Claudia Wieser: Poems of the Right Angle, on view in the Drawing Room, will be the first solo museum exhibition in North America of work by Berlin-based artist Claudia Wieser (b. 1973, Freilassing, Germany). The exhibition presents a site-specific installation of glazed ceramic tiles and prismatic mirrored facets against a background of geometrically-patterned wallpaper. In addition to the tile and mirror wall relief, Wieser will show a new series of colorful line drawings that play on the installation's optical and spatial illusions and serve to foreground her distinctive approach to abstraction. Together, the works mark the experiential and the intangible through precise geometries imbued with layers of spiritual, psychic, and phenomenal meaning that lead the viewer into contemplative spaces where the primacy of mark-making and viewing become fused.

Curated by Joanna Kleinberg, Assistant Curator at The Drawing Center.

The Drawing Center
35 Wooster Street
New York, NY 10013-5399, United States
(212) 219-2166
www.drawingcenter.org

10.07.2010 – 04.09.2011

Parallel zur Wiedereröffnung der Kunstsammlung am Grabbeplatz eröffnet im K21 Ständehaus die Ausstellung «Intensif-Station» – 26 Künstlerräume im K21. In den 26 Räumen werden bestehende Rauminstallationen und Werkgruppen in einen Dialog mit neuen, eigens vor Ort entwickelten und eingerichteten Räumen treten. «Intensif-Station» stellt die Partizipation des Einzelnen in den Vordergrund und weckt die Lust an der Begegnung mit dem künstlerischen Werk.

Künstlerräume und Rauminstallationen stellen einen Sammlungsschwerpunkt dar, der seit einigen Jahren kontinuierlich ausgebaut wird.

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K21 STÄNDEHAUS
Kunstsammlung Nordrhein-Westfalen
Ständehausstraße 1, 40217 Düsseldorf

False Recognition
Curated by Evaldas Stankevičius, with advice from Anders Kreuger and Magda Kardasz
Organized by Contemporary Art Centre Vilnius and Lithuanian Artists' Union

Many of the problems contemporary painters are facing are not new. Shall painting be used to make images, or shall it by-pass any quest for illusion and express itself through gesture and tactility? Shall painting stay on the surface or shall it create depth? Shall it visualise ideas or attract attention to its own materiality?

So, can painting articulate any new thoughts? Newness in painting might be something that at first looks very small, even insignificant. It might be a change of tone rather than a change of programme. It might be a shift in confidence or craftsmanship, a dexterity or an awkwardness that we have not seen before in this precise constellation. It might be ‘a new way of seeing’ that manifests itself as painting.

The 14th Vilnius Painting Triennial takes a broad look at what ‘new thoughts in painting’ might mean, and also at some ‘new names in painting’: artists who exemplify the tension between tradition and newness and whose work embodies different attitudes towards the image, the gesture, time and subjectivity.

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Back to Jakarta
(Kembali ke Jakarta)

Hadassah Emmerich’s surreal drawings and mural paintings are immersive dreams of the exotic. Their sheer scale is overwhelming and like a dream they haunt the viewer. Cliché fantasies of foreign beauties, ornaments, tropical plants and flowers are expressions of the artist’s exploration of her own nationality: Emmerich is Dutch, born to mixed race parents of German, Chinese and Indonesian origin. Following Sigmund Freud’s Interpretation of Dreams we can read Emmerich’s naïve and powerful fantasies about a place ‘elsewhere’ as an expression of the desire to reconnect with the repressed, as longings for Indonesia, her father’s country, which she visited for the first time in her early twenties. Yet, the paintings are no one-toone translations of the artist’s subconscious, but they are inquiries into the idea of the exotic. For the artist, dreams are the starting point, never the end product. Emmerich’s hypersensitive environments turn exaggeration and over-amplification into critical strategies of analysis. The references to woodcut, the traditional craft of so-called primitive art, and to the work of Paul Gauguin and Henri Rousseau are sometimes critical, often ironic and always celebratory comments on the representation of the exotic in art history.

A new catalogue will be presented, with texts by Mella Jaarsma, the artist and a foreword by Ambassador Dr. Nikolaos van Dam

Visit website of Erasmushuis

Line up
Shahryar Nashat solo exhibition at Kunstverein Nürnberg, Albrecht Dürer Gesellschaft, opens on Friday, April 16th, 2010.

