> Following his nomination, the director Daniel Birnbaum declared:<BR/> <BR/> &#8220;My recent exhibitions have all been close collaborations with artists, often individually, sometimes in larger contexts. The Venice Biennale is a new kind of challenge, but the principle remains the same: the artist's vision is at the center. How does one steer clear of the hierarchies dictated by commercial interests and fashion? As the director of an art academy, my interest has long been directed towards another kind of influence and another kind of significance. There are artists who inspire entire generations and these key artists are not always the most visibile in the world of museums and fairs. I would like to explore strings of inspiration that involve several generations and to display the roots as well as the branches that grow into a future not yet defined. The geography of the art world has been expanding rapidly with new centers emerging: China, India, the Middle East... It will be my ambition to create a show that, although articulated into individual zones of intensity, remains one exhibition.”<br><br> <B>Jan Fabre</B><BR/><B>From the Feet to the Brain</B><BR/><B>Arsenale Novissimo</B><BR/><BR/><A HREF="http://www.janfabre.be/Pages/index.php" TARGET="_blank">Jan Fabre Homepage</A><br><br>]]></content:encoded>
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			<title>Keren Cytter nominated for Nationalgalerie Prize for Young Art 2009, Berlin</title>
			<link>http://schauort.com/blog/2009/08/13/keren-cytter-nominated-for-nationalgalerie-prize-for-young-art-2009-berlin</link>
			<comments>http://schauort.com/blog/2009/08/13/keren-cytter-nominated-for-nationalgalerie-prize-for-young-art-2009-berlin</comments>
			<pubDate>Thu, 13 Aug 2009 16:41:00 +0000</pubDate>
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			<description><![CDATA[In autumn 2009 the Preis der Nationalgalerie für junge Kunst (the Nationalgalerie Prize for Young Art) will be awarded for the fifth time. Massimiliano Gioni (Artistic Director of the Nicola Trussardi Foundation, Milan and Director for Special Exhibitions at the New Museum for Contemporary Art, New York), Jessica Morgan (Curator Tate Modern, [...]]]></description>
			<content:encoded><![CDATA[In autumn 2009 the Preis der Nationalgalerie für junge Kunst (the Nationalgalerie Prize for Young Art) will be awarded for the fifth time. Massimiliano Gioni (Artistic Director of the Nicola Trussardi Foundation, Milan and Director for Special Exhibitions at the New Museum for Contemporary Art, New York), Jessica Morgan (Curator Tate Modern, London), Beatrix Ruf (Director Kunsthalle Zürich), Janneke de Vries (Director of the Gesellschaft für aktuelle Kunst, Bremen) as well as Bernhart Schwenk (Curator Pinakothek der Moderne, München) were nominated for the first jury. The nomination of the first jury is the starting shot for this international competition. During the Art Forum in autumn 2008 the four candidates who compete for the Preis will be announced and form the short-list. All four artists will present their individual work during a group exhibition at the Hamburger Bahnhof - Museum für Gegenwart, Berlin in the following year.<br><br><br><br>]]></content:encoded>
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			<title>Keren Cytter - Dance International Europe NOW</title>
			<link>http://schauort.com/blog/2009/08/13/keren-cytter-dance-international-europe-now</link>
			<comments>http://schauort.com/blog/2009/08/13/keren-cytter-dance-international-europe-now</comments>
			<pubDate>Thu, 13 Aug 2009 16:18:00 +0000</pubDate>
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			<description><![CDATA[ Dance International Europe Now is a dance theatre group formed in 2008 by artist Keren Cytter. The evolving ensemble is composed of an increasingly intricate inter-play of theatrical genres and visual mediums. <BR/><BR/><BR/><A HREF="http://www.danceinternationaleuropenow.com/tour.html" TARGET="_blank">D.I.E. Now Tourplan</A> [...]]]></description>
			<content:encoded><![CDATA[ Dance International Europe Now is a dance theatre group formed in 2008 by artist Keren Cytter. The evolving ensemble is composed of an increasingly intricate inter-play of theatrical genres and visual mediums. <BR/><BR/><BR/><A HREF="http://www.danceinternationaleuropenow.com/tour.html" TARGET="_blank">D.I.E. Now Tourplan</A><br><br>]]></content:encoded>
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			<title>Lucy Skaer at doggerfischer, Edinburgh, 01 Aug - 25 Sep 09</title>
			<link>http://schauort.com/blog/2009/08/12/lucy-skaer-at-doggerfischer-edinburgh-01-aug-25-sep-09</link>
			<comments>http://schauort.com/blog/2009/08/12/lucy-skaer-at-doggerfischer-edinburgh-01-aug-25-sep-09</comments>
			<pubDate>Wed, 12 Aug 2009 18:22:00 +0000</pubDate>
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			<description><![CDATA[Nashashibi / Skaer, still from Our Magnolia, 2009, 16 mm film  [...]]]></description>
			<content:encoded><![CDATA[<br><br>Nashashibi / Skaer, still from Our Magnolia, 2009, 16 mm film <br><br>doggerfisher<BR/>11 Gayfield Square<BR/>Edinburgh EH1 3NT<BR/>t + 44 (0) 131 558 7110<BR/>f + 44 (0) 131 558 7179<BR/><BR/><A HREF="mailto:mail@doggerfisher.com?subject=" TARGET="">mail@doggerfisher.com</A><BR/><A HREF="http://www.doggerfisher.com/content.php" TARGET="_blank">www.doggerfisher.com </A><br><br>]]></content:encoded>
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			<title>Lucy Skaer shortlistet for Turner Prize 2009, Tate Britain, London</title>
			<link>http://schauort.com/blog/2009/08/12/lucy-skaer-shortlistet-for-turner-prize-2009-tate-britain-london</link>
			<comments>http://schauort.com/blog/2009/08/12/lucy-skaer-shortlistet-for-turner-prize-2009-tate-britain-london</comments>
			<pubDate>Wed, 12 Aug 2009 18:21:00 +0000</pubDate>
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			<description><![CDATA[The four artists who have been shortlisted for the Turner Prize 2009 are Enrico David, Roger Hiorns, Lucy Skaer and Richard Wright.<BR/><BR/><B>Lucy Skaer</B><BR/>For her solo exhibition at the Fruitmarket Gallery, Edinburgh and A Boat Used as a Vessel at the Kunsthalle Basel. Skaer makes drawings, sculptures and films which often take found [...]]]></description>
			<content:encoded><![CDATA[The four artists who have been shortlisted for the Turner Prize 2009 are Enrico David, Roger Hiorns, Lucy Skaer and Richard Wright.<BR/><BR/><B>Lucy Skaer</B><BR/>For her solo exhibition at the Fruitmarket Gallery, Edinburgh and A Boat Used as a Vessel at the Kunsthalle Basel. Skaer makes drawings, sculptures and films which often take found photographic sources as their starting point. Rooted in reality, yet subjected to a process of elaborate transformation, Skaer's images hover in the space between recognition and ambiguity, figuration and abstraction.<BR/><BR/>The Turner Prize award is £40,000 with £25,000 going to the winner and £5,000 each for the other shortlisted artists. The Prize, established in 1984, is awarded to a British artist under fifty for an outstanding exhibition or other presentation of their work in the twelve months preceding 21 April 2009. It is intended to promote public discussion of new developments in contemporary British art and is widely recognised as one of the most important and prestigious awards for the visual arts in Europe.<BR/><BR/>Work by the shortlisted artists will be shown in an exhibition at Tate Britain opening on 7 October 2009. The winner will be announced at Tate Britain on 7 December 2009 during a live broadcast by Channel 4.<BR/><BR/>The members of the Turner Prize 2009 jury are:<BR/><BR/>* Charles Esche, Director Van Abbemuseum, Eindhoven<BR/>* Mariella Frostrup, writer and broadcaster<BR/>* Jonathan Jones, art critic, The Guardian<BR/>* Dr Andrea Schlieker, Director Folkestone Triennial, and curator<BR/>* Stephen Deuchar, Director, Tate Britain and Chair of the Jury<BR/><A HREF="http://www.tate.org.uk/britain/turnerprize/turnerprize2009/" TARGET="_blank"/><BR/><A HREF="http://www.tate.org.uk/britain/turnerprize/turnerprize2009/" TARGET="_blank">Read more</A><br><br>]]></content:encoded>
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			<title>Eran Schaerf at Kunstmuseum Liechtenstein, 03 Jul - 23 Aug 09</title>