Kunstverein Nürnberg
Albrecht Dürer Gesellschaft
Kressengartenstraße 2, D - 90402 Nürnberg
T +49 (0)911 24 15 62, F +49 (0)911 24 15 63

Website

Mein Gedächtnis beobachtet mich 
Film by Eva Meyer and Eran Schaerf
will be screened at: Ambulante - Travelling Film Festival
curator: Eduardo Thomas
February 12th - May 6th 2010
Mexico

Twice upon a time
Installation at the group exhibitiont: `Make the Most of Now´ 
Kunsthalle Exnergasse Wien
curator: Max Benkendorff
March 24th - April 25th, 2010
 
Die Stimme des Hörers (BR 2002)
Installation in: r e s o n a n z e n 2010, Festival fuer Hoerkunst
15. - 17. April, 2010, Leipzig
 
Nichts wie jetzt (BR 2009)
Radio play in BR2
April 9th, 2010

Die Stimme des Hörers (BR 2002)
Radio play in SWR2
March 12th, 2010
 
Nacktscanner
artist insert in: Du – Das Kulturmagazin
Kurator: Roman Kurzmeyer
issue 804, March 2010
 
Die Stimme des Hörers
Radio play in: "Sounds. Radio – Kunst – Neue Musik"
Concept team: Marius Babias, Gaby Hartel, Frank Kaspar, Katrin Klingan

Neue Berliner Kunstverein
13. Februar - 28. März 2010
 
Out now:

Umgekehrte Assimilation. Das bis dahin und weiterhin nicht Gesehene
Text-Bild-Beitrag in: Beatrice von Bismarck (Hrsg.), Kunst, Sichtbarkeit, Ökonomie
Verlag für moderne Kunst Nürnberg
 
Polizei-Feedback. Ein Interview mit René Magritte 
Audiobeitrag in: Herbert Kapfer / Margit Rosen (Hrsgg.), der künstler als jünger hund peter weibl tribute album
internedium rec. 044
 

La Charmeuse de Serpents
Solo exhibition featuring works on paper and linocuts.
Opening reception: March 3rd, 6 - 8 p.m.

Hendershot Gallery
547 West 27th Street
New York, NY 10001

Visit gallery website.

In On Gaps and Silent Documents international artists question the absence of documents and data in archives, data banks and memory. What is missing? Has it never been there or has it been removed? Does available information exist that is not looked at, read or used? Archives and data banks are primarily determined by these gaps and silent documents. As Sven Spieker notes, "Archives are less concerned with memory than with the necessity to discard, erase, eliminate." Creating archives is continual selection. As such, it reveals the priorities and blind spots of the keeper of the archives, his world and his time.

Read more on the website.

STUK Onthaal
Naamsestraat 96
3000 Leuven, Belgium
info@artefact-festival.be

„Georges Adéagbo: La Culture et les Cultures – La Chine à Hambourg“
Opening Saturday February 13th, 4-8 pm

During the past two years, Adeagbo was invited twice by major Chinese institutions to their events- the Guangzouh Triennial 2008 and the Beijing Biennial 2010. In collaboration with Stephan Köhler-jointadventures.org Adeagbo developed concepts and studies, which as of today were never shown. Final agreements with the organizers failed not only concerning production and travel costs, parameters of lending and returning the work; above all the thematic freedom could not be guaranteed. Adeagbo and Köhler realized that elements relating to Tibet and the recent sentence of Liu Xiaobo could not be removed without turning from being a critical artist into a decorator.

The objects bought and commissioned in West Africa and Hamburg for a possible project in China, as well as excerpts from the correspondence, will be on view in this exhibition at Gallery Holzhauer in Hamburg.

In cooperation with Stephan Köhler – jointadventures.org

For more information, please visit the gallery's website.

Opening Feb 11, 2010

Globalization, along with all its implications and repercussions in highly diverse areas of society, is a much discussed theme. One aspect which has so far been neglected is the relationship of globalization and design. This exhibition now shows the effects that the globalized world has had on design since the 1970s and how design is developed for the globalized world. It is based on a concept of design which includes architecture, graphics, media, fashion, product and industrial design just as much as the design of spheres of life or product processes. Beginning with global networking in the fields of communication, mobility, production, trade and capital, the focal themes are the presentation of globalization in relationship to regionalism, the container as the primary element of globalization, cultural transfer and global trends. Contributions from artists such as Thomas Demand, Fischli/Weiss, Armin Linke or Allan Sekula illustrate special phenomena of globalization.