			<link>http://schauort.com/blog/2009/08/12/eran-schaerf-at-kunstmuseum-liechtenstein-03-jul-23-aug-09</link>
			<comments>http://schauort.com/blog/2009/08/12/eran-schaerf-at-kunstmuseum-liechtenstein-03-jul-23-aug-09</comments>
			<pubDate>Wed, 12 Aug 2009 18:00:00 +0000</pubDate>
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			<description><![CDATA[ <B>Standstill is a Particular Form of Movement</B><BR/><BR/>Eran Schaerf and Simon Wachsmuth focus on issues to do with the borderline between idea and reality, narration and fact, perception and forms of museum presentation. Typical for both of them is the integration of the spatio-contextual situation into the presentation of their [...]]]></description>
			<content:encoded><![CDATA[ <B>Standstill is a Particular Form of Movement</B><BR/><BR/>Eran Schaerf and Simon Wachsmuth focus on issues to do with the borderline between idea and reality, narration and fact, perception and forms of museum presentation. Typical for both of them is the integration of the spatio-contextual situation into the presentation of their installations. Their use of the tools of film, drawing and object is extremely multifaceted and their installations give rise to a complex mesh which draws the viewer into an open narrative and opens new contexts of meaning. <BR/><BR/>Eran Schaerf (*1962 in Tel Aviv) often works with components of images and words that he separates out of their original context and combines to form something new. For him, language is an essentially three-dimensional element that supports narrative and poetic energy and permits the layering of different time and narration levels. Schaerf’s works indicate how things, events and ideas are linked in a highly complex way. The airy, transparent installation is also imbued with a gentle and sensitive humour. <BR/><BR/><A HREF="http://www.kunstmuseum.li/?page=2&amp;lan=en&amp;aid=339&amp;bid=1&amp;jahr=&amp;monat=" TARGET="_blank">Read more</A><br><br>]]></content:encoded>
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			<title>Anita Di Bianco at 28th Ljubljana Biennial of Graphic Arts, 04 Sep - 25 Oct 09</title>
			<link>http://schauort.com/blog/2009/08/11/anita-di-bianco-at-28th-ljubljana-biennial-of-graphic-arts-04-sep-25-oct-09</link>
			<comments>http://schauort.com/blog/2009/08/11/anita-di-bianco-at-28th-ljubljana-biennial-of-graphic-arts-04-sep-25-oct-09</comments>
			<pubDate>Tue, 11 Aug 2009 17:50:00 +0000</pubDate>
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			<description><![CDATA[The Ljubljana Biennial of Graphic Arts is the world's biggest and one of the most renowned events of the kind. Its beginnings date back to 1955 and during its more than 50-year history it has received huge acclaim from artists, experts and public alike.<BR/><BR/><A HREF="http://www.ljubljana.si/en/living-in-ljubljana/focus/519/detail.html" [...]]]></description>
			<content:encoded><![CDATA[The Ljubljana Biennial of Graphic Arts is the world's biggest and one of the most renowned events of the kind. Its beginnings date back to 1955 and during its more than 50-year history it has received huge acclaim from artists, experts and public alike.<BR/><BR/><A HREF="http://www.ljubljana.si/en/living-in-ljubljana/focus/519/detail.html" TARGET="_blank">Read more</A><br><br>]]></content:encoded>
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			<title>Walter Dahn at Le Magasin, Grenoble, Centre National d´Art Contemporain, 31 May - 06 Sep 09</title>
			<link>http://schauort.com/blog/2009/08/11/walter-dahn-at-le-magasin-grenoble-centre-national-d%c2%b4art-contemporain-31-may-06-sep-09</link>
			<comments>http://schauort.com/blog/2009/08/11/walter-dahn-at-le-magasin-grenoble-centre-national-d%c2%b4art-contemporain-31-may-06-sep-09</comments>
			<pubDate>Tue, 11 Aug 2009 17:41:00 +0000</pubDate>
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			<description><![CDATA[<B>Images et (re)présentations. The 1980s – part two</B><BR/><BR/>At the end of 2008, Le Magasin presented the first instalment of a two-part exhibition devoted to the art of the 1980s. Accompanied by a book, this first project was organised around groups of works that shed light on the notions of private space, public space and [...]]]></description>