Visit museum website for discussion schedule and more information.

Museum für Gestaltung Zürich
Designsammlung, Grafiksammlung
Förrlibuckstr. 62
CH-8005 Zürich

Tue - Sun: 10am–5pm
Wed: 10am–8pm

See a selection of works by Keren Cytter at Hammer Projects! Exhibition running until April 4, 2010:

Untitled, 2009 (video shown at Vennice Biennial 2009)
Four Seasons, 2009
Les Ruissellements du Diable, 2008

HAMMER
10899 Wilshire Blvd
Los Angeles, CA 90024
Phone: 310.443.7000

Please click herefor more information on the show.

Silberkuppe
Old Ideas

Silberkuppe is not only one of Berlin’s most vibrant independent spaces for contemporary art and culture, but also an artist’s meeting place. Since their inaugural all-night opening just over a year ago, Silberkuppe has initiated a colorful array of convention-challenging presentations, exhibitions, talks, screenings, music and performances. At the Museum für Gegenwartskunst they will present a selection of new, site-oriented productions from a diverse group of artists under the banner “Old Ideas”. For Silberkuppe, some “old ideas” are new again and the notion of the “cutting-edge” or “contemporary” rests on cushions called “yesterday” with its feet up on a stool called “tomorrow”. Throughout the course of the exhibition, Silberkuppe will host a variety of social evenings and events in their own unique and inclusive style.

Kunstmuseum Basel
St. Alban-Graben 16
CH-4010 Basel
0041 (0)61 206 62 62
Tue - Sun 10 a.m. - 6 p.m.

Visit museum website for further information.

We are very proud to announce that Keren Cytter has been listed as number 2 in the Flash Art list of the "Top 100 Emerging Artists", published in the October issue.

The list was compiled from answers to a questionnaire sent to over 100 museum directors, curators and critics.

Congratulations, Keren!

Works by Keren Cytter are presented at this year's KunstFilmBiennale in Cologne.

To visit the website for more information and the program, please click here.

On the occasion of the Art Forum Berlin 2009 and in honor of the artist Keren Cytter, Julia Stoschek invites to a reception from 12 - 4 pm at the Tower Apartment at the Ritz-Carlton on Saturday, 26 September 2009 - with screening of videos!

Tower Apartment
15th Floor at Ritz-Carlton
Potsdamer Platz 4
10785 Berlin

Galerie Kamm Berlin will present Pavel Pepperstein in a solo-exhibition from 31 Ocotber until 19 December, 2009.

Visit Galerie Kamm website here!

Zwinger Galerie Berlin presents Eran Schaerf in a solo-exhibition titled "Twice upon a time" from 12 September to 7 November, 2009.

Visit Zwinger Galerie website here!

There is still time to visit Jan Fabre's exhibition at Museum of Modern Art Dubrovnik, Croatia, until 23 August 2009:

The Borrowed Time

Le temps emprunté or Borrowed Time is the second part of the unscheduled Dubrovnik ”exhibition diptych” of Jan Fabre. The first part, Umbraculum for Dubrovnik, as it is known, took place three years ago in the same place, the Museum of Modern Art in Dubrovnik.

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Jan Fabre will receive the "International Art Award" for his work as a visual artist. The Cristobal Gabarron Foundation (Valladolid) will present this prestigious prize to Fabre on 9 October 2009. From the jury's report: "Due to his versatile character, open to diverse artistic disciplines ranging from scenic to visual arts. The trajectory of this Belgian artist won him international recognition because of his innovating spirit, while at the same time demonstrating his control of different technique, materials and expressions."

Le Syndicat de la Critique Professionnelle has awarded the "Prix du Jury" to Fabre (which has been presented to him on 15 June 2009). This organization groups all French professional art critics (performance arts). Fabre will receive this award for his most recent work for the stage, "Orgy of Tolerance".

http://www.premiosinternacionalesfcg.org/
http://www.syndicat-critique-tmd.fr

We are proud to announce Keren Cytter's first solo exhibition in France!

"Now living and working in Berlin, this young Israeli artist works mainly in video, mingling genres and styles in short narratives that involve the viewer in the often tragic destinies of characters trapped in violent relationships. In a mix of cinéma-vérité and sitcom, home movie and reality TV, filmed performance and auteur cinema, Cytter offers works marked by a seemingly constant conflict between reality and fiction."