			<content:encoded><![CDATA[<B>Images et (re)présentations. The 1980s – part two</B><BR/><BR/>At the end of 2008, Le Magasin presented the first instalment of a two-part exhibition devoted to the art of the 1980s. Accompanied by a book, this first project was organised around groups of works that shed light on the notions of private space, public space and community.<BR/><BR/>Now, the second part focuses on the central question of the image. Whether in the &#8220;pattern painting” of the artists grouped under that title in the early years of the decade, or in its different iconographic and stylistic registers, the art of this period drew on the culture industry and media as well as the history of art, both ancient and modern.<BR/><BR/><A HREF="http://www.magasin-cnac.org/?lang=en" TARGET="_blank">read more</A><br><br>]]></content:encoded>
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			<title>Keren Cytter at Galeria Estrany-de la Mota, Barcelona</title>
			<link>http://schauort.com/blog/2009/08/11/keren-cytter-at-galeria-estrany-de-la-mota-barcelona</link>
			<comments>http://schauort.com/blog/2009/08/11/keren-cytter-at-galeria-estrany-de-la-mota-barcelona</comments>
			<pubDate>Tue, 11 Aug 2009 17:36:00 +0000</pubDate>
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			<description><![CDATA[We are delighted to announce Keren Cytter's upcoming solo-exhibition at Galeria Estrany-de la Mota in Barcelona. <BR/><BR/>Opening: 18 September 2009<BR/><BR/>Galeria Estrany-de la Mota<BR/>Passatge Mercader 18<BR/>08008 Barcelona, Spain<BR/>galeria@estranydelamota.com        <BR/>T 93 215 70 51 / F 93 487 35 52<BR/><A [...]]]></description>
			<content:encoded><![CDATA[We are delighted to announce Keren Cytter's upcoming solo-exhibition at Galeria Estrany-de la Mota in Barcelona. <BR/><BR/>Opening: 18 September 2009<BR/><BR/>Galeria Estrany-de la Mota<BR/>Passatge Mercader 18<BR/>08008 Barcelona, Spain<BR/>galeria@estranydelamota.com        <BR/>T 93 215 70 51 / F 93 487 35 52<BR/><A HREF="http://www.estranydelamota.com " TARGET="_blank">www.estranydelamota.com </A><br><br>]]></content:encoded>
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			<title>Keren Cytter - Golden Agers &amp; Silver Surfers, Old age and aging in contemporary art, 9 August 2009 – 4 October 2009</title>
			<link>http://schauort.com/blog/2009/08/11/keren-cytter-golden-agers-silver-surfers-old-age-and-aging-in-contemporary-art-9-august-2009-%e2%80%93-4-october-2009</link>
			<comments>http://schauort.com/blog/2009/08/11/keren-cytter-golden-agers-silver-surfers-old-age-and-aging-in-contemporary-art-9-august-2009-%e2%80%93-4-october-2009</comments>
			<pubDate>Tue, 11 Aug 2009 17:17:00 +0000</pubDate>
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			<description><![CDATA[A project by Christoph Doswald and Sabine Schaschl<BR/><BR/>Although the exhibition Golden Agers &amp; Silver Surfers focuses on a certain age group and target population, it develops a dialogue that involves all age groups. Aging is a phenomenon of societal relevance that is given pictorial reflection in the visual arts. While the art of our time [...]]]></description>
			<content:encoded><![CDATA[A project by Christoph Doswald and Sabine Schaschl<BR/><BR/>Although the exhibition Golden Agers &amp; Silver Surfers focuses on a certain age group and target population, it develops a dialogue that involves all age groups. Aging is a phenomenon of societal relevance that is given pictorial reflection in the visual arts. While the art of our time mirrors the yearnings and desires of humankind, it also has something else to propose, something proprietary and, perhaps, strange, which stands in juxtaposition to our societal reality. ...<BR/><BR/><A HREF="http://www.kunsthausbaselland.ch/act_detail.php?detail=113&amp;lan=en#more" TARGET="_blank">read more</A><BR/><BR/><BR/>Kunsthaus Baselland<BR/>St. Jakob-Strasse 170<BR/>CH-4132 Muttenz/Basel<BR/>+41 (0)61 312 83 88<BR/>+41 (0)61 312 83 89<BR/>www.kunsthausbaselland.ch<BR/><BR/>Opening Hours<BR/>Di, Do – So 11 – 17 H<BR/>Mi 14 – 20 H<br><br>]]></content:encoded>
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			<title>Keren Cytter - Summer Programming at X INITIATIVE, New York</title>
			<link>http://schauort.com/blog/2009/08/11/keren-cytter-summer-programming-at-x-initiative-new-york</link>
			<comments>http://schauort.com/blog/2009/08/11/keren-cytter-summer-programming-at-x-initiative-new-york</comments>
			<pubDate>Tue, 11 Aug 2009 17:03:00 +0000</pubDate>
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			<description><![CDATA[For its summer phase opening on July 9th, X is pleased to present solo shows by Tris Vonna-Michell, Luke Fowler, and <B>Keren Cytter</B>. [...]]]></description>
			<content:encoded><![CDATA[For its summer phase opening on July 9th, X is pleased to present solo shows by Tris Vonna-Michell, Luke Fowler, and <B>Keren Cytter</B>.<br><br><br><br>Installation view at X INITIATIVE, New York<BR/><BR/>On the second floor, X will host Keren Cytter’s first major survey in the United States. Born in Tel Aviv andcurrently living in Berlin, Cytter creates movies that appropriate and transform different cinematic genres, suchas film noir, melodrama, documentary, and soap opera. Often set in cheap domestic interiors, Cytter’s filmsdepict dysfunctional families and alienated friends on the verge of nervous breakdown. The exhibition willinclude the US premiere of her new movie Four Seasons, 2009, presented alongside a selection of her videosand a group of drawings never exhibited in America. Cytter conceived the project as an immersive experience inwhich synchronized videos will alternate on different screens and lights will suddenly illuminate her drawings,creating a theater of images in the exhibition space. Keren Cytter has had solo exhibitions at CCA Center forContemporary Art, Kitakyushu (2009), Witte de With, Rotterdam (2008), and MUMOK, Vienna (2007). Her workwas included in The Generational: Younger Than Jesus, and will be featured in the upcoming 53rd VeniceBiennale. Keren Cytter’s exhibition is supported by Artis – Contemporary Israeli Art Fund, New York and Tel Aviv.<BR/><BR/><A HREF="http://x-initiative.org/blog/" TARGET="_blank">Read more</A><BR/><BR/>X INITIATIVE<BR/>548 West 22nd Street<BR/>New York, NY 10011<BR/>T: 917-697-4886<BR/>E: <A HREF="mailto:info@x-initiative.org?subject=" TARGET="">info@x-initiative.org</A><br><br>]]></content:encoded>
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			<title>Anita Di Bianco - &quot;Ghostwriter&quot; at Remise, Kunstverein Braunschweig, 27 Jun - 30 Aug 09</title>
			<link>http://schauort.com/blog/2009/08/11/anita-di-bianco-ghostwriter-at-remise-kunstverein-braunschweig-27-jun-30-aug-09</link>
			<comments>http://schauort.com/blog/2009/08/11/anita-di-bianco-ghostwriter-at-remise-kunstverein-braunschweig-27-jun-30-aug-09</comments>
			<pubDate>Tue, 11 Aug 2009 15:47:00 +0000</pubDate>
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			<description><![CDATA[Die amerikanische Künstlerin Anita di Bianco arbeitet mit Film, Video und Printmedien. Ihre Kurzfilme verfolgen Strategien der Neu-Inszenierung von Werken bekannter Schriftsteller wie Winfried Georg Sebald oder Gertrude Stein und entstabilisieren so die Vorstellung einer unantastbaren Autorschaft. Analytisch die Textauswahl, puristisch die [...]]]></description>
			<content:encoded><![CDATA[Die amerikanische Künstlerin Anita di Bianco arbeitet mit Film, Video und Printmedien. Ihre Kurzfilme verfolgen Strategien der Neu-Inszenierung von Werken bekannter Schriftsteller wie Winfried Georg Sebald oder Gertrude Stein und entstabilisieren so die Vorstellung einer unantastbaren Autorschaft. Analytisch die Textauswahl, puristisch die Bilder: Di Biancos Remakes machen verborgene Strukturen sichtbar und eröffnen neue Lesarten.<BR/><BR/>In der Ausstellung in der Remise des Kunstvereins werden die aktuellsten Arbeiten der Künstlerin, Com Viet (2008) sowie die 2 Kanal-Videoinstallation der Filme Du rêve et des drogues und Ballad in Plain D mit dem Titel Der Versteller (2007) gezeigt.