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Glasstress
06.06.2009 - 22.11.2009
Instituto Veneto di Scienze Lettere ed Arti
Scuola Grande di San Teodoro San Marco, Venice

Glasstress revolves around the experiences of several contemporary international artists who regularly use glass as a medium. The exhibition seeks out new perspectives that working with glass may offer. The artists taking part include Louise Bourgeois, Daniel Buren, Tony Cragg, Jan Fabre, Roni Horn, Man Ray, Kiki Smith, Koen Vanmechelen en Chen Zen.

Organization: Mjellby Konstmuseum Halmstadgruppens Museum

Information:
Instituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, Campo Santo Stefano - San Marco 2842, Scuola Grande di San Teodoro, San Marco, 4811

http://www.labiennale.org

In autumn 2009 the Preis der Nationalgalerie für junge Kunst (the Nationalgalerie Prize for Young Art) will be awarded for the fifth time. Massimiliano Gioni (Artistic Director of the Nicola Trussardi Foundation, Milan and Director for Special Exhibitions at the New Museum for Contemporary Art, New York), Jessica Morgan (Curator Tate Modern, London), Beatrix Ruf (Director Kunsthalle Zürich), Janneke de Vries (Director of the Gesellschaft für aktuelle Kunst, Bremen) as well as Bernhart Schwenk (Curator Pinakothek der Moderne, München) were nominated for the first jury. The nomination of the first jury is the starting shot for this international competition. During the Art Forum in autumn 2008 the four candidates who compete for the Preis will be announced and form the short-list. All four artists will present their individual work during a group exhibition at the Hamburger Bahnhof - Museum für Gegenwart, Berlin in the following year.

Nashashibi / Skaer, still from Our Magnolia, 2009, 16 mm film

doggerfisher
11 Gayfield Square
Edinburgh EH1 3NT
t + 44 (0) 131 558 7110
f + 44 (0) 131 558 7179

mail@doggerfisher.com
www.doggerfisher.com

The four artists who have been shortlisted for the Turner Prize 2009 are Enrico David, Roger Hiorns, Lucy Skaer and Richard Wright.

Lucy Skaer
For her solo exhibition at the Fruitmarket Gallery, Edinburgh and A Boat Used as a Vessel at the Kunsthalle Basel. Skaer makes drawings, sculptures and films which often take found photographic sources as their starting point. Rooted in reality, yet subjected to a process of elaborate transformation, Skaer's images hover in the space between recognition and ambiguity, figuration and abstraction.

The Turner Prize award is £40,000 with £25,000 going to the winner and £5,000 each for the other shortlisted artists. The Prize, established in 1984, is awarded to a British artist under fifty for an outstanding exhibition or other presentation of their work in the twelve months preceding 21 April 2009. It is intended to promote public discussion of new developments in contemporary British art and is widely recognised as one of the most important and prestigious awards for the visual arts in Europe.

Work by the shortlisted artists will be shown in an exhibition at Tate Britain opening on 7 October 2009. The winner will be announced at Tate Britain on 7 December 2009 during a live broadcast by Channel 4.

The members of the Turner Prize 2009 jury are:

* Charles Esche, Director Van Abbemuseum, Eindhoven
* Mariella Frostrup, writer and broadcaster
* Jonathan Jones, art critic, The Guardian
* Dr Andrea Schlieker, Director Folkestone Triennial, and curator
* Stephen Deuchar, Director, Tate Britain and Chair of the Jury

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The Ljubljana Biennial of Graphic Arts is the world's biggest and one of the most renowned events of the kind. Its beginnings date back to 1955 and during its more than 50-year history it has received huge acclaim from artists, experts and public alike.

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Images et (re)présentations. The 1980s – part two

At the end of 2008, Le Magasin presented the first instalment of a two-part exhibition devoted to the art of the 1980s. Accompanied by a book, this first project was organised around groups of works that shed light on the notions of private space, public space and community.

Now, the second part focuses on the central question of the image. Whether in the “pattern painting” of the artists grouped under that title in the early years of the decade, or in its different iconographic and stylistic registers, the art of this period drew on the culture industry and media as well as the history of art, both ancient and modern.