<BR/><BR/>Com Viet re-inszeniert ein Interview mit der französischen Schriftstellerin Marguerite Yourcenar aus dem Jahr 1980. Yourcenar, die alle denkbaren Formen der unkonventionellen Liebe in der Literatur aufgespürt und auch experimentell geprüft hatte, forschte lebenslang nach Alternativen zum „großen inszenierten Gefühl&#8220;, das sie für einen Wesenszug der französischen Kultur hielt. Die entsprechenden Passagen aus dem Interview werden als Off-Stimme vor dem Hintergrund eines vietnamesischen Restaurants eingespielt und zum Teil von einem Schauspieler monologisch in den Räumlichkeiten des Berliner Münzsalons vorgetragen.<BR/><BR/>Anita di Biancos filmtechnische Methoden, die Einstellungen und Schnittwechsel widersprechen den gewohnten, kurz getakteten Bildern der Medien. Durch die langen, nüchternen Kamera-Einstellungen gewinnt das Gesprochene eine suggestive Eindringlichkeit, das Bild eine geradezu fordernde Intensität.<BR/><BR/>Kunstverein Braunschweig (Remise)<BR/>Lessingplatz 12<BR/>38100 Braunschweig<BR/>Tel.: 0049 (0) 5 31 4 95 56<BR/>Fax: 0049 (0) 5 31 12 47 37<BR/>Web: <A HREF="http://www.kunstverein-bs.de/" TARGET="_blank">http://www.kunstverein-bs.de</A><BR/>E-Mail: <A HREF="mailto:info@kunstverein-bs.de?subject=" TARGET="">info@kunstverein-bs.de</A><br><br>]]></content:encoded>
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			<title>Pavel Pepperstein at Musee d'Art Moderne, Saint-Etienne, 16 May - 16 Aug 09</title>
			<link>http://schauort.com/blog/2009/08/10/pavel-pepperstein-at-musee-dart-moderne-saint-etienne-16-may-16-aug-09</link>
			<comments>http://schauort.com/blog/2009/08/10/pavel-pepperstein-at-musee-dart-moderne-saint-etienne-16-may-16-aug-09</comments>
			<pubDate>Mon, 10 Aug 2009 18:17:00 +0000</pubDate>
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			<description><![CDATA[<B>FRAGILE - Terres d'empathie</B><BR/><BR/>L'exposition FRAGILE présente une sélection d'une quarantaine d'artistes internationaux, dont les oeuvres témoignent d'une vision à la fois intime et anthropologique de l'expérience de vie contemporaine. A travers l'utilisation de divers médias (peinture, sculpture, dessin, vidéo, [...]]]></description>
			<content:encoded><![CDATA[<B>FRAGILE - Terres d'empathie</B><BR/><BR/>L'exposition FRAGILE présente une sélection d'une quarantaine d'artistes internationaux, dont les oeuvres témoignent d'une vision à la fois intime et anthropologique de l'expérience de vie contemporaine. A travers l'utilisation de divers médias (peinture, sculpture, dessin, vidéo, installation), ils célèbrent la vie dans ce qu'elle a de plus banal et d'essentiel. Négligeant l'absolutisme rigoureux des structures formelles, les différentes méthodologies plastiques de ces artistes reflètent un intérêt pour des événements subtils et des micro-récits, au sein de la complexité illimitée de notre quotidien. ...<BR/><BR/><A HREF="http://www.mam-st-etienne.fr/index.php?rubrique=30&amp;exposition_id=126" TARGET="_blank">Read more</A><br><br>]]></content:encoded>
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			<title>Shahryar Nashat at Orange County Museum of Art, 12 Apr - 06 Sep 09</title>
			<link>http://schauort.com/blog/2009/08/10/shahryar-nashat-at-orange-county-museum-of-art-12-apr-06-sep-09</link>
			<comments>http://schauort.com/blog/2009/08/10/shahryar-nashat-at-orange-county-museum-of-art-12-apr-06-sep-09</comments>
			<pubDate>Mon, 10 Aug 2009 18:15:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2009/08/10/shahryar-nashat-at-orange-county-museum-of-art-12-apr-06-sep-09</guid>
			<description><![CDATA[<B>H-Box</B><BR/><B>Curated by Benjamin Weil</B><BR/><BR/>H BOX is an innovative, roaming screening room for presenting major new video commissions by international artists. Designed by Portuguese artist/architect Didier Fiuza Faustino, this state-of-the-art collapsible video gallery travels to exhibition spaces around the world showcasing newly [...]]]></description>
			<content:encoded><![CDATA[<B>H-Box</B><BR/><B>Curated by Benjamin Weil</B><BR/><BR/>H BOX is an innovative, roaming screening room for presenting major new video commissions by international artists. Designed by Portuguese artist/architect Didier Fiuza Faustino, this state-of-the-art collapsible video gallery travels to exhibition spaces around the world showcasing newly commissioned work by emerging artists. First unveiled at the Pompidou Centre in Paris in November 2007, since then H BOX has traveled to Spain, Luxembourg, the Tate Modern in London and to the Yokohama Triennale in Yokohama, Japan. H BOX makes its U.S. premiere at OCMA. ...<BR/><BR/><A HREF="http://www.ocma.net/index.html?page=current#H_BOX" TARGET="_blank">Read more</A><BR/><BR/>Orange County Museum of Art<BR/>850 San Clemente Drive<BR/>Newport Beach, California 92660<BR/>Phone 949-759-1122<BR/>Fax 949-759-5623<BR/>info@ocma.net<BR/>www.ocma.net<br><br>]]></content:encoded>
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			<title>James Hyde at James Graham &amp; Sons Gallery, New York, 16 Jun - 28 Aug 09</title>
			<link>http://schauort.com/blog/2009/08/10/james-hyde-at-james-graham-sons-gallery-new-york-16-jun-28-aug-09</link>
			<comments>http://schauort.com/blog/2009/08/10/james-hyde-at-james-graham-sons-gallery-new-york-16-jun-28-aug-09</comments>
			<pubDate>Mon, 10 Aug 2009 18:07:00 +0000</pubDate>
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			<guid isPermaLink="false">http://schauort.com/blog/2009/08/10/james-hyde-at-james-graham-sons-gallery-new-york-16-jun-28-aug-09</guid>
			<description><![CDATA[James Hyde, Clearing, 2009, Acrylic on digital print on stretched linen, 68 x 86 1/2 inches [...]]]></description>
			<content:encoded><![CDATA[<br><br>James Hyde, Clearing, 2009, Acrylic on digital print on stretched linen, 68 x 86 1/2 inches<br><br><B>Blue</B><BR/><B>curated by John Zinsser</B><BR/><BR/>"Blue, here is a shell for you…/<BR/>Inside you'll hear a sigh."<BR/>--Joni Mitchell, 1971<BR/><BR/>James Graham &amp; Sons is pleased to present Blue, a group painting exhibition curated by John Zinsser. The show will take place at 32 East 67th Street from June 17th through August 28th, 2009.<BR/><BR/>The exhibition will include the work of: Richmond Burton, Rudolf De Crignis, Joe Fyfe, Wayne Gonzales, James Hyde, Daniel Levine, Nancy Lorenz, Olivier Mosset, James Nares, R.H. Quaytman, Kate Shepherd, Amy Sillman, Kimber Smith, Philip Taaffe, and Dan Walsh.<BR/><BR/>As much as the color blue is purely color, chroma, it has also been considered as an emotional state.<BR/><BR/>Read more<br><br>]]></content:encoded>
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			<title>Keren Cytter - Ars Viva 08/09, Inszenierung / Mise en Scène, Atelier Augarten, Vienna, 06 Jun - 27 Sep 09</title>
			<link>http://schauort.com/blog/2009/08/02/keren-cytter-ars-viva-0809-inszenierung-mise-en-scene-atelier-augarten-vienna-06-jun-27-sep-09</link>
			<comments>http://schauort.com/blog/2009/08/02/keren-cytter-ars-viva-0809-inszenierung-mise-en-scene-atelier-augarten-vienna-06-jun-27-sep-09</comments>
			<pubDate>Sun, 02 Aug 2009 16:48:00 +0000</pubDate>
			<dc:creator></dc:creator>
			<guid isPermaLink="false">http://schauort.com/blog/2009/08/02/keren-cytter-ars-viva-0809-inszenierung-mise-en-scene-atelier-augarten-vienna-06-jun-27-sep-09</guid>
			<description><![CDATA[Keren Cytter, still from: Something Happened, 2007, 7 min, digital video, color/sound [...]]]></description>
			<content:encoded><![CDATA[<br><br>Keren Cytter, still from: Something Happened, 2007, 7 min, digital video, color/sound<br><br>Augarten Contemporary will present works by the four prize winners in the Ars Viva Prize for the Visual Arts 2008/09, a sponsorship award donated by the Cultural Circle of German Business and Industries. The theme of this year’s call for entries was &#8220;mise en scène”. The prize winners Keren Cytter (*1977), Manuel Graf (*1978), Simon Dybbroe Møller (*1976), and Tris Vonna-Michell (*1982) have been selected among 50 artists whose works focus on the reflection of theatrical themes and different forms of expression and stagings.<BR/><BR/><A HREF="http://www.belvedere.at/jart/prj3/belvedere/main.jart?rel=en&amp;content-id=1211556486070&amp;reserve-mode=active" TARGET="_blank">Belvedere</A><br><br>]]></content:encoded>