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We are delighted to announce Keren Cytter's upcoming solo-exhibition at Galeria Estrany-de la Mota in Barcelona.

Opening: 18 September 2009

Galeria Estrany-de la Mota
Passatge Mercader 18
08008 Barcelona, Spain
galeria@estranydelamota.com
T 93 215 70 51 / F 93 487 35 52
www.estranydelamota.com

A project by Christoph Doswald and Sabine Schaschl

Although the exhibition Golden Agers & Silver Surfers focuses on a certain age group and target population, it develops a dialogue that involves all age groups. Aging is a phenomenon of societal relevance that is given pictorial reflection in the visual arts. While the art of our time mirrors the yearnings and desires of humankind, it also has something else to propose, something proprietary and, perhaps, strange, which stands in juxtaposition to our societal reality. ...

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Kunsthaus Baselland
St. Jakob-Strasse 170
CH-4132 Muttenz/Basel
+41 (0)61 312 83 88
+41 (0)61 312 83 89
www.kunsthausbaselland.ch

Opening Hours
Di, Do – So 11 – 17 H
Mi 14 – 20 H

For its summer phase opening on July 9th, X is pleased to present solo shows by Tris Vonna-Michell, Luke Fowler, and Keren Cytter.

Installation view at X INITIATIVE, New York

On the second floor, X will host Keren Cytter’s first major survey in the United States. Born in Tel Aviv andcurrently living in Berlin, Cytter creates movies that appropriate and transform different cinematic genres, suchas film noir, melodrama, documentary, and soap opera. Often set in cheap domestic interiors, Cytter’s filmsdepict dysfunctional families and alienated friends on the verge of nervous breakdown. The exhibition willinclude the US premiere of her new movie Four Seasons, 2009, presented alongside a selection of her videosand a group of drawings never exhibited in America. Cytter conceived the project as an immersive experience inwhich synchronized videos will alternate on different screens and lights will suddenly illuminate her drawings,creating a theater of images in the exhibition space. Keren Cytter has had solo exhibitions at CCA Center forContemporary Art, Kitakyushu (2009), Witte de With, Rotterdam (2008), and MUMOK, Vienna (2007). Her workwas included in The Generational: Younger Than Jesus, and will be featured in the upcoming 53rd VeniceBiennale. Keren Cytter’s exhibition is supported by Artis – Contemporary Israeli Art Fund, New York and Tel Aviv.

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X INITIATIVE
548 West 22nd Street
New York, NY 10011
T: 917-697-4886
E: info@x-initiative.org

Die amerikanische Künstlerin Anita di Bianco arbeitet mit Film, Video und Printmedien. Ihre Kurzfilme verfolgen Strategien der Neu-Inszenierung von Werken bekannter Schriftsteller wie Winfried Georg Sebald oder Gertrude Stein und entstabilisieren so die Vorstellung einer unantastbaren Autorschaft. Analytisch die Textauswahl, puristisch die Bilder: Di Biancos Remakes machen verborgene Strukturen sichtbar und eröffnen neue Lesarten.

In der Ausstellung in der Remise des Kunstvereins werden die aktuellsten Arbeiten der Künstlerin, Com Viet (2008) sowie die 2 Kanal-Videoinstallation der Filme Du rêve et des drogues und Ballad in Plain D mit dem Titel Der Versteller (2007) gezeigt.

Com Viet re-inszeniert ein Interview mit der französischen Schriftstellerin Marguerite Yourcenar aus dem Jahr 1980. Yourcenar, die alle denkbaren Formen der unkonventionellen Liebe in der Literatur aufgespürt und auch experimentell geprüft hatte, forschte lebenslang nach Alternativen zum „großen inszenierten Gefühl“, das sie für einen Wesenszug der französischen Kultur hielt. Die entsprechenden Passagen aus dem Interview werden als Off-Stimme vor dem Hintergrund eines vietnamesischen Restaurants eingespielt und zum Teil von einem Schauspieler monologisch in den Räumlichkeiten des Berliner Münzsalons vorgetragen.

Anita di Biancos filmtechnische Methoden, die Einstellungen und Schnittwechsel widersprechen den gewohnten, kurz getakteten Bildern der Medien. Durch die langen, nüchternen Kamera-Einstellungen gewinnt das Gesprochene eine suggestive Eindringlichkeit, das Bild eine geradezu fordernde Intensität.