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			<title>Keren Cytter - New publications</title>
			<link>http://schauort.com/blog/2009/07/12/keren-cytter-new-publications</link>
			<comments>http://schauort.com/blog/2009/07/12/keren-cytter-new-publications</comments>
			<pubDate>Sun, 12 Jul 2009 16:34:00 +0000</pubDate>
			<dc:creator></dc:creator>
			<guid isPermaLink="false">http://schauort.com/blog/2009/07/12/keren-cytter-new-publications</guid>
			<description><![CDATA[<B>The Amazing True Story of Moseh Klinberg - A Media Star.</B><BR/><B>Read it to believe it!</B><BR/><BR/>That’s it. This is the story. When I told it to the stupid waitress that works with me she said it looks like an American movie to her despite the moral of the story. I asked her what the moral of the story was and she said, &#8220;That [...]]]></description>
			<content:encoded><![CDATA[<B>The Amazing True Story of Moseh Klinberg - A Media Star.</B><BR/><B>Read it to believe it!</B><BR/><BR/>That’s it. This is the story. When I told it to the stupid waitress that works with me she said it looks like an American movie to her despite the moral of the story. I asked her what the moral of the story was and she said, &#8220;That we all die in the end”. It seemed silly, I told her it’s not a moral but a simple fact of life that any idiot knows. After a few days I went to work once more and this time another waitress was on duty - Ruty. While working in the kitchen and cutting vegetables for a salad I told her the story and then I told her about the moral from the stupid waitress. Ruty said it’s nonsense and that it’s not the moral of the story and asked me to add olives to the salad, I told her, &#8220;The moral of the story is that it’s better to mind your own business, and to always look at things as a bystander, otherwise you get hurt” and surprisingly, Ruty said, &#8220;No. That’s not the moral of the story. The moral of the story is that life is ironic and that life stinks”, to me it sounded like my own moral, only more generally put. So I had nothing to argue about. I sat next to her at the bar with a bowl and two forks and in the end we ate salad.<BR/>(From the last page of the book.)<BR/><BR/><A HREF="http://www.onestarpress.com/" TARGET="_blank">ONESTARPRESS</A><BR/><BR/>35 € + packing and postage. Please order at Elisabeth Kaufmann Gallery, Müllerstrasse 57, CH-8004 Zürich or via <A HREF="mailto:info@elisabethkaufmann.com?subject=" TARGET="">Mail.</A> <br><br><BR/><BR/><BR/><B>The seven most exciting hours of Mr. Trier’s life in twenty-four chapters</B><br><br> 20 € + packing and postage. Please order at Elisabeth Kaufmann Gallery, Müllerstrasse 57, CH-8004 Zürich or via <A HREF="mailto:info@elisabethkaufmann.com?subject=" TARGET="">Mail.</A><BR/><BR/>An adventure novel based on a true story told in a televised interview by the Danish filmmaker Lars von Trier, describing seven hours in the life of Tibor Klaus Trier—Lars von Trier's father—from the moment that his wife goes into labor early in the morning until Lars is born.<BR/><BR/>The setting is Copenhagen, dominated by a hospital that recalls von Trier's television series &#8220;The Kingdom.” The plot is thick: Tibor arrives with his wife Margaret at the Maternity Ward of Mercy General Hospital, only to realize that he must return home to retrieve a forgotten mobile—his only link to a sister in distress. On the way, he stops to get gas and gets involved in a car robbery. A cancer takes root in his body. Back at home, he sneaks a peak at Margaret's e-mail and a great secret is revealed that makes him rush back to the hospital to kill her and her son. En route he crashes his new car and his body breaks into pieces and he loses his memory. Mercy General is haunted by a great ghost and the day is Armageddon when the ghost needs to challenge the living with an army of zombie children—all born within its walls. Who is this great ghost? What does Margaret hold in her body? Will Tibor survive his one day old cancer? All and more will be revealed…<BR/><BR/>Witte de With (Hg), 2008.<BR/>Translated from the Hebrew by Hillel Roman.<br><br>]]></content:encoded>
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