Kunstverein Braunschweig (Remise)
Lessingplatz 12
38100 Braunschweig
Tel.: 0049 (0) 5 31 4 95 56
Fax: 0049 (0) 5 31 12 47 37
Web: http://www.kunstverein-bs.de
E-Mail: info@kunstverein-bs.de

FRAGILE - Terres d'empathie

L'exposition FRAGILE présente une sélection d'une quarantaine d'artistes internationaux, dont les oeuvres témoignent d'une vision à la fois intime et anthropologique de l'expérience de vie contemporaine. A travers l'utilisation de divers médias (peinture, sculpture, dessin, vidéo, installation), ils célèbrent la vie dans ce qu'elle a de plus banal et d'essentiel. Négligeant l'absolutisme rigoureux des structures formelles, les différentes méthodologies plastiques de ces artistes reflètent un intérêt pour des événements subtils et des micro-récits, au sein de la complexité illimitée de notre quotidien. ...

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H-Box
Curated by Benjamin Weil

H BOX is an innovative, roaming screening room for presenting major new video commissions by international artists. Designed by Portuguese artist/architect Didier Fiuza Faustino, this state-of-the-art collapsible video gallery travels to exhibition spaces around the world showcasing newly commissioned work by emerging artists. First unveiled at the Pompidou Centre in Paris in November 2007, since then H BOX has traveled to Spain, Luxembourg, the Tate Modern in London and to the Yokohama Triennale in Yokohama, Japan. H BOX makes its U.S. premiere at OCMA. ...

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Orange County Museum of Art
850 San Clemente Drive
Newport Beach, California 92660
Phone 949-759-1122
Fax 949-759-5623
info@ocma.net
www.ocma.net

James Hyde, Clearing, 2009, Acrylic on digital print on stretched linen, 68 x 86 1/2 inches

Blue
curated by John Zinsser

"Blue, here is a shell for you…/
Inside you'll hear a sigh."
--Joni Mitchell, 1971

James Graham & Sons is pleased to present Blue, a group painting exhibition curated by John Zinsser. The show will take place at 32 East 67th Street from June 17th through August 28th, 2009.

The exhibition will include the work of: Richmond Burton, Rudolf De Crignis, Joe Fyfe, Wayne Gonzales, James Hyde, Daniel Levine, Nancy Lorenz, Olivier Mosset, James Nares, R.H. Quaytman, Kate Shepherd, Amy Sillman, Kimber Smith, Philip Taaffe, and Dan Walsh.

As much as the color blue is purely color, chroma, it has also been considered as an emotional state.

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Keren Cytter, still from: Something Happened, 2007, 7 min, digital video, color/sound

Augarten Contemporary will present works by the four prize winners in the Ars Viva Prize for the Visual Arts 2008/09, a sponsorship award donated by the Cultural Circle of German Business and Industries. The theme of this year’s call for entries was “mise en scène”. The prize winners Keren Cytter (*1977), Manuel Graf (*1978), Simon Dybbroe Møller (*1976), and Tris Vonna-Michell (*1982) have been selected among 50 artists whose works focus on the reflection of theatrical themes and different forms of expression and stagings.

Belvedere

The Amazing True Story of Moseh Klinberg - A Media Star.
Read it to believe it!

That’s it. This is the story. When I told it to the stupid waitress that works with me she said it looks like an American movie to her despite the moral of the story. I asked her what the moral of the story was and she said, “That we all die in the end”. It seemed silly, I told her it’s not a moral but a simple fact of life that any idiot knows. After a few days I went to work once more and this time another waitress was on duty - Ruty. While working in the kitchen and cutting vegetables for a salad I told her the story and then I told her about the moral from the stupid waitress. Ruty said it’s nonsense and that it’s not the moral of the story and asked me to add olives to the salad, I told her, “The moral of the story is that it’s better to mind your own business, and to always look at things as a bystander, otherwise you get hurt” and surprisingly, Ruty said, “No. That’s not the moral of the story. The moral of the story is that life is ironic and that life stinks”, to me it sounded like my own moral, only more generally put. So I had nothing to argue about. I sat next to her at the bar with a bowl and two forks and in the end we ate salad.
(From the last page of the book.)

ONESTARPRESS

35 € + packing and postage. Please order at Elisabeth Kaufmann Gallery, Müllerstrasse 57, CH-8004 Zürich or via Mail.